Rudolf Arnheim | Academic Influence

Rudolf Arnheim's AcademicInfluence.com Rankings

Rudolf Arnheim

Psychology

#128

World Rank

#216

Historical Rank

psychology Degrees

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Psychology

Why Is Rudolf Arnheim Influential?

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According to Wikipedia, Rudolf Arnheim was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.

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Rudolf Arnheim's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

The power of the center : a study of composition in the visual arts (1983) (251)
Entropy and Art: An Essay on Disorder and Order (1971) (187)
The dynamics of architectural form (1977) (136)
Toward a Psychology of Art : Collected Essays (1967) (105)
Sketching and the Psychology of Design (1993) (87)
The Genesis of a Painting: Picasso's Guernica (1973) (64)
The dynamics of architectural form : based on the 1975 Mary Duke Biddle lectures at the Cooper Union (1977) (61)
On the Nature of Photography (1974) (58)
Picasso's Guernica;: The genesis of a painting (1962) (42)
To the Rescue of Art: Twenty-Six Essays (1991) (37)
On Entropy and Art (1973) (30)
Inverted Perspective in Art: Display and Expression (1972) (27)
Film essays and criticism (1997) (26)
The two faces of gestalt psychology. (1986) (20)
Visual Perception of Form by Leonard Zusne (review) (1974) (18)
e. h. gombrich, Art and Illusion. A Study in the Psychology of Pictorial Representation (1962) (18)
The Split and the Structure: Twenty-Eight Essays (1998) (18)
To the Rescue of Art (1991) (17)
Architecture in the Culture of Early Humanism (1993) (17)
The Two Authenticities of the Photographic Media (1993) (15)
Chapter V: The Double-edged Mind: Intuition and the Intellect (1985) (13)
Ancient Chinese aesthetics and its modernity (1997) (12)
Languages of Art. An Approach to a Theory of Symbols. Nelson Goodman. Bobbs-Merrill, Indianapolis, 1968. xiv + 278 pp., illus. $8 (1969) (11)
Gombrich on Art and Psychology (1998) (9)
Perception of Perspective Pictorial Space from Different Viewing Points (1977) (9)
THE EXPRESSION AND COMPOSITION OF COLOR (1998) (8)
The images of pictures and words (1986) (8)
The Coming and Going of Images (2000) (8)
The Valiant Knights of Daguerre: Selected Critical Essays on Photography and Profiles of Photographic Pioneers (1978) (7)
Some Comments on J. J. Gibson’s Approach to Picture Perception (1979) (7)
Picasso's Guernica: The Genesis of a Painting (1964) (7)
From Chaos to Wholeness (1996) (7)
What it means to be creative (2001) (6)
Art among the Objects (1987) (6)
Hubert Damisch: The Origin of Perspective (1995) (6)
The Rationale of Deformation (1983) (5)
Beyond the double truth (1991) (5)
The art of psychotics (1977) (5)
Art as healing: Edward Adamson in association with John Timlin/foreword by Anthony Stevens (London: Coventure, 1984, 68 pages, illustrations in color, £6.95) (1986) (5)
Emotion and feeling in psychology and art. (1958) (5)
Aspects of Form. A Symposium on Form in Nature and Art (1952) (4)
Wolfgang Köhler and Gestalt theory: an English translation of Köhler's Introduction to die physischen Gestalten for Philosophers and Biologists. (1998) (4)
On Order, Simplicity and Entropy (1974) (4)
The Way of the Crafts (1994) (3)
From Contrast to Assimilation: In Art and in the Eye (1975) (3)
Why Words Are Needed (1998) (3)
The Artistry of Psychotics (2016) (3)
Parables of sun light: Observations on psychology, the arts, and the rest (1989) (3)
An Exchange of Views on Gestalt Psychology and Aesthetic Explanation (1981) (2)
Perception of Perspective Pictorial Space (1979) (2)
J. M. Kennedy's Commentary on My Approach to Art and Visual Perception (1980) (2)
Seeing Voices. A Journey into the World of the Deaf by Oliver Sacks (review) (1991) (2)
Studies in Psychiatric Art: Its Psychodynamics, Therapeutic Value, and Relationship to Modern Art. (1968) (2)
A history of Division 10 (Psychology and the Arts): Through the eyes of past presidents. (1999) (2)
Composites of Media: The History of an Idea (1999) (2)
Mosaics Old and New (1941) (1)
Art and its Objects, an Introduction to Aesthetics (1970) (1)
The Mind's Eye: Readings from Scientific American (1986) (1)
On Entropy and Art (Continued) (1973) (1)
Picture Theory: Essays on Verbal and Visual Representation by W.J.T. Mitchell (review) (1995) (1)
The Psychologist Who Came to Dinner (1954) (1)
A Comment on Rauschenbach's Paper (1983) (1)
Form and the Consumer (1959) (1)
A Psychologist's View of General Education for the Artist (1949) (1)
Engineering a New Architecture by Tony Robbin (review) (1997) (1)
Body movement: Coping with the environment: Irmgard Bartenieff with Dori Lewis (New York: Gordon & Breach 1980, 304 pp, $42.50) (1981) (1)
Canadian Perspectives : A National Conference on Canadian Photography (1979) (1)
Mary Henle. 1879 and all that: Essays in the theory and history of psychology. New York: Columbia University Press, 1986. xxvii + 295 pp. $30.00 (cloth); $15.00 (paper) (1987) (0)
Arnheim, Rudolf, "The Double-Edged Mind: Intuition and the Intellect," pp. 77-96 in Elliot W. Eisner, ed., Learning and Teaching the Ways of Knowing , 84th Yearbook of the NSSE, Part II. Chicago: University of Chicago Press, 1985. (1985) (0)
Psychology and Visual Aesthetics. (1973) (0)
of the Photographic Media (2016) (0)
Rescuing Art and Culture@@@To the Rescue of Art: Twenty-Six Essays@@@Citadel Culture@@@The Reenchantment of Art (1993) (0)
Fearful Symmetry. The Search for Beauty in Modern Physics by A. Zee (review) (1988) (0)
Reply to Roy R. Behrens: Concerning Isomorphism (1987) (0)
The arts and psychotherapy : Shaun McNiff (Springfield, IL: Charles C. Thomas, 1981, 232 pages, $19.75) (1982) (0)
RECOGNIZING CRITERIA OF " UNITY " IN THE APPLIED AESTHETICS AND THEIR ORIGIN (2016) (0)
6117 COGNITIVE MEDIA-A_6 x 9 (2013) (0)
Psychotic Art. A Study of the Products of the Mentally Ill (1951) (0)
The Dynamics of Architecturel Form (1978) (0)
Recommended reading for undergraduate curriculum (2000) (0)
Buildings and Human Figures Aware of Each Other (1999) (0)
The Mind’s Eye: Readings from Scientific American ed. by Jeremy M. Wolfe (review) (1989) (0)
The virtue of endlessness (2000) (0)
ART AS SUCH (1999) (0)
THE NATURE OF THE PICTORIAL MEDIUM (2003) (0)
Spiritual Space: The Religious Architecture of Pietro Belluschi by Meredith L. Clausen (review) (1994) (0)
What is Art For? (1964) (0)
Phototherapy in mental health: David A. Krauss and Jerry L. Fryrear (Eds.) (Springfield, IL: Charles C Thomas, 1983 $29.75 hard-cover) (1984) (0)
The Science of Art: Optical Themes in Western Art From Brunelleschi to Seurat by Martin Kemp (review) (1991) (0)
Poets at work : essays based on the modern poetry collection at the Lockwood Memorial library, University of Buffalo (1948) (0)
Comments on the Relations between Art and the Sciences: The Role of Projective Geometry and Perspective (1985) (0)
Cleaving to psychology. (1970) (0)
Structure in Science and Art. Proceedings of the Third C. W. Boehringer Sohn Symposium, Kronberg, Taunus, 2-5 May 1979 (1982) (0)
The symbolism of style: Art as therapy: R.M. Simon (London and New York: Routledge, 1992, 209 pages, $18.95 paper, $64.50 hard) (1993) (0)
Form and the Consumer: For a "Community of Style, Interest and Taste" in the Arts (1959) (0)
Color Plates (2005) (0)
Picasso, 'Guernica'@@@Picasso's 'Guernica' after Rubens's 'Horrors of War' (1985) (0)
THE NATURE AND FUNCTION OF RHYTHMICAL SHAPE (2001) (0)
richard wollheim, Art and its Objects, an Introduction to Aesthetics (1970) (0)

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What Are Rudolf Arnheim's Academic Contributions?

Rudolf Arnheim is most known for their academic work in the field of psychology. They are also known for their academic work in the fields of

Rudolf Arnheim has made the following academic contributions: