Susan Bennett | Academic Influence

Susan Bennett 's AcademicInfluence.com Rankings

Susan Bennett

Computer Science

#10893

World Rank

#11485

Historical Rank

Data Science

#330

World Rank

#338

Historical Rank

Algorithms

#498

World Rank

#504

Historical Rank

Computational Linguistics

#3056

World Rank

#3092

Historical Rank

computer-science Degrees

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Computer Science

Susan Bennett 's Degrees

PhD Computer Science University of Oxford
Bachelors Mathematics University of Oxford

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Why Is Susan Bennett Influential?

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According to Wikipedia, Susan Bennett is a Canadian Professor of English in the Faculty of Humanities at the University of Calgary. Early life Bennett was born in London to musical parents. Her father was a musician who played in theatre orchestras. As a result, she was exposed to theatre at a young age.

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Susan Bennett 's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Theatre Audiences: A Theory of Production and Reception (1990) (508)
Why can't most people draw what they see? (1997) (119)
Performing Nostalgia: Shifting Shakespeare and the Contemporary Past (1995) (94)
Interpretation of English reflexives by adolescent speakers of Serbo-Croatian (1994) (29)
Theatre/Tourism (2005) (21)
Elements of personnel management (1990) (14)
Theatre Audiences, Redux (2006) (11)
In the Window at Disney: A Lifetime of Brand Desire (2014) (8)
The significance of fibre transfer and persistence – A case study (2010) (8)
Women, Popular Theatre, and Social Action: Interviews with Cynthia Grant and the Sistren Theatre Collective (1992) (6)
Shakespeare on Vacation (2007) (6)
The Role of the Theatre Audience: A Theory of Production and Reception (1988) (5)
Universal experience: the city as tourist stage (2008) (5)
Ric Knowles. Shakespeare and Canada: Essays on Production, Translation, and Adaptation . (2004) (5)
At the End of The Great Radical Tradition? Recent Plays by Howard Brenton (1990) (4)
Rehearsing across Space and Place: Rethinking A Masque Presented at Ludlow Castle (2012) (4)
Godard and Lear: Trashing the Can(n)on (1998) (4)
Feminist theatre and performance (2006) (4)
When a Woman Looks: The ‘Other’ Audience of Shepard’s Plays (1993) (3)
Women & Comedy: Rewriting the British Theatrical Tradition (1992) (3)
Representations and Manifestations of Madness in Victorian Fiction (2015) (3)
Motives for Earning a Secondary Teaching Credential: A Study of English/Language Arts Student Teachers. (1984) (2)
Shakespeare and Performance Studies: A Dialogue (2017) (2)
Making Up the Audience: Spectatorship in Historical Context (2012) (2)
Women Playwrights Confer in Adelaide (1994) (2)
POKING ITS NOSE INTO EVERYTHING—THE SOCIETY FOR THE ENCOURAGEMENT OF ARTS, MANUFACTURES AND COMMERCE (2018) (2)
Reading and Writing at a Snail's Pace. (1980) (1)
The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Work and the Myth (1993) (1)
China’s Global Performatives: ‘Better City, Better Life’ (2013) (1)
Thinking Site: An Introduction (2014) (1)
Shakespeare's Women and the Fin de Siècle by Sophie Duncan (review) (2018) (1)
Feminist (Theatre) Historiography / Canadian (Feminist) Theatre: A Reading of some Practices and Theories (1992) (1)
A Commercial Success: Women Playwrights in the 1950S (2008) (1)
WHAT ARE YOU READING? (2012) (1)
THE POST-COLONIAL BODY? Thinking through The Tempest (2013) (1)
Do Junior High School Reading/Language Arts Teachers Use Oral Language to Improve Reading Comprehension? A Study of Two Teachers. (1984) (1)
Utopia in Performance: Finding Hope at the Theater (review) (2007) (1)
Mother tongue: Colonized bodies and performing cultures (1995) (1)
Contemporary Street Arts in Europe: Aesthetics and Politics (2013) (1)
Fair Play: Art, Performance and Neoliberalism by Jen Harvie (review) (2014) (1)
Watching Another, Viewing Theatre: Questions for Audience Reception and Cross-Cultural Performance (2001) (1)
What Everyone Should Know (Has Known but Done Little to Implement) about Evaluating Students' Writing. (1981) (1)
(No) Performance Studies in Canada (2012) (1)
Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction . (2008) (1)
(Syn)Aesthetics: Redefining Visceral Performance (review) (2010) (0)
British Theatre in the 1950s ed. by Dominic Shellard, and: British Theatre Since the War by Dominic Shellard, and: The Royal Court Theatre and the Modern Stage by Philip Roberts (review) (2013) (0)
A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England. Amy J. Rodgers. Philadelphia: University of Pennsylvania Press, 2018. Pp. 231. (2020) (0)
From the International Space Station to your Desktop: Performance in Orbit (2010) (0)
Notes on Contributors (2003) (0)
Tertiary enrolment and labour market trends, 2002 to present: A global snapshot (2009) (0)
Drama + Theory: Critical Approaches to Modern British Drama by Peter Buse (review) (2003) (0)
Do shifts happen? Will transformative teaching techniques help in teaching ICT soft skills (2009) (0)
NEW WAYS TO PLAY OLD TEXTS Discourses of the Past (2013) (0)
The Pleasure of Fools: Essays in the Ethics of Laughter (review) (2008) (0)
The Culture of Playgoing in Shakespeare's England: A Collaborative Debate (review) (2002) (0)
Helen Gilbert. Sightlines: Race, Gender, and Nation in ContemporaryAustralian Theatre. (2000) (0)
Rehearsing across Space and Place (2012) (0)
Women, Performance and the Global Stage (1999) (0)
A Round Table Conversation on the State of Hiring and Labour in Theatre and Performance Studies in Canada (2022) (0)
Bertolt Brecht and the Theory of Media . By Roswitha Mueller. Lincoln: University of Nebraska Press, 1989. Pp. xiii + 149. $25. (1992) (0)
The Fate of the Object: From Modern Object to Postmodern Sign in Performance, Art and Poetry by Jon Erickson (review) (2013) (0)
Conclusion: re-performance matters (2013) (0)
TOWARD SECOND LANGUAGE ACQUISITION: A STUDY OF NULL-PREP . Elaine C. Klein. Dordrecht: Kluwer, 1993. Pp. xi + 289. $112.00 cloth. (1995) (0)
Congratulations! (2014) (0)
JiFFECTS OF ADJUNCT QUESTIONS ON LEARNING FROM PROSE A Thesis Presented (2018) (0)
Academic Trouble: A Response to "This Discipline Which Is Not One" (1995) (0)
Anton Howes. Arts and Minds: How the Royal Society of Arts Changed a Nation. Princeton: Princeton University Press, 2020. Pp. 416. $35.00 (cloth). (2021) (0)
“We Are All Treaty People”: The Making Treaty 7 Project (2016) (0)
‘Breaking the Surface’ at Calgary (1992) (0)
Our Readers Write: Something I Tried That Ought to Have Worked but Didn't (1983) (0)
Fascination and obsession: Susan Bennett (2012) (0)
Exemplary Disney: An Afterword (2019) (0)
Sophie Duncan, Shakespeare’s Women and the Fin de Siècle (2018) (0)
Acco Festival: Between Celebration and Confrontation. By Naphtaly Shem-Tov. Boston: Academic Studies Press, 2016. Pp. xvi + 227. £74.95/$85 Hb. (2017) (0)
Shakespeare, Spectatorship and the Technologies of Performance by Pascale Aebischer (review) (2022) (0)
1 Shakespeare on site: here, there and everywhere (2016) (0)
New Stages: Questions for Canadian Dramatic Criticism (1995) (0)
Here/There: National Theatre Wales’s Coriolan/us, 8–18 August 2012, Hangar 858, RAF St Athan, Vale of Glamorgan (directed by Mike Pearson and Mike Brookes)1 (2013) (0)
Antitheatricality and the Body Public by Lisa A. Freeman (review) (2018) (0)
Information & Communications Technology (ICT): Tertiary education global enrolment trends & Australasian labour market trends (2009) (0)
Performing Consumers: Global Capital and its Theatrical Seductions (review) (2008) (0)
Review: New Readings in Theatre History (2005) (0)
At the End of The Great Radical Tradition?: Recent Plays by Howard Brenton (2013) (0)
Analyzing Performance: Theater, Dance, and Film by Patrice Pavis (review) (2013) (0)
We need to talk about MOOCs (2013) (0)
Mytec: Wintec student information portal (2008) (0)
Theatrical Convention and Audience Response in Early Modern Drama (review) (2004) (0)
Prince Albert, the Society of Arts and the Great Exhibition of 1851 (2002) (0)
Sex Museums: The Politics and Performance of Display by Jennifer Tyburczy (review) (2017) (0)
THE OOYS' COHPANIES 1599-1610: A DISCUSSION OF ACTING STYLE (1983) (0)
Only in Alberta? Angels in America and Canada (1996) (0)
What Are We Doing? from History to Research (2014) (0)
Auto/Biography and Identity: Women, Theatre and Performance (review) (2006) (0)
Theatre Survey 39 : 1 ( May 1998 ) (2008) (0)
Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections . By Gilli Bush-Bailey. Manchester: Manchester University Press, 2011. Pp. xi + 208 + 10 illus. £55 Hb. (2012) (0)
ALICE: Attracting Learners to ITPs for a Computing Education (2011) (0)
Everyday Resistance | Susan Bennett (2014) (0)
Radical Gestures: Feminism and Performance Art in North America (review) (2008) (0)
Avant-Garde Theatre Sound: Staging Sonic Modernity. By Adrian Curtin. Basingstoke: Palgrave Macmillan, 2014. Pp. xiv + 260. £59.50 Hb. (2015) (0)
Performance as collection: repertoire in the museum (2013) (0)
Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre by Mladen Ovadija, and: Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall, Ellen Waterman (review) (2017) (0)
Environmental Sound and Urban Noise: Ben Rubin and Jer Thorp’s Herald/Harbinger (2020) (0)
Chinaâs Global Performatives (2013) (0)
Theatre in the museum: collection as performance (2013) (0)
Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others . By Emma Willis. New York: Palgrave Macmillan, 2014; pp. xiv + 237, 31 illustrations. $90 cloth, $90 e-book. (2016) (0)
Notes on Contributors (2013) (0)

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Susan Bennett is affiliated with the following schools: