Shlomo Dubnov | Academic Influence

Shlomo Dubnov's AcademicInfluence.com Rankings

Shlomo Dubnov

Computer Science

#2128

World Rank

#2211

Historical Rank

Artificial Intelligence

#1039

World Rank

#1058

Historical Rank

Database

#5978

World Rank

#6197

Historical Rank

computer-science Degrees

Shlomo Dubnov

Communications

#6129

World Rank

#8448

Historical Rank

communications Degrees

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Computer Science
Communications

Shlomo Dubnov's Degrees

PhD Computer Science University of California, San Diego
Masters Computer Science University of California, San Diego
Bachelors Computer Science University of California, San Diego

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Why Is Shlomo Dubnov Influential?

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According to Wikipedia, Shlomo Dubnov is an American-Israeli computer music researcher and composer. He is a professor in the Music Department and Affiliate Professor in Computer Science and Engineering and a founding faculty of the Halıcıoğlu Data Science Institute in the University of California, San Diego, where he has been since 2003. He is the Director of the Center for Research in Entertainment and Learning at UC San Diego's Qualcomm Institute.

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Shlomo Dubnov's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Automatic Classification of Musical Instrument Sounds (2003) (227)
Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance (1997) (208)
Using Machine-Learning Methods for Musical Style Modeling (2003) (166)
Using Factor Oracles for Machine Improvisation (2004) (164)
The topos of music: geometric logic of concepts, theory, and performance (2005) (147)
OMax brothers: a dynamic yopology of agents for improvization learning (2006) (146)
Maximum a-posteriori probability pitch tracking in noisy environments using harmonic model (2004) (96)
Synthesizing Sound Textures through Wavelet Tree Learning (2002) (83)
Generalization of spectral flatness measure for non-Gaussian linear processes (2004) (82)
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style (1999) (76)
Universal Adversarial Perturbations for Speech Recognition Systems (2019) (73)
Audio Oracle: a New Algorithm for Fast Learning of audio Structures (2007) (69)
Structural and affective aspects of music from statistical audio signal analysis (2006) (66)
Universal Classification Applied to Musical Sequences (1998) (65)
Robust Detection of COVID-19 in Cough Sounds (2021) (65)
An Introduction to Musical Metacreation (2016) (59)
Realtime Multiple-pitch and Multiple-instrument Recognition For Music Signals using Sparse Non-negative Constraints (2007) (57)
Spectral Anticipations (2006) (52)
Generalized Likelihood Ratio Test for Voiced-Unvoiced Decision in Noisy Speech Using the Harmonic Model (2006) (51)
Automatic Modeling of Musical Style (2001) (48)
The Structure of Style - Algorithmic Approaches to Understanding Manner and Meaning (2010) (47)
HTS-AT: A Hierarchical Token-Semantic Audio Transformer for Sound Classification and Detection (2022) (46)
A New Nonparametric Pairwise Clustering Algorithm Based on Iterative Estimation of Distance Profiles (2002) (43)
Robust temporal and spectral modeling for query By melody (2002) (43)
Audio Oracle Analysis of Musical Information Rate (2011) (40)
Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning (2007) (39)
Guided Music Synthesis with Variable Markov Oracle (2014) (36)
Feature Selection and Composition Using PyOracle (2013) (35)
On the Information Geometry of Audio Streams With Applications to Similarity Computing (2011) (35)
Unified View of Prediction and Repetition Structure in Audio Signals With Application to Interest Point Detection (2008) (33)
The Effect of Explicit Structure Encoding of Deep Neural Networks for Symbolic Music Generation (2018) (30)
Adversarial Reprogramming of Text Classification Neural Networks (2018) (30)
WaveGuard: Understanding and Mitigating Audio Adversarial Examples (2021) (29)
A Concurrent Constraints Factor Oracle Model for Music Improvisation (2006) (28)
Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and Rhythm (2020) (25)
Polyspectra as measures of sound texture and timbre (1997) (25)
Granular Synthesis of Sound Textures Using Statistical Learning (1999) (25)
Improvisation Planning and Jam Session Design using concepts of Sequence Variation and Flow Experience (2005) (24)
Investigation of phase coupling phenomena in sustained portion of musical instruments sound. (2003) (23)
Extracting Sound Objects by Independent Subspace Analysis (2002) (22)
Timbre Recognition with Combined Stationary and Temporal Features (1998) (22)
Statistical Modeling of Sound Aperiodicities (1997) (22)
Universal Prediction Applied to Stylistic Music Generation (2002) (21)
Synthesis of Sound Textures by Learning and Resampling of Wavelet Trees (20)
Guidage: a Fast audio Query Guided assemblage (2007) (20)
Improved low bit-rate audio compression using reduced rank ICA instead of psychoacoustic modeling (2003) (19)
Pattern discovery from audio recordings by Variable Markov Oracle: A music information dynamics approach (2015) (18)
Music Pattern Discovery with Variable Markov Oracle: A Unified Approach to Symbolic and Audio Representations (2015) (16)
Hearing beyond the spectrum (1995) (15)
Speech Source Separation in Convolutive Environments Using Space-Time-Frequency Analysis (2006) (15)
Non-Gaussian Source-Filter and Independent Components Generalizations of Spectral Flatness Measure (2003) (14)
Expediting TTS Synthesis with Adversarial Vocoding (2019) (14)
The Variable Markov Oracle: Algorithms for Human Gesture Applications (2015) (14)
Comparison and Analysis of Deep Audio Embeddings for Music Emotion Recognition (2021) (14)
Optimal Filtering of an Instrument Sound in a Mixed Recording Using Harmonic Model and Score Alignment (2004) (14)
Delegating Creativity: Use of Musical Algorithms in Machine Listening and Composition (2014) (13)
Analysis of sound textures in musical and machine sounds by means of higher order statistical features (1997) (13)
Structural and affective aspects of music from statistical audio signal analysis: Special Topic Section on Computational Analysis of Style (2006) (13)
Rethinking Recurrent Latent Variable Model for Music Composition (2018) (13)
Zero-shot Audio Source Separation through Query-based Learning from Weakly-labeled Data (2021) (13)
Speech enhancement by harmonic modeling via map pitch tracking (2002) (13)
Interaction with Machine Improvisation (2010) (12)
Musical Information Dynamics as Models of Auditory Anticipation (2011) (11)
Influence of Frequency Modulating Jitter on Higher Order Moments of Sound Residual with Applications to Synthesis and Classification (1996) (11)
Introducing video Features and spectral Descriptors in the Omax Improvisation System (2008) (11)
Continuous Melody Generation via Disentangled Short-Term Representations and Structural Conditions (2020) (11)
Machine Improvisation with Variable Markov Oracle: Toward Guided and Structured Improvisation (2016) (10)
Expressive Neural Voice Cloning (2021) (10)
Optimal Filtering of an Instrument Sound in a Mixed Recording Given Approximate Pitch Prior (2004) (10)
A framework for Anticipatory Machine Improvisation and Style Imitation (2006) (10)
Information Dynamics and Aspects of Musical Perception (2010) (9)
Gestalt Phenomena in Musical Texture (1996) (9)
Re-Visiting the Music Segmentation Problem with Crowdsourcing (2017) (8)
Testing for Gaussianity and Non Linearity in the sustained portion of musical sounds (1996) (8)
A System for Computer Music Generation by Learning and Improvisation in a Particular Style (2006) (8)
Audio Segmentation by Singular Value Clustering (2004) (8)
A method for directionally-disjoint source separation in convolutive environment (2004) (8)
REVIEW OF ICA AND HOS METHODS FOR RETRIEVAL OF NATURAL SOUNDS AND SOUND EFFECTS. (2003) (8)
Memex and Composer Duets: computer aided composition using style modeling and mixing (2008) (7)
Understanding the Collaboration Enigma (2011) (7)
Adversarial Reprogramming of Sequence Classification Neural Networks (2018) (7)
Music Design with Audio Oracle Using Information Rate (2012) (7)
Variable Markov Oracle: A Novel Sequential Data Points Clustering Algorithm with Application to 3D Gesture Query-Matching (2014) (7)
DPD-InfoGAN: Differentially Private Distributed InfoGAN (2020) (7)
Analysis of musical structure in Audio and MIDI signals using information rate (2006) (7)
Cross-modal Adversarial Reprogramming (2021) (7)
Polyspectral analysis of musical timbre (אנליזה פוליספקטרלית של גון הקולות.) (1996) (6)
Generalized likelihood ratio test for voiced/unvoiced decision using the harmonic plus noise model (2003) (6)
Context-Aware Hidden Markov Models of Jazz Music with Variable Markov Oracle (2017) (6)
Large-scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentation (2022) (6)
Acoustic spectral estimation using higher order statistics (1994) (5)
Memex Music and Gambling Games : EVE ’ s Take on Lucky Number 13 (2006) (5)
Opera of Meaning: film and music performance with semantic associative search (2009) (5)
Gestural research at IRCAM: A progress report (1998) (5)
Guessing the Composer's Mind (1999) (4)
YASAS - Yet Another Sound Analysis-Synthesis Method (2006) (4)
Interactive projection for aerial dance using depth sensing camera (2014) (4)
Study of spectro-temporal parameters in musical performance for expressive instrument synthesis (1998) (4)
Study of spectro-temporal parameters in musical performance, with applications for expressive instrument synthesis. (1998) (3)
Automatic Construction of Interactive Machine Improvisation Scenarios from Audio Recordings (2016) (3)
Methods for Global Organization of All Known Protein Sequences It Was a Pleasure to Work with the Great Team of Students with Whom I Created the Protomap Web Site. I Thank (1999) (3)
Clustering Musical Sounds Using Polyspectral Distance Measures (1995) (3)
Singing Voice Database (2019) (3)
Style and meaning in language, art, music, and design : papers from the 2004 AAAI Symposium, October 21-24, Arlington, Virginia (2004) (3)
Improving Choral Music Separation through Expressive Synthesized Data from Sampled Instruments (2022) (2)
On Modeling Affect in Audio with Non-Linear Symbolic Dynamics (2017) (2)
Special Issue on Musical Metacreation, Part I (2016) (2)
Multitrack Music Transformer: Learning Long-Term Dependencies in Music with Diverse Instruments (2022) (2)
Cross-Cultural Aesthetics: Analyses and Experiments in Verbal and Visual Arts (2016) (2)
Cross-Cultural Multimedia Computing (2016) (2)
Improved Harmonic+Noise Model for Vocal and Musical Instrument Sounds (2002) (2)
JoinSee: A Real-Time and Collaborative Hyper-Media System for Participatory Performances in the Opera of Meaning (2010) (2)
Pitch circularity produced by varying the amplitudes of odd and even harmonics (2005) (2)
Deep Music Information Dynamics Novel Framework for Reduced Neural-Network Music Representation with Applications to Midi and Audio Analysis and Improvisation (2022) (1)
Semantic Interaction with Human Motion Using Query-Based Recombinant Video Synthesis (2019) (1)
Opening the Can: Public Interaction with Ready-Made Contents (2010) (1)
Predicting Human Reactions to Music on the Basis of Similarity Structure and Information Theoretic Measures of the Sound Signal (2004) (1)
Novel Method of Nonlinear Symbolic Dynamics for Semantic Analysis of Auditory Scenes (2017) (1)
Synthesizing Sound Textures through (2002) (1)
In Fleeting Visions: Deep Neural Music Fickle Play (2019) (1)
Higher Order Statistical Estimation of Sinusoidality with Applications for Quality Coding of Musical Instruments (1999) (1)
HOS method for phase characterization in sinusoidal models with applications for speech and audio (1999) (1)
Karaoke System with Spatial Acoustics estimation for vocal or instrumental removal (2005) (1)
Information Sensibility as a Cultural Characteristic: Tuning to Sound Details for Aesthetic Experience (2016) (1)
Special Issue on Musical Metacreation, Part II (2017) (1)
Towards Cross-Cultural Analysis using Music Information Dynamics (2021) (1)
Tonet: Tone-Octave Network for Singing Melody Extraction from Polyphonic Music (2022) (1)
Analyzing several musical instrument tones using the randomly modulated periodicity model (2009) (1)
DistributeDJ: A Mobile Group Music Making Toolkit (2013) (0)
ChordGAN: Symbolic Music Style Transfer with Chroma Feature Extraction (2021) (0)
An Audience-Responsive Robotic Performance Network (2017) (0)
Martin Russ: Sound Synthesis and Sampling (2000) (0)
Characterizing Time Series Variability and Predictability from Information Geometry Dynamics (2013) (0)
Adaptive Music (2021) (0)
ICSC 2013: Message from the program chairs (2013) (0)
Computational Temporal Aesthetics; Relation Between Surprise, Salience and Aesthetics in Music and Audio Signals (2008) (0)
STUDY OF MUTUAL INFORMATION IN PERCEPTUAL CODING WITH APPLICATION FOR LOW BIT-RATE COMPRESSION (2003) (0)
INSTALLATION AND PERFORMANCE FOR REFLECTION OF SOUND AND LIGHT "CONCERTINO FOR ELECTRIC CORDS AND SALT" (2012) (0)
Deep Music Information Dynamics (2021) (0)
Bias-Free FedGAN (2021) (0)
A ‘Kansei’ Multimedia and Semantic Computing System for Cross-Cultural Communication (2016) (0)
Schedule (2019) (0)
Creative Improvised Interaction with Generative Musical Systems (2022) (0)
Innuence of Frequency Modulating Jitter on Higher Order Moments of Sound Residual with Applications to Synthesis and Classiication (1996) (0)
Urban network parcellation using graph theoretic approach (2015) (0)
Nonlinear dynamics of human creativity (2014) (0)
Stylistic randomness: about composing NTrope Suite (1999) (0)
Predictive Quantization and Symbolic Dynamics (2022) (0)
Expressions: Inter-professional Culture via Coactive Digital Humanities Platform (2011) (0)
Restoring Eye Contact to the Virtual Classroom with Machine Learning (2021) (0)
Short term affective and long term cognitive familiarity features will be discussed in relation to spectral feature expectancies and spectral centroids repetitions (2009) (0)
Machine Improvisation in Music: Information-Theoretical Approach (2021) (0)
Algorithmic Composition Parameter as Intercultural and Cross-level MIR Feature: The Susceptibility of Melodic Pitch Contour (2016) (0)
Reports on the 2004 AAAI Fall Symposia (2005) (0)
Computer audition: an introduction and research survey (2006) (0)
Editorial Advisory Board (2010) (0)
HE guest editors wish to thank all the reviewers who provided valuable evaluations and recommendations. Their names are listed below. (2002) (0)
Capturing Musical Structure Using Convolutional Recurrent Latent Variable Model (2018) (0)
Israel Computers and Music Forum - Activities Report (1996) (0)
Preface (1989) (0)
Multitrack Music Transformer (2022) (0)
Query-based Deep Improvisation (2019) (0)
C APTURING MUSICAL STRUCTURE USING C ONVOLU-TIONAL R ECURRENT L ATENT V ARIABLE MODEL (2018) (0)
Switching Machine Improvisation Models by Latent Transfer Entropy Criteria (2023) (0)
SALAMI Smoke Machines Atom Orr You Done Me Wrong Cindy Woolf Out in the Cold Carole King Black or White Michael Jackson We will Rock You (2017) (0)

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Other Resources About Shlomo Dubnov

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What Schools Are Affiliated With Shlomo Dubnov?

Shlomo Dubnov is affiliated with the following schools:

University of California, San Diego