Stephen Bann

Q: What Schools Are Affiliated With Stephen Bann

Stephen Bann is affiliated with the following schools: University of Bristol, University of Kent

Stephen Bann's AcademicInfluence.com Rankings

Stephen Bann

Education

#1362

World Rank

#1941

Historical Rank

Pedagogy

#108

World Rank

#143

Historical Rank

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Education

Why Is Stephen Bann Influential?

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According to Wikipedia, Stephen Bann CBE, FBA is the Emeritus Professor of History of Art at the University of Bristol. He attended Winchester College and King's College, Cambridge, attaining his PhD in 1967. He was subsequently appointed Professor of Modern Cultural Studies at the University of Kent at Canterbury, and later appointed to the Chair in History of Art at Bristol in 2000. He was made a Fellow of the British Academy in 1998, and named a CBE in 2004.

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Stephen Bann's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Things Hidden Since the Foundation of the World (1978) (428)
The New Museology (1989) (166)
Romanticism and the rise of history (1995) (119)
The Clothing of Clio: A Study of the Representation of History in Nineteenth-Century Britain and France (2011) (110)
The True Vine: On Visual Representation and Western Tradition (1991) (44)
The tradition of constructivism (1974) (43)
The inventions of history: essays on the representation of the past (1990) (39)
The Ironist's cage: Memory, trauma, and the construction of history (1998) (38)
The Clothing of Clio (1984) (37)
Proust and the Sense of Time (1993) (37)
Parallel lines : printmakers, painters and photographers in nineteenth-century France (2001) (35)
Global Conceptualism : Points of Origin, 1950s-1980s (1999) (35)
Russian formalism : a collection of articles and texts in translation (1974) (31)
Past looking: Historical imagination and the rhetoric of the image (1998) (30)
Utopias and the Millennium (1997) (28)
The inventions of history (1990) (28)
Fields of vision - Landscape imagery and national identity in England and the United-States - Daniels,S (1993) (26)
Rethinking Heritage: Cultures and Politics in Europe (2003) (25)
Monuments and Memory, Made and Unmade (2003) (23)
The Return to Curiosity: Shifting Paradigms in Contemporary Museum Display (2008) (23)
Frankenstein, Creation and Monstrosity (1997) (18)
The mythical conception is the name: Titles and names in modern and post-modern painting (1985) (15)
Towards a Critical Historiography: Recent Work in Philosophy of History (1981) (15)
A grand design: The art of the Victoria and Albert Museum (1998) (14)
Concrete Poetry: an international anthology (1967) (13)
Historical Text and Historical Object: The Poetics of the Musee de Cluny (1978) (11)
Mapping Benjamin: The Work of Art in the Digital Age (2003) (11)
Under the Sign: John Bargrave as Collector, Traveler, and Witness (1995) (10)
Nadar's Aerial View (2013) (10)
Ian Hamilton Finlay: A Visual Primer (1985) (10)
Art and its publics: Museum Studies at the Millenium (2003) (10)
Paul Delaroche: History Painted (2008) (10)
Traces of India: Photography, Architecture, and the Politics of Representation, 1850-1900 (2003) (9)
Clio in Part: On Antiquarianism and the Historical Fragment (1987) (9)
A NEW ORIENTALISM (2010) (9)
Crossing the Channel: British and French Painting in the Age of Romanticism (2003) (9)
Distinguished Images: Prints in the Visual Economy of Nineteenth-Century France (2013) (9)
The Repeating Image: Multiples in French Painting from David to Matisse (2007) (8)
Hubert Damisch and Stephen Bann: A Conversation (2005) (8)
Philostratus and the Narcissus of Caravaggio (2009) (8)
The reception of Walter Pater in Europe (2004) (8)
The Magic Theater (1968) (7)
The Odd Man Out: Historical Narrative and the Cinematic Image (1987) (7)
The truth in mapping (1988) (6)
The Landscape approach of Bernard Lassus (1983) (5)
Arcadia as Utopia in Contemporary Landscape Design: The Work of Bernard Lassus (2003) (5)
‘Views of the Past’ — Reflections on the Treatment of Historical Objects and Museums of History (1750–1850) (1987) (4)
Photography, printmaking, and the visual economy in nineteenth-century France (2002) (4)
Three Images for Kristeva: From Bellini to Proust (1998) (4)
Ingres in Reproduction (2000) (4)
A description of Stonypath (1981) (4)
The map as index of the real: Land art and the authentication of travel (1994) (4)
The Boundary Rider 9th Biennale of Sydney (1992) (4)
The Amateur and the Professional: Antiquarians, Historians and Archaeologists in Victorian England 1838–1886, Philippa Levine. Cambridge University Press, Cambridge (1986), x, + 210. £25.00, $39.50 (1987) (4)
Painting History: Delaroche and Lady Jane Grey (2010) (3)
Art and the Early Photographic Album (2011) (3)
“WHEN I WAS A PHOTOGRAPHER”: NADAR AND HISTORY (2009) (3)
Questions of Genre in Early Nineteenth-Century French Painting (2003) (3)
Ways Around Modernism (2006) (3)
A Luton Arcadia: Ian Hamilton Finlay's contribution to the English neo-classical tradition (1993) (3)
Photography by Other Means? The Engravings of Ferdinand Gaillard (2006) (3)
The true vine (1989) (3)
The Art Historian: National Traditions and Institutional Practices (2003) (3)
Constable to Delacroix: British Art and the French Romantics (2003) (3)
Against Photographic Exceptionalism (2014) (3)
Tudorism: Historical Imagination and the Appropriation of the Sixteenth Century (2011) (2)
Collectors’ Knowledge: What Is Kept, What Is Discarded (2013) (2)
Mourning, Identity, and the Uses of History (1998) (2)
The British contribution to the Europe of the Twenty-First Century. The British Academy Centenary Lectures (2002) (2)
Remembering Louise Vernet (2003) (2)
Interpreting Contemporary Art (1991) (2)
Cinema and the Rescue of Historicity (2002) (2)
Collage: The poetics of discontinuity? (1988) (2)
Patricia Johanson’s House & Garden Commission: Reconstruction of Modernity (2008) (2)
Analysing the discourse of history (1983) (2)
The landscape approach of Bernard Lassus: Part II (1995) (2)
‘Two Kinds of Historicism: Resurrection and Restoration in French Historical Painting’ (2010) (2)
Poetics of the Museum: Lenoir and Du Sommerard (2019) (2)
Pop-art and genre (1993) (2)
Paul Delaroche's Early Work in the Context of English History Painting (2006) (2)
The Interlacing of Words and Things: Bridging the Nature-Culture Opposition in Gardens and Landscape (2012) (2)
Delaroche, Napoleon and English collectors (2005) (2)
Alternative Paradigms for the Historical Museum: Lenoir’s Monuments Français and Du Sommerard’s Cluny (2012) (2)
[DNA cytofluorometry of soft tissue tumors]. (1984) (2)
Art History in Perspective (1989) (2)
Paul Delaroche’s German Reception (2010) (1)
Refiguring Hayden White (2009) (1)
‘A Nomadic Investment in History: Pierre Loti’s House at Rochefort-sur-Mer' (2008) (1)
Horace Walpole’s Strawberry Hill (2009) (1)
Structuralism and the Revival of Rhetoric (1977) (1)
Shrines, Gardens, Utopias (1994) (1)
The Road to Roscommon (1994) (1)
Historic House Museums Speak to the Public (1999) (1)
Article: Face-to-Face with History (1998) (1)
Art, Theatre and Opera in Paris, 1750-1850 (2014) (1)
Art of the garden : the garden in British art, 1800 to the present day (2004) (1)
History: Myth and Narrative: A Coda for Roland Barthes and Hayden White (2009) (1)
Inscription and Identity in the Representation of the Past (1991) (1)
The Built Surface: Architecture and the Pictorial Arts from Antiquity to the Enlightenment (2001) (1)
Reading back from Experimental Painting (2017) (1)
The Studio as Scene of Emulation: Marceline Desbordes-Valmore's L'Atelier d'un peintre (2007) (1)
The Sense of the past and the Writing of History: Stephen Bann in Conversation with Karen Lang (2013) (1)
Russian Formalism: Collection of Articles and Texts in Translation (1975) (0)
The coral mind : Adrian Stokes's engagement with architecture, art history, criticism, and psychoanalysis (2007) (0)
‘Stray Flowers’? The role of Illustration in the Critical Argument of The Stones of Venice (2021) (0)
, Resonances: Historical Essays on Continuity and Change (2011) (0)
Editorial (The image of history) (2000) (0)
Maestà di Roma: Da Ingres à Degas: Gli artisti francesi à Roma (2003) (0)
A luton arcadia, Finlay,Ian,Hamilton contribution to the english neoclassical tradition (1993) (0)
The Optical Unconscious - Krauss -,R (1994) (0)
Editorial (2000) (0)
Utopia/dystopia : Geoffrey James (2008) (0)
Breaking and remaking - aesthetic practice in England, 1700-1820 - Paulson,R (1993) (0)
Representing Normandy: Painting, Printmaking, and Photography (2009) (0)
Constructive context : an exhibition selected from the Arts Council Collection by Stephen Bann (1978) (0)
L'Architecture, les sciences et la culture (2001) (0)
History and her siblings (1988) (0)
Robert-Fleury's Delaroche and Delaroche's Raphael (2016) (0)
Norman Abbey as Romantic Mise-en-scène: St Georges de Boscherville in Historical Representation’ (2011) (0)
The Past in Print: Ancient Buildings Represented by Engraving, Etching and Lithography in Early-Nineteenth-Century England (2018) (0)
From Place to Place: Traces of Transumption in Contemporary Visual Art (2014) (0)
‘Après nous le Déluge’: Images for the French Restoration (2020) (0)
History and Historians in the Twentieth Century (2002) (0)
Authors of articles in this volume (2000) (0)
Bibliography and List of Abbreviations (2005) (0)
Marcelin Pleynet and the system of painting (1998) (0)
Visuality codes the text: Charles Dickens’s Pictures from Italy (2014) (0)
Prints in the Visual Economy of Nineteenth-Century France (2013) (0)
Ways around Modernism (Theories of Modernism and Postmodernism in the Arts, vol 2) (2007) (0)
[DNA-RNA cytofluorometric analysis of a case of osteosarcoma in relation to histological characteristics]. (1985) (0)
Contributors (2002) (0)
Publications Received (2002) (0)
The Photographic Album as a Cultural Accumulator (2011) (0)
Revoir la New Art History : Définitions de la culture visuelle = The New Art History - Revisited : Definitions of Visual Culture (1995) (0)
Sculpture in contemporary Britain. Guide to Sculptors in the Leeds Collection (2003) (0)
The Landscape Approach of Lassus,Bernard .2 (1995) (0)
Breaking and Remaking: Aesthetic Practice in England, 1700-1820. Ronald PaulsonWorlds of Art: Painters in Victorian Society. Paula GillettSexual Anarchy: Gender and Culture at the Fin de Siècle. Elaine ShowalterMasculine Desire: The Sexual Politics of Victorian Aestheticism. Richard Dellamora (1993) (0)
Pausanias: Travel and Memory in Roman Greece (1999) (0)
Extra Special Illustration (2019) (0)
'Beyond Fabiola: Henner In and Out of His Nineteenth-Century Context’ (2008) (0)
A river runs through (2010) (0)
Walter Pater: Transparencies of Desire (2002) (0)
A Draughtsman’s Contract: Court and Country in the Work of Louis Lafitte (2021) (0)
“The Horizon of Holland”: A Poetic Prelude to Ian Hamilton Finlay’s Gardens (2012) (0)
Louis Hersent‘s Gustave Vasa (1819), and the Ends of French History Painting (2004) (0)
The Tudors viewed by French Romantic Artists (2011) (0)
On Ian Hamilton Finlay: Poetics Beyond Discipline (2013) (0)
Response: Reasons to Be Cheerful (2007) (0)
Art of the Garden: The Garden in Art, 1800 to the present day (2004) (0)
Book Reviews (1995) (0)
Delaroche off stage (2014) (0)
The Nazarenes: Romantics Avant-garde and the Art of the Concept (2016) (0)
The Intelligible versus the Real: Barthes’s Historiographical Option (2020) (0)
The Sculpture of Stephen Cox (1995) (0)
Global, national and regional factors in French nineteenth-century painting (2008) (0)
The Veils of Time: On the Historical Dimension in Cultural Analysis (1999) (0)
Alexandre Cabanel 1823 – 1889, La tradition du beau (Exhibition catalogue) (2010) (0)
History and its Images - Art and the International of the Past - HASKELL,F (1994) (0)
The Marble Wilderness: Ruins and Representation in Italian Romanticism, Carolyn Springer. Cambridge University Press, Cambridge (1987), 1775, £25·00 (1988) (0)
On Ian Hamilton Finlay: Poetics Beyond Discipline: ‘Interlacing Words and Things in Landscapes (A Conversation with Stephen Bann)’ and ‘The poem as supersign and enclosure’ (2013) (0)
Relocating Victor Burgin (2002) (0)
Achille Devéria and French Illustration in the Romantic Period (2012) (0)
Contributions and correspondence should be sent to the editorial assistant at university of Durham centre for the history of the human sciences (1990) (0)
The Past in the Present: Contemporary Art and Art History's Myths (2002) (0)
Midway: Letters from Ian Hamilton Finlay to Stephen Bann (2014) (0)
Christopher Le Brun : Paintings 1984-1985 (1985) (0)
Review : Michael Ann Holly, Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca, NY: Cornell University Press, 1996. x + 214 pp (1998) (0)
Eugene Deveria 1805-1865 Exhibition Catalogue (2006) (0)
Face-to-face with history (Regis Debray, art, politics) (1998) (0)
Ian Hamilton Finlay : Inter Artes et Naturam (1987) (0)
Francis Alÿs: Fabiola: An Investigation (2008) (0)
1964: A Year of Exhibitions (2019) (0)
John Addington Symonds: Culture and the Demon Desire (2000) (0)
Rediscovering history - Roth,M (1996) (0)
The British Show (1985) (0)
The Transfiguration of the Ordinary: From Bus Ticket to Cathedral (2019) (0)
Fabiola: An Investigation (2008) (0)
7. History: Myth and Narrative (2020) (0)
Relating architecture to landscape (1999) (0)
Art History and History (2020) (0)
Reproducing the Mona Lisa in Nineteenth-Century France (2011) (0)
Oscillations of the I: Academic Painting after the French Revolution (Louis Hersent, Léopold Robert, Paul Delaroche) (2003) (0)
Child's Garden of Verses, Walter de la Mare's Peacock Pie and their illustrators (2001) (0)

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What Schools Are Affiliated With Stephen Bann?

Stephen Bann is affiliated with the following schools:

Stephen Bann's Academic­Influence.com Rankings