Sally Kate May
#117,384
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Australian archaeologist
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Sally Kate Mayanthropology Degrees
Anthropology
#2032
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#2619
Historical Rank
Archeology
#659
World Rank
#895
Historical Rank
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Anthropology
Sally Kate May's Degrees
- Masters Archaeology University of Melbourne
Why Is Sally Kate May Influential?
(Suggest an Edit or Addition)According to Wikipedia, Sally Kate May, usually cited as Sally K. May, is an Australian archaeologist and anthropologist. She is an Associate Professor of Archaeology and Museum Studies at the University of Adelaide, Australia. She is a specialist in Indigenous Australian rock art and Australian ethnographic museum collections.
Sally Kate May's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- A Minimum Age For Early Depictions Of Southeast Asian Praus in the Rock Art of Arnhem Land, Northern Territory (2010) (71)
- Painting History: Indigenous Observations and Depictions of the ‘Other’ in Northwestern Arnhem Land, Australia (2010) (57)
- Uranium-series age estimates for rock art in southwest China (2012) (37)
- Picturing change and changing pictures: Contact period rock art of Australia (2012) (35)
- Macassan History and Heritage: Journeys, Encounters and Influences (2013) (28)
- Naturalism, Nature and Questions of Style in Jinsha River Rock Art, Northwest Yunnan, China (2010) (24)
- Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia (2010) (23)
- MAKING SENSE OF SCENES (2010) (22)
- Collecting Cultures: Myth, Politics, and Collaboration in the 1948 Arnhem Land Expedition (2009) (21)
- Karrikadjurren : creating community with an art centre in Indigenous Australia (2005) (20)
- Archaeologies of Art: Time, Place, and Identity in Rock Art, Portable Art, and Body Art (2008) (20)
- The world from Malarrak: Depictions of South-East Asian and European subjects in rock art from the Wellington Range, Australia (2013) (20)
- A SCIENTIFIC STUDY OF A NEW CUPULE SITE IN JABILUKA, WESTERN ARNHEM LAND (2014) (19)
- Symbols of Power: The Firearm Paintings of Madjedbebe (Malakunanja II) (2017) (16)
- Learning Art, Learning Culture: Art, Education, and the Formation of New Artistic Identities in Arnhem Land, Australia (2008) (16)
- Boats on Bark: an Analysis of Groote Eylandt Aboriginal Bark‐Paintings featuring Macassan Praus from the 1948 Arnhem Land Expedition, Northern Territory, Australia (2009) (15)
- Illustrating the past: the rock art of Southeast Asia (2008) (15)
- Rock art evidence for Macassan - Aboriginal contact in northwestern Arnhem Land (2013) (15)
- The rock art of Madjedbebe (Malakunanja II) (2017) (14)
- Early Australian Anthropomorphs: Jabiluka's Dynamic Figure Rock Paintings (2017) (14)
- Painted ships on a painted Arnhem Land landscape (2013) (13)
- Painted shark vertebrae beads from the Djawumbu–Madjawarrnja complex, western Arnhem Land (2016) (13)
- Maliwawa figures—a previously undescribed Arnhem Land rock art style (2020) (12)
- ‘This is my father’s painting’ : A first-hand account of the creation of the most iconic rock art in Kakadu National Park (2019) (12)
- New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park (2020) (12)
- Archaeologies of art : time, place, and identity (2008) (11)
- Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia (2018) (10)
- Navigating Contact: Tradition and Innovation in Australian Contact Rock Art (2019) (10)
- 'You write it down and bring it back... that's what we want'—revisiting the 1948 removal of human remains from Kunbarlanja (Oenpelli) Australia (2005) (10)
- How 3D models (photogrammetry) of rock art can improve recording veracity: a case study from Kakadu National Park, Australia (2020) (9)
- Children and Rock Art: A Case Study from Western Arnhem Land, Australia (2020) (8)
- Rock art and ritual function: The northern running figures of Western Arnhem land (2017) (8)
- Understanding the Macassans: A regional approach (2013) (8)
- The Art of Collecting: Charles Pearcy Mountford (2008) (8)
- The archaeology of Maliwawa: 25,000 years of occupation in the Wellington Range, Arnhem Land (2018) (7)
- Ship shape: an exploration of maritime-related depictions in Indigenous rock art and material culture (2013) (7)
- Survival, Social Cohesion and Rock Art: The Painted Hands of Western Arnhem Land, Australia (2020) (7)
- The rock art of Ingaanjalwurr, western Arnhem Land, Australia (2017) (6)
- REFUGEES IN AUSTRALIA (2011) (6)
- Kakadu National Park: Rock Art (2020) (6)
- Beyond the colonial encounter: global approaches to contact rock art studies (2018) (6)
- What painting? Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia (2020) (6)
- The Bible in Buffalo Country: Oenpelli Mission 1925–1931 (2020) (5)
- The missing Macassans: Indigenous sovereignty, rock art and the archaeology of absence (2021) (5)
- Reflections on the Pedagogy of Archaeological Field Schools within Indigenous Community Archaeology Programmes in Australia (2017) (5)
- SCIENTIFIC REINVESTIGATION OF THE ROCK ART AT GUA TAMBUN, PERAK Vol 1: New Research (2010) (4)
- History Disappearing: The Rapid Loss of Australian Contact Period Rock Art (2021) (4)
- The archaeology of portable art: Southeast Asian, Pacific, and Australian perspectives (2018) (4)
- Dynamic Figures of Mirarr Country: Chaloupka’s four-phase theory and the question of variability within a rock art style (2017) (4)
- Piecing the History Together: An overview of the 1948 Arnhem Land Expedition (2011) (3)
- Kaparlgoo Blue: On the Adoption of Laundry Blue Pigment into the Visual Culture of Western Arnhem Land, Australia (2021) (3)
- An Analysis of Motif Clusters at the Nanguluwurr Rock Art Site, Kakadu National Park, N. T. Australia (2021) (2)
- Colonial collections of portable art and intercultural encounters in Aboriginal Australia (2003) (2)
- The Buffaroo: A 'first-sight' depiction of introduced buffalo in the rock art of western Arnhem Land, Australia (2020) (2)
- The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land (2021) (2)
- Thinking through Refugee Objects – A Case Study of the Sri Lankan Bremen (2017) (1)
- R. Lamilami, 1957–2021: Negotiating two worlds for cultural heritage (2021) (1)
- South Australia's Floating Coffin: The Diseased, The Destitute, And The Derelelict Fitzjames (1852 - c. 1900) (2003) (1)
- Body Painting and Visual Practice: The Creation of Social Identities through Image Making and Display in Tierra del Fuego (Southern South America) (2016) (1)
- In search of the archaeology of portable art from Southeast Asia, the Pacific, and Australia (2018) (1)
- Maritime Contact Rock Art (2020) (1)
- Etnoarqueología y arte rupestre: potencial, perspectivas y ética (2018) (1)
- Meaningful choices and relational networks: Analysing western Arnhem Land’s Painted Hand rock art style using chaîne opératoire (2022) (1)
- Rethinking the age and unity of large naturalistic animal forms in early Western Arnhem Land Rock Art, Australia (2020) (1)
- Rock Art and Children: Towards an Inter-Generational Perspective on Past and Present Visual Cultures (2020) (1)
- Memories of the mission days – Esther Manakgu (2020) (0)
- Country, culture and kinship (2020) (0)
- Oenpelli before the mission (2020) (0)
- Notes on Contributors (1978) (0)
- Who were the missionaries? (2020) (0)
- Revisiting Francis Birtles’ painted car: exploring a cross-cultural encounter with Aboriginal artist Nayombolmi at Imarlkba Gold Mine, 1929–1930 (2021) (0)
- Current themes in the study of material culture in the rock art of northern Australia (2017) (0)
- Karrikajurren: Creating community with an art centre in Aboriginal Australia (2006) (0)
- Aboriginal histories in the mission records (2020) (0)
- Contact Rock Art : Special issue of Australian Archaeology, volume 86 (2019) (0)
- Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea (2022) (0)
- Referencing the Relational in ‘Saltwater’ Rock Art, Northern Australia (2018) (0)
- Rock Art and Ethnography Part 1: Special collection of selected papers presented at the 2018 IFRAO Congress in Valcamonica, Italy (2021) (0)
- Majumbu (‘Old Harry’) and the Spencer-Cahill bark painting collection (2023) (0)
- Navigating Contact: Tradition and Innovation in Australian Contact Rock Art (2019) (0)
- Contact Rock Art - A Global Perspective (2019) (0)
- Hand stencils and communal history: A case study from Auwim, East Sepik, Papua New Guinea (2023) (0)
- The mission documents (2020) (0)
- Symbols of Power: The Firearm Paintings of Madjedbebe (Malakunanja II) (2017) (0)
- Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages (2022) (0)
- Narlim’s Fingerprints: Aboriginal Histories and Rock Art (2021) (0)
- A Study of Evangelical Mega-Churches in Central America, 2011-2015. An Initial Analysis. (2015) (0)
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What Schools Are Affiliated With Sally Kate May?
Sally Kate May is affiliated with the following schools:
