Ruth Phillips

Q: What Schools Are Affiliated With Ruth Phillips

Ruth Phillips is affiliated with the following schools: SOAS University of London, University of British Columbia, Carleton University, Queen's University at Kingston, University of Toronto, Harvard University

Ruth Phillips's AcademicInfluence.com Rankings

Ruth Phillips

Education

#1516

World Rank

#2157

Historical Rank

Pedagogy

#190

World Rank

#250

Historical Rank

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Education

Why Is Ruth Phillips Influential?

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According to Wikipedia, Ruth B. Phillips is a Canadian art historian and curator who specializes in North American aboriginal art. She is an author of numerous books and articles on the subjects of Indigenous studies, anthropology/archaeology, political science, international studies, public policy, Canadian studies, and cultural studies.

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Ruth Phillips's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Unpacking culture : art and commodity in colonial and postcolonial worlds (1999) (217)
Sensible objects : colonialism, museums, and material culture (2006) (152)
Museum Pieces: Toward the Indigenization of Canadian Museums (2011) (135)
Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900 (1998) (108)
Re-placing Objects: Historical Practices for the Second Museum Age (2005) (86)
Native North American Art (1998) (72)
Chapter 4. Why Not Tourist Art? Significant Silences in Native American Museum Representations (1994) (24)
Disrupting Past Paradigms: The National Museum of the American Indian and the First Peoples Hall at the Canadian Museum of Civilization (2006) (24)
Representing Woman: Sande Masquerades of the Mende of Sierra Leone (1995) (21)
Masking in Mende Sande Society Initiation Rituals (1978) (20)
APEC at the Museum of Anthropology: The Politics of Site and the Poetics of Sight Bite (2000) (19)
Double Take: Contesting Time, Place, and Nation in the First Peoples Hall of the Canadian Museum of Civilization (2005) (19)
The International Handbooks of Museum Studies (2013) (17)
Native American Art and the New Art History (1989) (16)
Fielding Culture: Dialogues Between Art History and Anthropology (1994) (14)
Making sense out/of the visual: Aboriginal presentations and representations in nineteenth‐century Canada (2004) (14)
2. Performing the Native Woman: Primitivism and Mimicry in Early Twentieth-Century Visual Culture (2001) (11)
Our (Museum) World Turned Upside Down: Re-presenting Native American Arts (2019) (10)
Wampum unites us: digital access, interdisciplinarity and indigenous knowledge—situating the GRASAC knowledge sharing database (2014) (10)
The Museum of Art-Thropology: Twenty-First Century Imbroglios (2007) (10)
Aesthetic Primitivism Revisited: The Global Diaspora of 'Primitive Art' and the Rise of Indigenous Modernisms (2015) (9)
Turning Point: Australian NGOs (2005) (8)
"Vitalizing the Things of the Past": Museum Representations of Native North American Art in the 1990s (1992) (8)
Mapping Modernisms: Art, Indigeneity, Colonialism (2018) (8)
The Problematics of Collecting and Display, Part 1 (1995) (8)
Inclusivity or Sovereignty? Native American Arts in the Gallery and the Museum since 1992 (2017) (7)
Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact (2008) (7)
Where Is "Africa"? Re‐Viewing Art and Artifact in the Age of Globalization (2002) (7)
‘A CASKET OF SAVAGE CURIOSITIES’Eighteenth-century objects from north-eastern North America in the Farquharson collection (1994) (6)
Patterns of power : the Jasper Grant collection and Great Lakes Indian art of the early nineteenth century (1984) (6)
Museums in Transformation: Dynamics of Democratization and Decolonization (2015) (6)
Making Fun of the Museum: Multidisciplinarity, Holism, and 'The Return of Curiosity' (2019) (5)
Dancing the Mask, Potlatching the Exhibition: Performing Art and Culture in a Global Museum World (2015) (4)
Dreams and Designs: Iconographic Problems in Great Lakes Twined Bags (1986) (4)
Norval Morrisseau: Shaman Artist (2006) (4)
Show times: De-celebrating the Canadian nation, de-colonising the Canadian museum, 1967-92 (2017) (4)
Moccasins into Slippers: Woodlands Indian Hats, Bags, and Shoes in Tradition and Transformation. (1990) (4)
The Sande society masks of the Mende of Sierra Leone. (1979) (4)
In the Shadow of the Sun : Perspectives on Contemporary Native Art (1993) (3)
Zigzag and Spiral: Geometric Motifs in Great Lakes Indian Costume (1984) (3)
Critique d’art, 52 | Printemps/été (2020) (3)
Souvenirs from North America : The Miniature as Image of Woodlands Indian Life (1989) (3)
Reading and Writing between the Lines (2011) (3)
"Can You Go out without Your Head?": Fieldwork as Transformative Experience (2001) (3)
2. Disappearing Acts: Traditions of Exposure, Traditions of Enclosure, and Iroquois Masks (2004) (3)
A Questionnaire on Monuments (2018) (2)
Contesting Time, Place, and Nation in the First Peoples' Hall of the Canadian Museum of Civilization (2008) (2)
Jasper Grant and Edward Walsh: The Gentleman-Soldier as Early Collector of Great Lakes Indian Art (2018) (2)
‘From Wigwam to White Lights’: Popular Culture, Politics, and the Performance of Native North American Identity in the Era of Assimilationism (2010) (2)
Notes from the Field: Tradition (2013) (1)
Threads of the Land: Clothing Traditions from Three Indigenous Cultures (1996) (1)
“Dispel all Darkness”: Material Translations and Cross-Cultural Communication in Seventeenth-Century North America (2010) (1)
Taking the local seriously (2014) (1)
Can National Museums be Postcolonial?: The Canadian Museum for Human Rights and the Obligation of Redress to First Nations (2015) (1)
Closing the Distance: Time, Historicity, and Contemporary Indigenous Art (2013) (0)
Where Is ‘Africa’? Re-Viewing Art and Artifact in the Age of Globalization (2019) (0)
Moccasins Into Slippers: Traditions And TransformationsIn Nineteenth-Century Woodlands Indian Textiles (1990) (0)
Swings and roundabouts (2018) (0)
Bundu: Bush-Devils in the Land of the Mende (1994) (0)
“Changing up” the museum: cultural translation and decolonial politics (2021) (0)
Contesting Time, Place, and Nation in the First Peoples’ Hall of the Canadian Museum of Civilization (2020) (0)
Trading Identities : The Souvenir of Native North American Art from the Northeast , iyoo-ipoo (2012) (0)
The International Handbooks of Museum Studies: Transformations (2015) (0)
The issue is moot: Decolonizing art/artifact (2021) (0)
Preface (1990) (2019) (0)
Coordinated mm-VLBI Sessions in 1995-96 (1997) (0)
Clothed in Blessing: Meaning in Mesquakie Costume (1991) (0)
Swings and roundabouts: pluralism and the politics of change in Canada’s national museums (2019) (0)
The Haystack Observatory REU Program: the First Decade (1996) (0)
Colleen Cutschall: House Made of Stars (1996) (0)
New Territories : 350/500 Years After : An Exhibition of Contemporary Aboriginal Art of Canada (1992) (0)
Les actes de colloques du musée du quai Branly Jacques Chirac, 1 | 2009 (2020) (0)
GENERAL EDITORS’ FOREWORD (2018) (0)
Closing the Distance (2013) (0)
INTRODUCTION: INSIDE MODERNITY (2020) (0)
Constructing Cultural Identity : Jin-me Yoon, Bob Boyer, Liz Magor (1991) (0)
The Mask Stripped Bare by its Curators: The Work of Hybridity in the Twenty-First Century (2009) (0)

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Other Resources About Ruth Phillips

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What Schools Are Affiliated With Ruth Phillips?

Ruth Phillips is affiliated with the following schools: