V. Kofi Agawu

Q: What Schools Are Affiliated With V. Kofi Agawu

V. Kofi Agawu is affiliated with the following schools: Yale University, Princeton University, Stanford University, University of Ghana, Cornell University, University of Reading, King's College London, Harvard University

V. Kofi Agawu's AcademicInfluence.com Rankings

V. Kofi Agawu

Philosophy

#5062

World Rank

#7777

Historical Rank

Logic

#7707

World Rank

#9549

Historical Rank

philosophy Degrees

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Philosophy

V. Kofi Agawu's Degrees

PhD Musicology King's College London
Masters Musicology King's College London

Why Is V. Kofi Agawu Influential?

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According to Wikipedia, Victor Kofi Agawu is a Ghanaian musicologist and music theorist. He often publishes as V. Kofi Agawu and specializes in musical semiotics and ethnomusicology. He is a Distinguished Professor at the Graduate Center, CUNY.

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V. Kofi Agawu's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Juju: A Social History and Ethnography of an African Popular Music (1990) (226)
African Rhythm: A Northern Ewe Perspective (1995) (128)
Representing African Music (1992) (125)
Representing African Music : Postcolonial Notes, Queries, Positions (2004) (119)
The Invention of African Rhythm (1995) (112)
Structural Analysis or Cultural Analysis? Competing Perspectives on the "Standard Pattern" of West African Rhythm (2006) (79)
Analyzing Music under the New Musicological Regime (1996) (61)
How We Got Out of Analysis, and How to Get Back In Again (2004) (58)
Structural 'Highpoints' in Schumann's 'Dichterliebe' (1984) (45)
Tone and tune: the evidence for Northern Ewe music (1988) (44)
Music as Discourse: Semiotic Adventures in Romantic Music (2008) (42)
Playing with Signs (1994) (41)
Theory and Practice in the Analysis of the Nineteenth-Century 'Lied' (1992) (41)
Music as Discourse (2008) (31)
The Oxford handbook of topic theory (2014) (29)
Tonality as a Colonizing Force in Africa (2016) (28)
The Rhythmic Structure of West African Music (1987) (27)
The Musical Language of Kindertotenlieder No. 2 (1983) (16)
The Challenge of African Art Music (2011) (16)
Does Music Theory Need Musicology (1992) (14)
Communication in Eighteenth-Century Music (2012) (14)
Formal perspectives on the symphonies (1999) (13)
Music in the Funeral Traditions of the Akpafu (1988) (13)
Contesting Difference: A Critique of Africanist Ethnomusicology (2012) (13)
The Communal Ethos in African performance: Ritual, Narrative and Music among the Northern Ewe (2006) (12)
Stravinsky's Mass and Stravinsky Analysis (1989) (12)
Review: Music and the Racial Imagination, edited by Ronald Radano and Philip V. Bohlman. Foreword by Houston A. Baker, Jr., Chicago Studies in Ethnomusicology. (2001) (10)
What Adorno Makes Possible for Music Analysis (2005) (9)
Schubert's Sexuality: A Prescription for Analysis? (1993) (8)
To cite or not to cite?: confronting the legacy of (european) writing on african music. (2007) (7)
Nketia's The Music of Africa and the Foundations of African Musicology (2003) (6)
Taruskin's Problem(s) (2011) (5)
Music Analysis Versus Musical Hermeneutics (1996) (5)
Aesthetic Inquiry and the Music of Africa (2007) (4)
Meki Nzewi and the discourse of African musicology: a 70th birthday appreciation (2008) (4)
Round Table: Edward Said and Musicology Today (2016) (3)
The landscape of African music (2001) (3)
Perspectives on Schubert's Songs@@@Schubert's Dramatic Lieder@@@Distant Cycles: Schubert and the Conceiving of Song@@@Schubert: Die schone Mullerin (1997) (3)
Christopher Hatch and David W. Bernstein, eds. Music Theory and the Exploration of the Past. Chicago: The University of Chicago Press, 1993 (1995) (3)
: A Classic Turn of Phrase: Music and the Psychology of Convention . Robert O. Gjerdingen. (1991) (2)
Topics and Form in Mozart’s String Quintet in e Flat Major, k. 614/i (2014) (2)
Playing with "Playing with Signs": A Critical Response to Kofi Agawu@@@Playing with Signs (1994) (2)
Haydn and the Classical Variation . Elaine R. Sisman . (1995) (2)
John Blacking and the study of African music (1997) (2)
Robert S. Hatten. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996) (1)
Colonialism’s Impact (2014) (1)
Communication in Eighteenth-Century Music: Beethoven's Op. 18 No. 3, first movement: two readings, with a comment on analysis (2008) (1)
Drum Gahu: A Systematic Method for an African Percussion Piece@@@Drum Damba: Talking Drum Lessons (1991) (1)
A Theory of Musical Narrative (review) (2009) (1)
Round Table V: Musical Analysis: Systematic versus Historical Models (1991) (1)
Music and/in Society (2016) (1)
Response to Rice (2010) (1)
Lives in Musicology: My Life in Writings (2021) (1)
Polymeter, Additive Rhythm, and Other Enduring Myths (2014) (1)
Edward Said and the study of music (2008) (0)
THEORY AND PRACTICE IN THE ANALYSIS OF (2016) (0)
Review of Robert S. Hatten. 1994. Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation . Bloomington: Indiana University Press (2020) (0)
Communication in Eighteenth-Century Music: Afterword (2008) (0)
The Formal Imagination (2016) (0)
Christopher Alan Waterman, Jùjú: a social history and ethnography of an African popular music . Chicago and London: University of Chicago Press, 1990, 284 pp., £35.95, ISBN 0 226 87464 8 hard back, £13.50, 0 226 87465 6 paperback. (1991) (0)
Jonathan Dunsby, Making Words Sing: Nineteenth- and Twentieth-Century Song (Cambridge: Cambridge University Press, 2004), ISBN 0 521 83661 1 (hb) (2006) (0)
Evaluation of the Travelling Institute for Music Research in South Africa: A review (2002) (0)
Popular Music Defended against Its Devotees (2014) (0)
On Responses to The African Imagination in Music (2022) (0)
Music and Religious Practices (2021) (0)
Music as Language (2008) (0)
The Rhythmic Imagination (2016) (0)
Review: Analytical Studies in World Music, edited by Michael Tenzer (2008) (0)
Bridges to Free Composition (2008) (0)
MUSIC ANALYSIS AND THE POLITICS OF METHODOLOGICAL PLURALISM (1993) (0)
15. TONALITY AS A COLONIZING FORCE IN AFRICA (2020) (0)
Communication in Eighteenth-Century Music: Bibliography (2008) (0)
Pauses for Thought (2008) (0)
In memoriam – Pascal Zabana Kongo (1947–2014) (2015) (0)
Wrong Notes@@@Musical Elaborations. (1992) (0)
The Aesthetics of Music (1999) (0)
Response to Plenary Session (2000) (0)
Harmony, or Simultaneous Doing (2016) (0)
Beethoven, String Quartet, op. 130/i (1825–1826), and Stravinsky, Symphonies of Wind Instruments (1920) (2008) (0)
In so far as they constitute complex messages rooted in specific cultural (2016) (0)
The Art of Tonal Analysis: Twelve Lessons in Schenkerian Theory by Carl Schachter (2018) (0)
Mahler, Symphony no. 9/i (1908–1909) (2008) (0)
Appropriating Said (2016) (0)
Brahms, Intermezzo in E Minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872–1876) (2008) (0)
AFR Volume 58 issue 2 Front matter (1988) (0)
An African Understanding of (2016) (0)
Nketia, Joseph Hanson Kwabena (2021) (0)
African Musicology: Current Trends, Volume II. A Festschrift Presented to J. H. Kwabena Nketia (1990) (0)
: Music Theory and the Exploration of the Past . Christopher Hatch, David W. Bernstein. (1995) (0)
OBITUARY In memoriam William Oscar Anku (1949-2010) (2010) (0)
In memoriam William Oscar Anku (1949-2010) (2010) (0)
Language and/in Music (2016) (0)
Music for Living Ends (1996) (0)
How Not to Analyze African Music (2014) (0)
The Melodic Imagination (2016) (0)
Nicholas Cook, Music, Imagination, and Culture. Oxford, Clarendon Press, 1990. vi + 265 pp. ISBN 0 19 816154 9 (1992) (0)
O tonalismo como força colonizadora na África (2021) (0)
Mozart and Enlightenment Semiotics (review) (2012) (0)
Robert O. Gjerdingen. A Classic Turn of Phrase: Music and the Psychology of Convention. Philadelphia: University of Pennsylvania Press, 1988 (1991) (0)
Aggrey, James Emman Kwegyir (2021) (0)
Busia, Kofi Abrefa (2021) (0)
Appropriating African Music (2016) (0)
Bibliography (1966) (0)
Criteria for Analysis II (2008) (0)
Review: Haydn and the Classical Variation by Elaine R. Sisman (1995) (0)
REVIEW: Lopold Sdar Senghor.CHAKA. AN OPERA IN TWO CHANTS.Composed by Akin Euba from an epic poem by City of Birmingham Touring Opera. Conductedby Simon Halsey. Point Richmond, CA: Music Research Institute, 1998. One compact disc. (2001) (0)

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What Schools Are Affiliated With V. Kofi Agawu?

V. Kofi Agawu is affiliated with the following schools:

V. Kofi Agawu's Academic­Influence.com Rankings