According to Wikipedia, Sharon Cather was an art historian who taught at Cambridge University and was a professor at the Courtauld Institute of Art, where she specialised in the preservation of wall paintings. Early life and education Cather was born at Berkeley, California, and graduated in art history from the University of California, Santa Barbara. She spent ten years working in the art department offices there, before undertaking MA study at Princeton University and going on to undertake PhD work under Professor John Shearman on Sebastiano Serlio.
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
The Conservation of wall paintings : proceedings of a symposium organized by the Courtauld Institute of Art and the Getty Conservation Institute, London, July 13-16, 1987 (1991) (44)
CLOSE-RANGE 3D IMAGING FOR DOCUMENTING AND MONITORING DYNAMIC DETERIORATION PROCESSES IN WALL PAINTINGS (2015) (5)
‘Aqueous extraction of soluble salts from porous materials: alternatives and contra-indications’ (2003) (5)
The Decorative: Conservation and the Applied Arts (2012) (5)
'Color in ancient Greece: the role of color in ancient Greek art and architecture 700-31BC’: An international conference organised by the J. Paul Getty Museum and the Aristotle University of Thessaloniki, April 2000 (2000) (4)
‘Complexity and communication: principles of in-situ conservation’ (1997) (4)
‘St Botolph’s Church, Hardham: conservation of the wall paintings. Phase I: investigations, recording, treatment testing and assessment. Report submitted to English Heritage’ (1998) (4)
‘Romanesque wall paintings in the apse of St Gabriel’s Chapel, Canterbury Cathedral: their technique, condition and environment reassessed' (1994) (3)
‘Henry III’s wall paintings at Chester Castle’ (2000) (3)
Art of Merit: Studies in Buddhist Art and its Conservation (2014) (3)
'Passive and remedial approaches to salt damage and biodeterioration of wall paintings and monuments in the Crypt of the Grand Masters, St John's Co-Cathedral, Valletta' (2011) (2)
‘Issues in the conservation of mural paintings: past and present’ (2007) (2)
'Costing graphic documentation: how much money and whose time?’ (1999) (2)
'Performance of grouts with reduced water content: the importance of porosity and related properties' (2016) (1)
‘Cleeve Abbey: Chapter House and Dormitory. Wall painting conservation research and development fieldwork programme 1999’ (1999) (1)
The Courtauld on the Silk Road (2001) (0)
Recent developments in fluorescence spectroscopy for the analysis of proteins commonly used in art (2008) (0)
‘Houghton-on-the-Hill, Norfolk: technical examination of the wall paintings’ (2000) (0)
'Non-invasive analysis of protein-based binding media using laser-induced fluorescence spectroscopy (LIF)' (2006) (0)
