Rutherford John Gettens

Rutherford John Gettens's AcademicInfluence.com Rankings

Chemistry

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chemistry Degrees

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Chemistry

Why Is Rutherford John Gettens Influential?

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According to Wikipedia, Rutherford John Gettens was a chemist and pioneering conservation scientist. Born to Daniel and Clara Gettens, Rutherford John Gettens grew up in Mooers, New York, where he became valedictorian of his high school class in 1918. He received his B.S. from Middlebury College in 1923. On graduating, he taught chemistry at Colby College, Maine, before receiving his M.A. from Harvard University in 1929.

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Rutherford John Gettens's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

VERMILION AND CINNABAR (1972) (131)
Maya Blue: An Unsolved Problem in Ancient Pigments (1961) (100)
MALACHITE AND GREEN VERDITER (1974) (91)
I. Azurite and Blue Verditer (1966) (75)
The Freer Chinese bronzes (1970) (62)
Calcium carbonate whites (1974) (60)
3. Lead White (1967) (43)
Calcium Sulphate Minerals in the Grounds of Italian Paintings (1954) (30)
MINERAL ALTERATION PRODUCTS ON ANCIENT METAL OBJECTS (1961) (26)
The corrosion products of an ancient Chinese bronze (1951) (24)
A Monument of Byzantine Wall Painting—the Method of Construction (1958) (23)
Orichalcum and Related Ancient Alloys: Origin, Composition and Manufacture with Special Reference to the Coinage of the Roman Empire (1965) (23)
Chalconatronite: An Alteration Product on Some Ancient Egyptian Bronzes (1955) (21)
The corrosion products of metal antiquities (1964) (18)
Chalconatronite, a New Mineral from Egypt. (1955) (15)
The materials in the wall paintings of Bamiyan, Afghanistan (1938) (14)
The Bleaching of Stained and Discoloured Pictures on Paper with Sodium Chlorite and Chlorine Dioxide (1952) (12)
Two early Chinese bronze weapons with meteoritic iron blades (1971) (11)
The Freer Chinese Bronzes, Vol. II: Technical Studies (1970) (10)
The problem of lining adhesives for paintings (1933) (9)
IDENTIFICATION OF THE MATERIALS OF PAINTINGS (1966) (8)
Studies in Ancient Technology, Volume V (1959) (7)
A Visit to an ancient Gypsum Quarry in Tuscany (1954) (5)
Identification of pigments on fragments of mural paintings from Bonampak, Chiapas, Mexico (1955) (5)
Teaching and Research in Art Conservation: A university and a foundation join forces to help save our cultural heritage. (1961) (4)
Science in the art museum (1952) (3)
The composition of some ancient Persian and other Near Eastern silver objects (1957) (2)
The Freer Chinese Bronzes, Volume I: Catalogue (1968) (2)
Archaeology and the Microscope. The scientific examination of archaeological evidence. Leo Biek. Lutterworth, London, 1963. 287 pp. Illus. 45s (1964) (1)
Science and Archeology: Archaeology and the Microscope . The scientific examination of archaeological evidence. Leo Biek. Lutterworth, London, 1963. 287 pp. Illus. 45s. (1964) (1)
PROPOSAL FOR A HANDBOOK ON ANALYSIS OF MATERIALS OF PAINTINGS (1961) (1)
Cairene Rugs and Others Technically Related, 15th-17th Century (1958) (1)
The Freer Chinese Bronzes. Vol. I, Catalog@@@Catalogue (1971) (1)
Museum News (Journal of the American Association of Museums) (1965) (1)
JAPANESE PAINTINGS: TECHNICAL STUDIES AND CONSERVATION AT THE FREER GALLERY OF ART (1972) (1)
Abstracts of technical studies in art and archaeology, 1943-1952 (1955) (0)
Arts Trade Association Dinner: Speech Research (1963-1967): Article 05 (1961) (0)
Duffey, Joseph: Humanities Chairman Nomination Hearing (September 9, 1977): Article 05 (1961) (0)
Bulletin: Museum and Picture Gallery of Baroda: Technical Issue, Vol. 22 (1970) (1972) (0)
Examining Tables in use at the Freer Gallery of Art (1959) (0)
Chemical problems in the fine arts (1934) (0)
Accession 02-007 Photographs, 1920s-1994 (0)
Conservation Studios and Laboratories 2: The Freer Gallery Laboratory for Technical Studies in Oriental Art and Archaeology (1959) (0)
Twelve Recommendations Concerning National Needs for Conservation of Historic and Artistic Works (1975) (0)
The Freer Gallery Laboratory for Technical Studies in Oriental Art and Archaeology (1959) (0)

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