Stephen Mcadams
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Communications
Stephen Mcadams's Degrees
- PhD Music Perception and Cognition Stanford University
- Masters Music Perception and Cognition Stanford University
Why Is Stephen Mcadams Influential?
(Suggest an Edit or Addition)Stephen Mcadams's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes (1995) (657)
- Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) (1993) (353)
- Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones. (2005) (257)
- News, Politics, and Negativity (2012) (244)
- Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome (2010) (221)
- Recognition of sound sources and events (1993) (217)
- Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music (2013) (164)
- Material identification of real impact sounds: effects of size variation in steel, glass, wood, and plexiglass plates. (2006) (164)
- Feature dependence in the automatic identification of musical woodwind instruments. (2001) (148)
- Spectral fusion, spectral parsing and the formation of auditory images (1984) (143)
- Perspectives on the Contribution of Timbre to Musical Structure (1999) (140)
- Hearing a mistuned harmonic in an otherwise periodic complex tone. (1990) (139)
- The dependency of timbre on fundamental frequency. (2003) (136)
- Instrument Sound Description in the Context of MPEG-7 (2000) (134)
- Dichotic perception and laterality in neonates (1989) (128)
- The neuroanatomical substrate of sound duration discrimination (2002) (118)
- Separate Neural Processing of Timbre Dimensions in Auditory Sensory Memory (2006) (117)
- The representation of auditory source characteristics: simple geometric form. (1996) (116)
- Segregation of concurrent sounds. I: Effects of frequency modulation coherence. (1989) (115)
- Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters. (1999) (115)
- The Functional Anatomy of Sound Intensity Discrimination (1998) (113)
- Implicit learning of musical timbre sequences: statistical regularities confronted with acoustical (dis)similarities. (2004) (111)
- Neural Correlates of Timbre Change in Harmonic Sounds (2002) (111)
- Empathy and Emotional Contagion as a Link Between Recognized and Felt Emotions in Music Listening (2013) (102)
- Perception of timbral analogies. (1992) (98)
- Organization and discrimination of repeating sound sequences by newborn infants. (1990) (97)
- Identification of concurrent harmonic and inharmonic vowels: a test of the theory of harmonic cancellation and enhancement. (1995) (94)
- The psychomechanics of simulated sound sources: material properties of impacted bars. (2004) (90)
- Schema-based processing in auditory scene analysis (2002) (88)
- Abstract encoding of auditory objects in cortical activity patterns. (2013) (85)
- Control parameters for musical instruments: a foundation for new mappings of gesture to sound (2002) (84)
- Auditory signal processing : physiology, psychoacoustics, and models (2005) (83)
- Hearing Musical Streams (2008) (83)
- Psychological constraints on form-bearing dimensions in music (1989) (82)
- Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting (2004) (81)
- Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies (2015) (81)
- Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results (2004) (81)
- The Perception of Musical Timbre (2008) (77)
- Concurrent vowel identification II: Effects of phase, harmonicity and task (1997) (74)
- The Auditory Image: A Metaphor for Musical and Psychological Research on Auditory Organization (1984) (72)
- Spectral Fusion and the Creation of Auditory Images (1982) (72)
- Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation. (1999) (70)
- Music: A science of the mind? (1987) (68)
- Musical Timbre Perception (2013) (66)
- Structural and affective aspects of music from statistical audio signal analysis (2006) (66)
- A Comparison of Approaches to Timbre Descriptors in Music Information Retrieval and Music Psychology (2016) (64)
- Hearing living symbols and nonliving icons: Category specificities in the cognitive processing of environmental sounds (2010) (63)
- Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness (2000) (61)
- Postrecognition of interleaved melodies as an indirect measure of auditory stream formation. (2003) (61)
- Divided attention in music (2000) (55)
- Two phase effects in roughness perception. (1999) (53)
- Integration of acoustical information in the perception of impacted sound sources: the role of information accuracy and exploitability. (2010) (52)
- A Vibrotactile Device for Display of Virtual Ground Materials in Walking (2008) (51)
- The representation of auditory source characteristics: Simple geometric form (1997) (51)
- Segregation of concurrent sounds. II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width. (1991) (50)
- Identification of walked-upon materials in auditory, kinesthetic, haptic, and audio-haptic conditions. (2012) (50)
- Analyzing Musical Sound (2004) (49)
- The psychomechanics of simulated sound sources: material properties of impacted thin plates. (2010) (43)
- The Role of FM-induced AM in Dynamic Spectral Profile Analysis (1988) (41)
- Penser les sons : psychologie cognitive de l'audition (1994) (41)
- Sound Source Mechanics and Musical Timbre Perception: Evidence From Previous Studies (2010) (41)
- Linking melodic expectation to expressive performance timing and perceived musical tension. (2016) (40)
- Global and Continuous Loudness Estimation of Time-Varying Levels (2002) (40)
- Loudness asymmetries for tones with increasing and decreasing levels using continuous and global ratings (2005) (39)
- Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations (2004) (38)
- Interactive processing of timbre dimensions: A Garner interference study (2007) (37)
- Aural Analysis of Arabic Improvised Instrumental Music (Taqsīīm) (2003) (37)
- Interactive Processing of Timbre Dimensions: An Exploration with Event-related Potentials (2008) (36)
- Perceiving the Classical Cadence (2014) (33)
- Perceptual attenuation of nonfocused auditory streams (1997) (32)
- Problem-Solving Strategies in Music Composition: A Case Study (2004) (31)
- Simulating melodic and harmonic expectations for tonal cadences using probabilistic models (2018) (31)
- Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds (2016) (30)
- Perceiving Musical Individuality: Performer Identification is Dependent on Performer Expertise and Expressiveness, but Not on Listener Expertise (2011) (29)
- Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers (2017) (28)
- Non‐visual identification of walking grounds (2008) (27)
- Effects of a Change in Instrumentation on the Recognition of Musical Materials (2004) (27)
- Perception of Dyads of Impulsive and Sustained Instrument Sounds (2012) (25)
- Auditory continuity and loudness computationa) (1998) (25)
- The dependency of timbre on fundamental frequencya ) (2003) (25)
- Similarity, Invariance, and Musical Variation (2001) (25)
- The role of long-term familiarity and attentional maintenance in short-term memory for timbre (2017) (24)
- Acoustics, psychoacoustics and spectral music (2000) (24)
- Auditory continuity and loudness computation. (1998) (24)
- Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas (1997) (24)
- Four Distinctions for the Auditory “Wastebasket” of Timbre1 (2017) (23)
- Verbal correlates of perceptual dimensions of timbre (1996) (23)
- Comparison of Methods for Collecting and Modeling Dissimilarity Data: Applications to Complex Sound Stimuli (2011) (23)
- Improved Score-performance Matching Using Both Structural and Temporal Information from MIDI Recordings (2011) (21)
- Qualities and Functions of Musical Timbre (1985) (21)
- A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL (2008) (20)
- Timbre as a Structuring Force in Music (2013) (20)
- Psychophysiological responses to auditory change. (2016) (19)
- Discrimination of spectral density. (1985) (18)
- The Perceptual Representation of Timbre (2019) (18)
- Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre (2020) (16)
- Perceptually salient spectrotemporal modulations for recognition of sustained musical instruments. (2016) (16)
- Multisensory integration in percussion performance (2010) (16)
- Perceptually Salient Regions of the Modulation Power Spectrum for Musical Instrument Identification (2017) (15)
- Music and the cognitive sciences (1989) (15)
- Auditory Perception and Cognition (2002) (15)
- The role of spectral-envelope characteristics in perceptual blending of wind-instrument sounds (2015) (14)
- Auditory Signal Processing (2005) (14)
- The Fusion and Layering of Noise and Tone: Implications for Timbre in African Instruments (2016) (14)
- Investigating the Role of Auditory and Tactile Modalities in Violin Quality Evaluation (2014) (14)
- Expectations for tonal cadences: Sensory and cognitive priming effects (2018) (14)
- Timbre: Acoustics, Perception, and Cognition (2019) (13)
- The psychomechanics of real and simulated sound sources (2000) (13)
- Individuality in harpsichord performance: disentangling performer- and piece-specific influences on interpretive choices (2013) (13)
- Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates (2012) (13)
- Structural and affective aspects of music from statistical audio signal analysis: Special Topic Section on Computational Analysis of Style (2006) (13)
- Musical Structure : Sound and Timbre (2017) (12)
- Perceptual Processes in Orchestration (2018) (12)
- A meta‐analysis of acoustic correlates of timbre dimensions (2006) (12)
- Perception of Intrinsic Formal Functionality: An Empirical Investigation of Mozart's Materials (2009) (11)
- Music and psychology : a mutual regard (1990) (11)
- Psychophysiological Indices of Music-Evoked Emotions in Musicians (2017) (10)
- Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre (2007) (10)
- Spectral and temporal cues for perception of material and action categories in impacted sound sources. (2016) (10)
- The auditory continuity phenomenon: role of temporal sequence structure. (1999) (9)
- Investigation of timbre saliency, the attention-capturing quality of timbre (2012) (9)
- The Present, Past, and Future of Timbre Research (2019) (9)
- Short-term Recognition of Timbre Sequences (2018) (9)
- Instrument Description in the Context of MPEG-7 (2000) (9)
- The roots of musical variation in perceptual similarity and invariance (2002) (9)
- Psychophysical quantification of individual differences in timbre perception (2000) (8)
- Activity Analysis and Coordination in Continuous Responses to Music (2018) (8)
- Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone (1986) (8)
- Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord (2016) (7)
- Communicating voice emphasis in harpsichord performance (2009) (7)
- Perceptual Analysis of Vibrating Bars Synthesized with a Physical Model (1998) (7)
- Multidimensional scaling of musical timbre constrained by physical parameters (1999) (7)
- Effects of Repetition on Attention in Two-Part Counterpoint (2016) (6)
- Sound mass, auditory perception, and ‘post-tone’ music (2020) (6)
- Acoustical correlates of perceptual blend in timbre dyads and triads (2019) (6)
- Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum (2016) (6)
- Perceiving Changes of Sound-Source Size Within Musical Tone Pairs (2017) (5)
- Auditory and verbal memory in North Indian tabla drumming. (2016) (5)
- The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds. (1996) (5)
- A Performance Evaluation of the Timbre Toolbox and the MIRtoolbox on Calibrated Test Sounds (2017) (5)
- Exploring emotional responses to orchestral gestures (2019) (5)
- AN EFFECT OF THE COHERENCE BETWEEN ENVELOPES ACROSS FREQUENCY REGIONS ON THE PERCEPTION OF ROUGHNESS (2004) (5)
- Perceptual analyses of action-related impact sounds (2010) (5)
- Koechlin’s volume: Perception of sound extensity among instrument timbres from different families (2017) (4)
- Timbre blending of wind instruments: acoustics and perception (2012) (4)
- Blending between bassoon and horn players: an analysis of timbral adjustments during musical performance (2017) (4)
- Influence of melodic emphasis, texture, salience, and performer individuality on performance errors (2016) (4)
- Expecting the end: Continuous expectancy ratings for tonal cadences (2018) (4)
- Objective quality measurement of the excitation of impact sounds in a source/filter model (2008) (4)
- A spectral-envelope synthesis model to study perceptual blend between wind instruments (2012) (4)
- A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions (2021) (3)
- Perceptual-based retrieval in large musical sound databases (1999) (3)
- L'image auditive (1985) (3)
- Learning to sing a novel piece of music facilitates playing it on the violin but not the other way around: Evidence from performance segmentations (1999) (3)
- The role of auditory and tactile modalities in viol in quality evaluation (2011) (3)
- A General Synthesis Package Based on Principles of Auditory Perception (1981) (3)
- Human dissimilarity ratings of musical instrument timbre: A computational meta-analysis (2018) (3)
- The dominance of haptics over audition in controlling wrist velocity during striking movements (2016) (3)
- Exploring Instrument Blending as a Function of Timbre Saliency (2012) (3)
- Preliminary measures of the focusing of attention on auditory streams (1994) (3)
- A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008 (2015) (2)
- Acoustic cues contributing to spectral fusion (1983) (2)
- Instrument Timbre Enhances Perceptual Segregation in Orchestral Music (2021) (2)
- La psychoacoustique : science de l'audition, science du son (2005) (2)
- Ordinal scaling of timbre-related spectral audio descriptors. (2021) (2)
- Contributions of sub‐audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones (1982) (2)
- Predicting blend between orchestral timbres using generalized spectral-envelope descriptions (2013) (2)
- Semantic Dimensions of Sound Mass Music (2020) (2)
- ACOUSTICS2008/57 Non-visual identification of walking grounds (2008) (2)
- Effects of Musical Context on the Recognition of Musical Motives During Listening (2018) (2)
- Perception of Vicentino ’ s 31-tone tuning system (2017) (1)
- Introduction to the Two Special Issues of Music Perception on BKN25 (2015) (1)
- Perception of timbre dimensions: Psychophysics and electrophysiology in humans. (2009) (1)
- Auditory Scene Analysis: A Prerequisite for Loudness Perception (2007) (1)
- The Psychology of Music Third (2012) (1)
- Sound Color by Wayne Slawson (1988) (1)
- Mechanics of the sound source and the perception of musical timbre: Evidence from previous studies (2010) (1)
- Predicting Human Reactions to Music on the Basis of Similarity Structure and Information Theoretic Measures of the Sound Signal (2004) (1)
- Timbre saliency vs. timbre dissimilarity – What is the relationship? (2013) (1)
- Interactions among cues contributing to concurrent sound segregation (1990) (1)
- A confirmatory analysis of four acoustic correlates of timbre space (2002) (1)
- Low level auditory processing of simple and complex sounds in autism (2008) (1)
- Pitch of complex tones for normal and hearing‐impaired listeners (1978) (1)
- Generalizing timbre space data across stimulus contexts: the meta-analytic approach (2006) (1)
- The role of beats in concurrent sound segregation based on frequency modulation cues (1989) (1)
- Koechlin's volume: perception of auditory size among instrument timbres from different families (2010) (1)
- Perceptual independence of excitor and resonator properties in percussive instrument sounds (1998) (1)
- Perception of musical timbre 1 Perception and cognition of musical timbre 1 Running title : Musical timbre (2019) (1)
- Perceptual effects of simplifying musical instrument sound time‐frequency representations (1997) (1)
- Influence of phase effects on roughness modeling (1997) (1)
- AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools (1984) (1)
- The Use of Microphone Level Balance in Blending the Timbre of Horn and Bassoon Players (2015) (1)
- The continuity illusion (1997) (1)
- Integrating nonspatial, nontemporal multisensory information in action-based perception (2009) (1)
- Perceptual analysis of synthesized struck bars (1998) (1)
- The object of perception in impacted sound sources: The role of perceptual accessibility and information accuracy (2007) (1)
- Perception et intuition (1988) (1)
- The auditory image (1984) (1)
- The Role of Spectral Envelope Ratio within the Perception of Sound-Source Size : a Psychophysical and Affective Investigation (2017) (0)
- Timbral cues for learning to generalize musical instrument identity across pitch register. (2023) (0)
- Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music (2013) (0)
- Introduction: The many faces of human cognition in musical research and practice (1989) (0)
- The relevance of source properties to timbre perception: evidence from previous studies on musical instrument tones (2006) (0)
- Guest editorial: Music perception and cognition in music technology (2022) (0)
- Predicting expressive timing and perceived tension in performances of an unmeasured prelude using the IDyOM model (2012) (0)
- Reply to ‘‘Comments on S. McAdams’ Review of Sound Color’’ [J. Acoust. Soc. Am. 86, 2469–2471 (1989)] (1989) (0)
- Timbre's function in the perception of affective intentions: Contextual information and effects of learning (2021) (0)
- Within‐ and cross‐channel mechanisms in the detection of frequency modulation coherence and incoherence (1990) (0)
- The coupling of sub‐audio amplitude and frequency modulafions and the perception of spectral envelope characteristics (1984) (0)
- Categorical neural processing of environmental sounds: activation- and information-based mapping (2010) (0)
- Erratum: “The dependency of timbre on fundamental frequency” [J. Acoust. Soc. Am. 114, 2946–2957 (2003)] (2004) (0)
- The perceptual interaction between the pitch and timbre of musical sound (2001) (0)
- Experiences of Time and Timelessness in Electroacoustic Music (2020) (0)
- Acoustical and Conceptual Information for the Perception of Animate and Inanimate Sound Sources (2007) (0)
- Musical sounds, data reduction, and perceptual control parameters (1995) (0)
- Interval and Ratio Scaling of Spectral Audio Descriptors (2022) (0)
- Effect of the number of distracting streams on the focusing of attention on one auditory stream. (1996) (0)
- The perception of musical timbre 1 CHAPTER 7 T (0)
- Modeling the contribution of auditory scene analysis principles to perceptual effects of orchestration (2020) (0)
- In uence of phase e ects on roughness modeling (1997) (0)
- ACOUSTICS2008/58 Action-based multisensory integration in striking events (2008) (0)
- The Perceptual Factoring of Acoustic Sequences into Musical Streams (1978) (0)
- 1 Perceptual Facets of Orchestration in The Angel of Death by Roger Reynolds : Timbre and Auditory Grouping 1 (2019) (0)
- The Performer as Analyst. A Case Study of J. S. Bach’s “Dorian” Fugue BWV 538 (2022) (0)
- Analysing musical sounds (ˆ para”tre) (2003) (0)
- Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information (2019) (0)
- Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition John A. Sloboda (1989) (0)
- Timbre’s function within a musical phrase in the perception of affective intents (2020) (0)
- Cognitive biases in estimating the similarity of environmental sounds (2007) (0)
- Effect of expressive intent, performer expertise, and listener expertise on the perception of artistic individuality in organ performance (2008) (0)
- Notes on contributors (2000) (0)
- Multisensory integration in percussion performance [CD-ROM] (2010) (0)
- A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception * (2022) (0)
- Category specificities in the neural processing of environmental sounds: information-based mapping (2010) (0)
- 1 PERCEPTUAL ANALYSES OF ACTION-RELATED IMPACT SOUNDS (2019) (0)
- Common and distinctive features of similarity: effect of behavioral method (2009) (0)
- Electrophysiological correlates of musical timbre perception (2002) (0)
- The frequency analysis of the cochlea – a review of Nobili et al ( 1998 ) and Ruggero (2015) (0)
- L'audition organisatrice (1992) (0)
- Perceptual ratio scales of timbre-related audio descriptors (2020) (0)
- Auditory Processing of Frequency Modulation Coherence (1990) (0)
- TIMBREis a misleadingly simple and vague word encompassing a very complex set of auditory attributes, as well as a plethora of psychological and musical issues. It covers (2008) (0)
- EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC (2013) (0)
- Action‐based multisensory integration in striking events (2008) (0)
- Proceedings of Meetings on Acoustics (2013) (0)
- Measuring the interaction between bassoon and horn players in achieving timbre blend (2013) (0)
- Meta-Analysis of Studies on Timbre Dissimilarity Based on Spectrotemporal Modulation Representations (2017) (0)
- The role of beats in the segregation of concurrent sounds based on frequency modulation coherence (1990) (0)
- Two phase effects in roughness perceptiona ) (1999) (0)
- Subharmonic pitch extraction or pitch memory (1978) (0)
- Animate Concepts , Inanimate Sources ? The Relative Relevance of Conceptual and Acoustical Information in Similarity Judgments of Animate and Inanimate Sounds (2009) (0)
- The dominance of haptics over audition in controlling wrist velocity during striking movements (2016) (0)
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