Ruth Towse

Q: What Schools Are Affiliated With Ruth Towse

Ruth Towse is affiliated with the following schools: London School of Economics, Bournemouth University, University of Reading, Erasmus University Rotterdam

Ruth Towse's AcademicInfluence.com Rankings

Ruth Towse

Economics

#1993

World Rank

#2282

Historical Rank

economics Degrees

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Economics

Why Is Ruth Towse Influential?

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According to Wikipedia, Ruth Towse FRSA is a British economist and Professor of Economics of Creative Industries at Bournemouth University and Professor Emerita at Erasmus University, Rotterdam. A leading authority in cultural economics with a particular emphasis on the economics of media and copyright, she has taught in UK, the Netherlands, Italy and Thailand universities. She was married to Mark Blaug.

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Ruth Towse's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

A Handbook of Cultural Economics (2003) (276)
A Textbook of Cultural Economics (2010) (219)
The Internet and the Mass Media (2008) (145)
Cultural Economics: The Arts, the Heritage and the Media Industries (1997) (110)
Creativity, incentive, and reward : an economic analysis of copyright and culture in the information age (2001) (97)
Copyright and Artists: A View from Cultural Economics (2006) (81)
Baumol's cost disease: the arts and other victims. (1997) (73)
Human capital and artists’ labour markets (2006) (63)
Copyright and Economic Incentives: An Application to Performers' Rights in the Music Industry (1999) (62)
Partly for the Money: Rewards and Incentives to Artists (2001) (61)
The economics of heritage : a study in the political economy of culture in Sicily (2002) (54)
Achieving Public Policy Objectives in the Arts and Heritage (1994) (46)
The Earnings of Singers: An Economic Analysis (1992) (44)
Singers in the Marketplace: The Economics of the Singing Profession (1993) (42)
Alan Peacock and Cultural Economics (2005) (39)
Creativity, incentive, and reward (2001) (38)
Handbook on the Digital Creative Economy (2014) (36)
The economics of artists''labour markets (2001) (33)
The Economics of Intellectual Property (2002) (29)
A Handbook of Cultural Economics, Second Edition (2013) (26)
Economics of Copyright Collecting Societies and Digital Rights: Is There a Case for a Centralised Digital Copyright Exchange? (2012) (24)
Economic importance of the arts in Glasgow. (1988) (23)
The Economics of Heritage (2002) (22)
Chapter 24 Human Capital and Artists' Labour Markets (2006) (21)
Theoretical Perspectives on the Impact of the Internet on the Mass Media Industries (2008) (15)
The value of performers' rights: an economic approach (1998) (15)
What We Know, What We Don't Know, and What Policy-makers Would Like Us to Know About the Economics of Copyright (2011) (15)
Copyright and Cultural Policy for the Creative Industries (2003) (14)
The Economic Effects of Digitization on the Administration of Musical Copyrights (2013) (14)
Copyright and Creativity: An Application of Cultural Economics (2008) (14)
Advanced Introduction to Cultural Economics (2014) (13)
THE CURRENT STATE OF THE BRITISH ECONOMICS PROFESSION (1990) (13)
Copyright, risk and the artist: An economic approach to policy for artists (1999) (12)
Recent Developments in Cultural Economics (2007) (12)
Dealing with digital: the economic organisation of streamed music (2020) (12)
Cultural Economics and the Internet (2013) (11)
Opera and Ballet (2011) (10)
The Monopolies and Mergers Commission's Investigation of the U.K. Music Market (1997) (10)
Copyright Protection Standards and Authors' Time Allocation (2006) (9)
Handbook of Cultural Economics, Third Edition (2020) (8)
Copyright and Creativity: cultural economics for the 21st century (2006) (8)
REGULATING COPYRIGHT COLLECTING SOCIETIES: CURRENT POLICY IN EUROPE (2007) (7)
Economics and the arts (1988) (6)
Or Managing the Management: The Case of the Royal Opera House, Covent Garden (2016) (6)
The Economics of the Artist's Labour Markets (1995) (5)
Creative Industries: Contracts between Art and Commerce. By Richard E. Caves. Cambridge, Mass.: Harvard University Press, 2000. Pp. 454+ix. $45.00. (2002) (5)
A Comment: Number-Crunching is Not Just a Neutral Activity (2008) (5)
A Textbook of Cultural Economics: Economics of the performing arts (2010) (3)
What Constitutes Evidence for Copyright Policy? Digital Proceedings of ESRC Symposium (2013) (3)
Cultural Economics, the Internet and Participation (2017) (3)
The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist (2007) (3)
In memoriam Alan Peacock: a pioneer in cultural economics (2015) (3)
Competition and international trade (2002) (3)
Economic importance of the arts in Ipswich (1988) (3)
A Textbook of Cultural Economics: Preface (2010) (3)
Copyright Policy and Creativity in the Cultural Industries (2002) (3)
A Textbook of Cultural Economics: Economics of cultural heritage (2010) (3)
The Value of Performers’ Rights: An Economic Analysis (written with Millie Taylor) (2001) (2)
Teaching Cultural Economics (2020) (2)
Economics of performers’ rights (2014) (2)
Farewell Editorial (2003) (2)
Producing pearls of wisdom: a memoir of Mark Blaug's work practice (2013) (1)
Copyright Reversion in The Creative Industries: Economics and Fair Remuneration (2018) (1)
Creativity, Incentives and Rewards: Cultural Economics and Copyright Law (2001) (1)
A Textbook of Cultural Economics: Conclusion (2010) (1)
A Textbook of Cultural Economics: Economics of artists' labour markets: theories (2010) (1)
Researching song titles, product cycles and copyright in published music: problems, results and data sources (2016) (1)
Managing Copyrights in the Cultural Industries (2005) (1)
Economics of the Music Industry (2019) (1)
The incidence of amebiasis in the Albany (New York) area. (1950) (1)
Bernard Casey, Rachael Dunlop and Sara Selwood. Culture as Commodity? The Economics of the Arts and Built Heritage in the U.K. (1997) (1)
Empirical evidence, trade secrets and trademarks (2002) (1)
A Textbook of Cultural Economics: Economics of festivals, creative cities and cultural tourism (2010) (0)
BBC3 goes digital (2020) (0)
A Textbook of Cultural Economics: Economic profile of the cultural sector (2010) (0)
A Textbook of Cultural Economics: Economics of artists' labour markets: empirical research (2010) (0)
Comments on David Throsby's paper (1996) (0)
Introduction (2020) (0)
A Future for the Creative Economy: a report by Ruth Towse (2016) (0)
A Textbook of Cultural Economics: Markets for cultural goods and services (2010) (0)
A Model of Artists’ Time Allocation (2005) (0)
The Digital Creative Economy (2019) (0)
Comments on David Throsby’s paper (1996) (0)
Performing arts (2020) (0)
Production, Costs and the Supply of Cultural Goods and Services (2019) (0)
A Textbook of Cultural Economics: Economic organisation of the creative industries (2010) (0)
Economics of performersâ€™ rights (2014) (0)
3 Copyright and Economics (2004) (0)
Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy (2020) (0)
A Textbook of Cultural Economics: Introduction to cultural economics (2010) (0)
A Textbook of Cultural Economics: Economics of the film industry (2010) (0)
Economics and Culture (Book) (2002) (0)
Book review. Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy. Princeton University Press, 2017 (2nd printing 2018) (2020) (0)
Incentives and Access to Information: Economic Aspects of Limitations and Exceptions to Copyright in the Digital World (2001) (0)
A Textbook of Cultural Economics: Exercises and problems (2010) (0)
Copyright and Business Models in UK Music Publishing (2015) (0)
Music publishing (2020) (0)
Creative industries (2020) (0)
A Textbook of Cultural Economics: Economics of creative industries (2010) (0)
A Textbook of Cultural Economics: Introduction (2010) (0)
Development of the Economics of Coypright (2008) (0)
Niva Elkin-Koren and Neil Weinstock Netanel (eds.): 2002, The Commodification of Information, Kluwer Law International, The Hague, ISBN 9-041-19876-8 (2004) (0)
Conclusions and Implications for Cultural Policy (2001) (0)
In memoriam Alan Peacock: a pioneer in cultural economics (2015) (0)
Contracts for creators and performers in the creative industries (2020) (0)
Economic Evaluation of Cultural Policy (2019) (0)
A Textbook of Cultural Economics: Economics of broadcasting (2010) (0)
TOWSE PAGINATION (M2613).indd (2011) (0)
Jonathan Haskel and Stian Westlake: Capitalism without capital: the rise of the intangible economy (2020) (0)
Introduction (2020) (0)
A Textbook of Cultural Economics: Production, costs and supply of cultural goods (2010) (0)
COLLECTING SOCIETIES AND DIGITAL RIGHTS : IS THERE A CASE FOR A CENTRALISED DIGITAL (2013) (0)
A Textbook of Cultural Economics: Consumption of cultural goods and services (2010) (0)
Cultural entrepreneurship (2020) (0)
New developments in performers ' rights (2004) (0)
Going for a Song [video] (2017) (0)
A Textbook of Cultural Economics: Welfare economics and public finance (2010) (0)
Literature reviews as a means of communicating progress in research (2014) (0)
Protection Standards and Authors ’ Time Allocation (2006) (0)
Art and the Market: Roger Fry on Commerce in Art – Foreword by Asa Briggs. By GOODWIN (CRAUFURD D.). (Ann Arbor: University of Michigan Press, 1999. Pp. xii+222. £29.95 hardback, US $39.50 hardback. ISBN 0 472 10902 2.) (2002) (0)
Economics of collective management organisations in the creative industries. (2016) (0)
Economics of Festivals, Cities of Culture, Creative Cities and Cultural Tourism (2019) (0)
A Textbook of Cultural Economics: Economics of book publishing (2010) (0)

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Other Resources About Ruth Towse

en.wikipedia.org

What Schools Are Affiliated With Ruth Towse?

Ruth Towse is affiliated with the following schools: