Sheila Whiteley

Q: What Schools Are Affiliated With Sheila Whiteley

Sheila Whiteley is affiliated with the following schools: University of Salford, Open University, University of Wolverhampton

Sheila Whiteley's AcademicInfluence.com Rankings

Sheila Whiteley

Communications

#3654

World Rank

#5128

Historical Rank

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Communications

Sheila Whiteley's Degrees

PhD Popular Music Studies University of Salford
Masters Popular Music Studies University of Salford
Bachelors Music University of Salford

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Why Is Sheila Whiteley Influential?

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According to Wikipedia, Sheila Whiteley was an English musicologist known for studying popular music, such as progressive rock music and Britpop. In 1999, she was named professor and chair of popular music at the University of Salford, the first such position in Great Britain. From 1999 to 2001, she was the general secretary of the International Association for the Study of Popular Music. She held visiting professorships at the University of Aarhus in 2008, and at the University of Brighton from 2007 to 2009.

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Sheila Whiteley's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Women and Popular Music: Sexuality, Identity and Subjectivity (2000) (181)
Sexing the Groove : Popular Music and Gender (1998) (178)
Sexing the Groove: Popular Music and Gender (1999) (64)
The Space Between the Notes: Rock and the Counter-Culture (1992) (62)
WOMEN AND THE ELECTRIC GUITAR (2013) (59)
“When You Wish Upon a Star” (2007) (47)
Progressive rock and psychedelic coding in the work of Jimi Hendrix (1990) (42)
Too Much Too Young: Popular Music Age and Gender (2005) (41)
The Oxford Handbook of Music and Virtuality (2016) (41)
Queering the Popular Pitch (2006) (33)
'REBEL GIRL, YOU ARE THE QUEEN OF MY WORLD' (2013) (16)
The space between the notes (1992) (11)
Countercultures and popular music (2014) (10)
MEN MAKING A SCENE (2013) (10)
Christmas, Ideology and Popular Culture (2008) (9)
LITTLE RED ROOSTER v. THE HONKY TONK WOMAN (2013) (7)
Popular music and the dynamics of desire (2006) (6)
SIZING UP RECORD COLLECTIONS (2013) (6)
SINÉAD O'CONNOR - MUSICAL MOTHER (2013) (5)
The Beatles as zeitgeist (2009) (4)
Popular Music, Gender and Sexualities (2013) (4)
BRUCE SPRINGSTEEN AND MASCULINITY (2013) (4)
Trainspotting: The Gendered History of Britpop (2016) (4)
CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS (2013) (4)
Counterculture: The Classical View (2015) (3)
Understanding Rock and Roll: Popular Music in Britain, 1955–1964. By Dick Bradley. Buckingham: Open University Press, 1992. 191 pp. (1993) (3)
Queering the Witch Stevie Nicks and the Forging of Femininity at the Night of a Thousand Stevies (2013) (3)
Which Freddie? Constructions of Masculinity in Freddie Mercury and Justin Hawkins (2013) (3)
‘1, 2, 3 What are we fighting 4?’ Music, meaning and ‘The Star Spangled Banner’ (2017) (2)
R)EVOLUTION NOW (2013) (2)
Dad’s Army: Musical Images Of A Nation At War* (2016) (2)
'Love is all and love is everyone'; a discussion of four musical portraits (2002) (1)
“When You Wish Upon a Star”. Nostalgia, Fairy Stories and the Songs of World War II (2014) (1)
Tori Amos: Lady of the Rings (2013) (1)
Pink Floyd:Dark Side of the Moon (2003) (1)
Dusty Springfield: Self-Discovery, Virtuosity, Identity and Legacy (2010) (1)
Who Are You? Research Strategies of the Unruly Feminine (2009) (1)
Madonna, eroticism, autoeroticism and desire (2013) (1)
The Long Freak Out: Unfinished Music and Countercultural Madness in Avant-Garde Rock of the 1960s and 1970s (2016) (1)
Sexploitation and Constructions of Femininity in Contemporary She-Pop (2015) (1)
Music and Crowdfunded Websites: Digital Patronage and Composer-Fan Interactivity (2016) (1)
Girl Groups on Girl Groups; or, Why Girl Singers (Still) Matter (2011) (1)
Patti Smith: The Old Grey Whistle Test, BBC-2 TV, May 11, 1976 (2017) (1)
Daughters of chaos: Patti Smith, Siouxsie Sioux and the feminisation of rock (2013) (1)
“Tangerine Trees and Marmalade skies”: Cultural Agendas or Optimistic Escapism (2016) (1)
Countercultures: Music, Theory and Scenes (2012) (1)
Authenticity, truthfulness and community: Tori Amos, Courtney Love, (2013) (1)
Try, just a little bit harder: Janis Joplin and the search for personal identity (2013) (0)
Closeness and Distance Songs about AIDS (2013) (0)
SOURCES FOR FURTHER READING AND RESEARCH (2013) (0)
The Douce Collection (1997) (0)
K.d. lang, a certain kind of woman (2013) (0)
Disruptive Divas: Feminism, Identity and Popular Music (review) (2002) (0)
When will they ever learn (2013) (0)
The Young Ones (2013) (0)
Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Champaign, IL: University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk) (2015) (0)
Popular Music and Technology Conference (1998) (0)
Queering Brighton (2019) (0)
« Tangerine trees and marmalade skies » : bouleversement culturel ou simple besoin d’évasion ? (2016) (0)
Repressive representations: Patriarchy, femininities and 1960s' rock (2013) (0)
Countercultures n°2: Utopias, Dystopias, Anarchy (2012) (0)
Scuse me while I kiss the sky (2013) (0)
Little Miss Dynamite (2013) (0)
Music and Virtuality (2016) (0)
British popular music, popular culture and exclusivity (2010) (0)
Age, identity and the slippery divide of the rock/pop binary (2013) (0)
ROLLING AND TUMBLING (2013) (0)
Artifice and the imperatives of commercial success: From Brit Pop to the Spice Girls (2013) (0)
Christmas Songs – Sentiments and Subjectivities (2008) (0)
Who’s that boy? (2013) (0)
1967 and Psychedelic Rock (1992) (0)
Electric Ladyland: And the Gods Made Love (2013) (0)
The Banality of Degradation: Andy Warhol, the Velvet Underground and the Trash Aesthetic (2016) (0)
Use, Misuse and Abuse: Problems Surrounding Popular Music and its Young Performers (2017) (0)
Nobody’s Army: Contradictory Cultural Rhetoric in Woodstock and Gimme Shelter (2016) (0)
Talkin' 'bout a revolution: Tracy Chapman, political uprisings, domestic violence and love (2013) (0)
Blurred Lines, Gender and Popular Music (2015) (0)
Challenging the feminine: Annie Lennox, androgyneity and illusions of identity (2013) (0)
Introduction: the rules of the game (2013) (0)
Do What U Like (2013) (0)
Electric Ladyland: And the Gods Made Love. Electric Ladyland : et les dieux firent l'amour (2012) (0)
Contre-cultures n° 2 : utopies, dystopies, anarchie : Introduction (2013) (0)
THE PET SHOP BOYS (2013) (0)
Countercultures n°2: Utopias, Dystopias, Anarchy : Introduction (2013) (0)
Somebody wants to be wanted (2013) (0)
Cream, Hendrix and Pink Floyd (1992) (0)
SEDUCED BY THE SIGN (2013) (0)
On Record: Rock, Pop and the Written Word . Edited by Simon Frith and Andrew Goodwin. London: Routledge, 1990. 492 pp. (1992) (0)
Tom, Jerry, and the Virtual Virtuoso (2016) (0)
Monsters and ogres (2013) (0)
A boy in the bush (2016) (0)

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Sheila Whiteley's Academic­Influence.com Rankings