Stephen Mcadams

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Stephen Mcadams

Communications

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Communications

Stephen Mcadams's Degrees

PhD Music Perception and Cognition Stanford University
Masters Music Perception and Cognition Stanford University

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Stephen Mcadams's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes (1995) (657)
Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) (1993) (353)
Acoustic correlates of timbre space dimensions: a confirmatory study using synthetic tones. (2005) (257)
News, Politics, and Negativity (2012) (244)
Enhanced pure-tone pitch discrimination among persons with autism but not Asperger syndrome (2010) (221)
Recognition of sound sources and events (1993) (217)
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music (2013) (164)
Material identification of real impact sounds: effects of size variation in steel, glass, wood, and plexiglass plates. (2006) (164)
Feature dependence in the automatic identification of musical woodwind instruments. (2001) (148)
Spectral fusion, spectral parsing and the formation of auditory images (1984) (143)
Perspectives on the Contribution of Timbre to Musical Structure (1999) (140)
Hearing a mistuned harmonic in an otherwise periodic complex tone. (1990) (139)
The dependency of timbre on fundamental frequency. (2003) (136)
Instrument Sound Description in the Context of MPEG-7 (2000) (134)
Dichotic perception and laterality in neonates (1989) (128)
The neuroanatomical substrate of sound duration discrimination (2002) (118)
Separate Neural Processing of Timbre Dimensions in Auditory Sensory Memory (2006) (117)
The representation of auditory source characteristics: simple geometric form. (1996) (116)
Segregation of concurrent sounds. I: Effects of frequency modulation coherence. (1989) (115)
Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters. (1999) (115)
The Functional Anatomy of Sound Intensity Discrimination (1998) (113)
Implicit learning of musical timbre sequences: statistical regularities confronted with acoustical (dis)similarities. (2004) (111)
Neural Correlates of Timbre Change in Harmonic Sounds (2002) (111)
Empathy and Emotional Contagion as a Link Between Recognized and Felt Emotions in Music Listening (2013) (102)
Perception of timbral analogies. (1992) (98)
Organization and discrimination of repeating sound sequences by newborn infants. (1990) (97)
Identification of concurrent harmonic and inharmonic vowels: a test of the theory of harmonic cancellation and enhancement. (1995) (94)
The psychomechanics of simulated sound sources: material properties of impacted bars. (2004) (90)
Schema-based processing in auditory scene analysis (2002) (88)
Abstract encoding of auditory objects in cortical activity patterns. (2013) (85)
Control parameters for musical instruments: a foundation for new mappings of gesture to sound (2002) (84)
Auditory signal processing : physiology, psychoacoustics, and models (2005) (83)
Hearing Musical Streams (2008) (83)
Psychological constraints on form-bearing dimensions in music (1989) (82)
Influences of Large-Scale Form on Continuous Ratings in Response to a Contemporary Piece in a Live Concert Setting (2004) (81)
Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies (2015) (81)
Musical Forces and Melodic Expectations: Comparing Computer Models and Experimental Results (2004) (81)
The Perception of Musical Timbre (2008) (77)
Concurrent vowel identification II: Effects of phase, harmonicity and task (1997) (74)
The Auditory Image: A Metaphor for Musical and Psychological Research on Auditory Organization (1984) (72)
Spectral Fusion and the Creation of Auditory Images (1982) (72)
Perceptual organization of complex auditory sequences: effect of number of simultaneous subsequences and frequency separation. (1999) (70)
Music: A science of the mind? (1987) (68)
Musical Timbre Perception (2013) (66)
Structural and affective aspects of music from statistical audio signal analysis (2006) (66)
A Comparison of Approaches to Timbre Descriptors in Music Information Retrieval and Music Psychology (2016) (64)
Hearing living symbols and nonliving icons: Category specificities in the cognitive processing of environmental sounds (2010) (63)
Perception of musical tension for nontonal orchestral timbres and its relation to psychoacoustic roughness (2000) (61)
Postrecognition of interleaved melodies as an indirect measure of auditory stream formation. (2003) (61)
Divided attention in music (2000) (55)
Two phase effects in roughness perception. (1999) (53)
Integration of acoustical information in the perception of impacted sound sources: the role of information accuracy and exploitability. (2010) (52)
A Vibrotactile Device for Display of Virtual Ground Materials in Walking (2008) (51)
The representation of auditory source characteristics: Simple geometric form (1997) (51)
Segregation of concurrent sounds. II: Effects of spectral envelope tracing, frequency modulation coherence, and frequency modulation width. (1991) (50)
Identification of walked-upon materials in auditory, kinesthetic, haptic, and audio-haptic conditions. (2012) (50)
Analyzing Musical Sound (2004) (49)
The psychomechanics of simulated sound sources: material properties of impacted thin plates. (2010) (43)
The Role of FM-induced AM in Dynamic Spectral Profile Analysis (1988) (41)
Penser les sons : psychologie cognitive de l'audition (1994) (41)
Sound Source Mechanics and Musical Timbre Perception: Evidence From Previous Studies (2010) (41)
Linking melodic expectation to expressive performance timing and perceived musical tension. (2016) (40)
Global and Continuous Loudness Estimation of Time-Varying Levels (2002) (40)
Loudness asymmetries for tones with increasing and decreasing levels using continuous and global ratings (2005) (39)
Perception of Musical Similarity Among Contemporary Thematic Materials in Two Instrumentations (2004) (38)
Interactive processing of timbre dimensions: A Garner interference study (2007) (37)
Aural Analysis of Arabic Improvised Instrumental Music (Taqsīīm) (2003) (37)
Interactive Processing of Timbre Dimensions: An Exploration with Event-related Potentials (2008) (36)
Perceiving the Classical Cadence (2014) (33)
Perceptual attenuation of nonfocused auditory streams (1997) (32)
Problem-Solving Strategies in Music Composition: A Case Study (2004) (31)
Simulating melodic and harmonic expectations for tonal cadences using probabilistic models (2018) (31)
Acoustic and Categorical Dissimilarity of Musical Timbre: Evidence from Asymmetries Between Acoustic and Chimeric Sounds (2016) (30)
Perceiving Musical Individuality: Performer Identification is Dependent on Performer Expertise and Expressiveness, but Not on Listener Expertise (2011) (29)
Perception and Modeling of Affective Qualities of Musical Instrument Sounds across Pitch Registers (2017) (28)
Non‐visual identification of walking grounds (2008) (27)
Effects of a Change in Instrumentation on the Recognition of Musical Materials (2004) (27)
Perception of Dyads of Impulsive and Sustained Instrument Sounds (2012) (25)
Auditory continuity and loudness computationa) (1998) (25)
The dependency of timbre on fundamental frequencya ) (2003) (25)
Similarity, Invariance, and Musical Variation (2001) (25)
The role of long-term familiarity and attentional maintenance in short-term memory for timbre (2017) (24)
Acoustics, psychoacoustics and spectral music (2000) (24)
Auditory continuity and loudness computation. (1998) (24)
Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas (1997) (24)
Four Distinctions for the Auditory “Wastebasket” of Timbre1 (2017) (23)
Verbal correlates of perceptual dimensions of timbre (1996) (23)
Comparison of Methods for Collecting and Modeling Dissimilarity Data: Applications to Complex Sound Stimuli (2011) (23)
Improved Score-performance Matching Using Both Structural and Temporal Information from MIDI Recordings (2011) (21)
Qualities and Functions of Musical Timbre (1985) (21)
A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCAL (2008) (20)
Timbre as a Structuring Force in Music (2013) (20)
Psychophysiological responses to auditory change. (2016) (19)
Discrimination of spectral density. (1985) (18)
The Perceptual Representation of Timbre (2019) (18)
Learning metrics on spectrotemporal modulations reveals the perception of musical instrument timbre (2020) (16)
Perceptually salient spectrotemporal modulations for recognition of sustained musical instruments. (2016) (16)
Multisensory integration in percussion performance (2010) (16)
Perceptually Salient Regions of the Modulation Power Spectrum for Musical Instrument Identification (2017) (15)
Music and the cognitive sciences (1989) (15)
Auditory Perception and Cognition (2002) (15)
The role of spectral-envelope characteristics in perceptual blending of wind-instrument sounds (2015) (14)
Auditory Signal Processing (2005) (14)
The Fusion and Layering of Noise and Tone: Implications for Timbre in African Instruments (2016) (14)
Investigating the Role of Auditory and Tactile Modalities in Violin Quality Evaluation (2014) (14)
Expectations for tonal cadences: Sensory and cognitive priming effects (2018) (14)
Timbre: Acoustics, Perception, and Cognition (2019) (13)
The psychomechanics of real and simulated sound sources (2000) (13)
Individuality in harpsichord performance: disentangling performer- and piece-specific influences on interpretive choices (2013) (13)
Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic Correlates (2012) (13)
Structural and affective aspects of music from statistical audio signal analysis: Special Topic Section on Computational Analysis of Style (2006) (13)
Musical Structure : Sound and Timbre (2017) (12)
Perceptual Processes in Orchestration (2018) (12)
A meta‐analysis of acoustic correlates of timbre dimensions (2006) (12)
Perception of Intrinsic Formal Functionality: An Empirical Investigation of Mozart's Materials (2009) (11)
Music and psychology : a mutual regard (1990) (11)
Psychophysiological Indices of Music-Evoked Emotions in Musicians (2017) (10)
Non-linear Scaling Techniques for uncovering the perceptual Dimensions of Timbre (2007) (10)
Spectral and temporal cues for perception of material and action categories in impacted sound sources. (2016) (10)
The auditory continuity phenomenon: role of temporal sequence structure. (1999) (9)
Investigation of timbre saliency, the attention-capturing quality of timbre (2012) (9)
The Present, Past, and Future of Timbre Research (2019) (9)
Short-term Recognition of Timbre Sequences (2018) (9)
Instrument Description in the Context of MPEG-7 (2000) (9)
The roots of musical variation in perceptual similarity and invariance (2002) (9)
Psychophysical quantification of individual differences in timbre perception (2000) (8)
Activity Analysis and Coordination in Continuous Responses to Music (2018) (8)
Matching the pitch of a mistuned harmonic in an otherwise periodic complex tone (1986) (8)
Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord (2016) (7)
Communicating voice emphasis in harpsichord performance (2009) (7)
Perceptual Analysis of Vibrating Bars Synthesized with a Physical Model (1998) (7)
Multidimensional scaling of musical timbre constrained by physical parameters (1999) (7)
Effects of Repetition on Attention in Two-Part Counterpoint (2016) (6)
Sound mass, auditory perception, and ‘post-tone’ music (2020) (6)
Acoustical correlates of perceptual blend in timbre dyads and triads (2019) (6)
Auditory Scene Analysis and the Perception of Sound Mass in Ligeti’s Continuum (2016) (6)
Perceiving Changes of Sound-Source Size Within Musical Tone Pairs (2017) (5)
Auditory and verbal memory in North Indian tabla drumming. (2016) (5)
The role of auditory beats induced by frequency modulation and polyperiodicity in the perception of spectrally embedded complex target sounds. (1996) (5)
A Performance Evaluation of the Timbre Toolbox and the MIRtoolbox on Calibrated Test Sounds (2017) (5)
Exploring emotional responses to orchestral gestures (2019) (5)
AN EFFECT OF THE COHERENCE BETWEEN ENVELOPES ACROSS FREQUENCY REGIONS ON THE PERCEPTION OF ROUGHNESS (2004) (5)
Perceptual analyses of action-related impact sounds (2010) (5)
Koechlin’s volume: Perception of sound extensity among instrument timbres from different families (2017) (4)
Timbre blending of wind instruments: acoustics and perception (2012) (4)
Blending between bassoon and horn players: an analysis of timbral adjustments during musical performance (2017) (4)
Influence of melodic emphasis, texture, salience, and performer individuality on performance errors (2016) (4)
Expecting the end: Continuous expectancy ratings for tonal cadences (2018) (4)
Objective quality measurement of the excitation of impact sounds in a source/filter model (2008) (4)
A spectral-envelope synthesis model to study perceptual blend between wind instruments (2012) (4)
A Cross-Cultural Analysis of the Influence of Timbre on Affect Perception in Western Classical Music and Chinese Music Traditions (2021) (3)
Perceptual-based retrieval in large musical sound databases (1999) (3)
L'image auditive (1985) (3)
Learning to sing a novel piece of music facilitates playing it on the violin but not the other way around: Evidence from performance segmentations (1999) (3)
The role of auditory and tactile modalities in viol in quality evaluation (2011) (3)
A General Synthesis Package Based on Principles of Auditory Perception (1981) (3)
Human dissimilarity ratings of musical instrument timbre: A computational meta-analysis (2018) (3)
The dominance of haptics over audition in controlling wrist velocity during striking movements (2016) (3)
Exploring Instrument Blending as a Function of Timbre Saliency (2012) (3)
Preliminary measures of the focusing of attention on auditory streams (1994) (3)
A Tribute to David Wessel (1942-2014) Consulting Editor for Music Perception, 1983-2008 (2015) (2)
Acoustic cues contributing to spectral fusion (1983) (2)
Instrument Timbre Enhances Perceptual Segregation in Orchestral Music (2021) (2)
La psychoacoustique : science de l'audition, science du son (2005) (2)
Ordinal scaling of timbre-related spectral audio descriptors. (2021) (2)
Contributions of sub‐audio frequency modulation and spectral envelope constancy to spectral fusion in complex harmonic tones (1982) (2)
Predicting blend between orchestral timbres using generalized spectral-envelope descriptions (2013) (2)
Semantic Dimensions of Sound Mass Music (2020) (2)
ACOUSTICS2008/57 Non-visual identification of walking grounds (2008) (2)
Effects of Musical Context on the Recognition of Musical Motives During Listening (2018) (2)
Perception of Vicentino ’ s 31-tone tuning system (2017) (1)
Introduction to the Two Special Issues of Music Perception on BKN25 (2015) (1)
Perception of timbre dimensions: Psychophysics and electrophysiology in humans. (2009) (1)
Auditory Scene Analysis: A Prerequisite for Loudness Perception (2007) (1)
The Psychology of Music Third (2012) (1)
Sound Color by Wayne Slawson (1988) (1)
Mechanics of the sound source and the perception of musical timbre: Evidence from previous studies (2010) (1)
Predicting Human Reactions to Music on the Basis of Similarity Structure and Information Theoretic Measures of the Sound Signal (2004) (1)
Timbre saliency vs. timbre dissimilarity – What is the relationship? (2013) (1)
Interactions among cues contributing to concurrent sound segregation (1990) (1)
A confirmatory analysis of four acoustic correlates of timbre space (2002) (1)
Low level auditory processing of simple and complex sounds in autism (2008) (1)
Pitch of complex tones for normal and hearing‐impaired listeners (1978) (1)
Generalizing timbre space data across stimulus contexts: the meta-analytic approach (2006) (1)
The role of beats in concurrent sound segregation based on frequency modulation cues (1989) (1)
Koechlin's volume: perception of auditory size among instrument timbres from different families (2010) (1)
Perceptual independence of excitor and resonator properties in percussive instrument sounds (1998) (1)
Perception of musical timbre 1 Perception and cognition of musical timbre 1 Running title : Musical timbre (2019) (1)
Perceptual effects of simplifying musical instrument sound time‐frequency representations (1997) (1)
Influence of phase effects on roughness modeling (1997) (1)
AISE: A Prototype Laboratory for Musical Research and the Development of Conceptual Tools (1984) (1)
The Use of Microphone Level Balance in Blending the Timbre of Horn and Bassoon Players (2015) (1)
The continuity illusion (1997) (1)
Integrating nonspatial, nontemporal multisensory information in action-based perception (2009) (1)
Perceptual analysis of synthesized struck bars (1998) (1)
The object of perception in impacted sound sources: The role of perceptual accessibility and information accuracy (2007) (1)
Perception et intuition (1988) (1)
The auditory image (1984) (1)
The Role of Spectral Envelope Ratio within the Perception of Sound-Source Size : a Psychophysical and Affective Investigation (2017) (0)
Timbral cues for learning to generalize musical instrument identity across pitch register. (2023) (0)
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music (2013) (0)
Introduction: The many faces of human cognition in musical research and practice (1989) (0)
The relevance of source properties to timbre perception: evidence from previous studies on musical instrument tones (2006) (0)
Guest editorial: Music perception and cognition in music technology (2022) (0)
Predicting expressive timing and perceived tension in performances of an unmeasured prelude using the IDyOM model (2012) (0)
Reply to ‘‘Comments on S. McAdams’ Review of Sound Color’’ [J. Acoust. Soc. Am. 86, 2469–2471 (1989)] (1989) (0)
Timbre's function in the perception of affective intentions: Contextual information and effects of learning (2021) (0)
Within‐ and cross‐channel mechanisms in the detection of frequency modulation coherence and incoherence (1990) (0)
The coupling of sub‐audio amplitude and frequency modulafions and the perception of spectral envelope characteristics (1984) (0)
Categorical neural processing of environmental sounds: activation- and information-based mapping (2010) (0)
Erratum: “The dependency of timbre on fundamental frequency” [J. Acoust. Soc. Am. 114, 2946–2957 (2003)] (2004) (0)
The perceptual interaction between the pitch and timbre of musical sound (2001) (0)
Experiences of Time and Timelessness in Electroacoustic Music (2020) (0)
Acoustical and Conceptual Information for the Perception of Animate and Inanimate Sound Sources (2007) (0)
Musical sounds, data reduction, and perceptual control parameters (1995) (0)
Interval and Ratio Scaling of Spectral Audio Descriptors (2022) (0)
Effect of the number of distracting streams on the focusing of attention on one auditory stream. (1996) (0)
The perception of musical timbre 1 CHAPTER 7 T (0)
Modeling the contribution of auditory scene analysis principles to perceptual effects of orchestration (2020) (0)
In uence of phase e ects on roughness modeling (1997) (0)
ACOUSTICS2008/58 Action-based multisensory integration in striking events (2008) (0)
The Perceptual Factoring of Acoustic Sequences into Musical Streams (1978) (0)
1 Perceptual Facets of Orchestration in The Angel of Death by Roger Reynolds : Timbre and Auditory Grouping 1 (2019) (0)
The Performer as Analyst. A Case Study of J. S. Bach’s “Dorian” Fugue BWV 538 (2022) (0)
Analysing musical sounds (ˆ para”tre) (2003) (0)
Modeling Human Experts' Identification of Orchestral Blends Using Symbolic Information (2019) (0)
Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition John A. Sloboda (1989) (0)
Timbre’s function within a musical phrase in the perception of affective intents (2020) (0)
Cognitive biases in estimating the similarity of environmental sounds (2007) (0)
Effect of expressive intent, performer expertise, and listener expertise on the perception of artistic individuality in organ performance (2008) (0)
Notes on contributors (2000) (0)
Multisensory integration in percussion performance [CD-ROM] (2010) (0)
A Taxonomy of Orchestral Grouping Eﬀects Derived from Principles of Auditory Perception * (2022) (0)
Category specificities in the neural processing of environmental sounds: information-based mapping (2010) (0)
1 PERCEPTUAL ANALYSES OF ACTION-RELATED IMPACT SOUNDS (2019) (0)
Common and distinctive features of similarity: effect of behavioral method (2009) (0)
Electrophysiological correlates of musical timbre perception (2002) (0)
The frequency analysis of the cochlea – a review of Nobili et al ( 1998 ) and Ruggero (2015) (0)
L'audition organisatrice (1992) (0)
Perceptual ratio scales of timbre-related audio descriptors (2020) (0)
Auditory Processing of Frequency Modulation Coherence (1990) (0)
TIMBREis a misleadingly simple and vague word encompassing a very complex set of auditory attributes, as well as a plethora of psychological and musical issues. It covers (2008) (0)
EFFECT OF TIMBRE ON MELODY RECOGNITION IN THREE-VOICE COUNTERPOINT MUSIC (2013) (0)
Action‐based multisensory integration in striking events (2008) (0)
Proceedings of Meetings on Acoustics (2013) (0)
Measuring the interaction between bassoon and horn players in achieving timbre blend (2013) (0)
Meta-Analysis of Studies on Timbre Dissimilarity Based on Spectrotemporal Modulation Representations (2017) (0)
The role of beats in the segregation of concurrent sounds based on frequency modulation coherence (1990) (0)
Two phase effects in roughness perceptiona ) (1999) (0)
Subharmonic pitch extraction or pitch memory (1978) (0)
Animate Concepts , Inanimate Sources ? The Relative Relevance of Conceptual and Acoustical Information in Similarity Judgments of Animate and Inanimate Sounds (2009) (0)
The dominance of haptics over audition in controlling wrist velocity during striking movements (2016) (0)

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