Walter Spink
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American art historian
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(Suggest an Edit or Addition)According to Wikipedia, Walter M. Spink was an American art historian who was best known for his extensive study of Buddhist art in India, particularly the Ajanta Caves, a UNESCO World Heritage Site. About his work on the Ajanta caves, scholars have acknowledged that his ideas "revolutionized the history of the site". He was a professor of art history at the University of Michigan, Ann Arbor.
Walter Spink's Published Works
Published Works
- Comments and Comparisons (2017) (53)
- The End of the Golden Age (2005) (50)
- Asian Art Museum of San Francisco (2000) (20)
- Indonesia : the art of an island group (1961) (16)
- Sculptures from Amaravati in the British Museum (London 1954) (1955) (4)
- The Art of Mughal India: Paintings and Precious Objects (1965) (4)
- Ajanta: History and Development, Volume 1 the End of the Golden Age (2005) (4)
- On the Development of Early Buddhist Art in India (1958) (4)
- Painting, sculpture, architecture year by year (2009) (2)
- Ajanta : a brief history and guide (1994) (2)
- Ajanta to Ellora. (1969) (2)
- Ajanta: History and Development, Volume 3 the Arrival of the Uninvited (2005) (2)
- A Brief Appreciation (2007) (2)
- Krishnamandala, a devotional theme in Indian art (1971) (2)
- The arrival of the uninvited (2005) (1)
- Chapter Two. Brief Comments On Ajanta’S History And Artistic Methods (2007) (1)
- Ajanta: History and Development, Volume 2 Arguments about Ajanta (2006) (1)
- Ajanta: History and Development, Volume 6 Defining Features (2014) (1)
- Arguments about Ajanta (2006) (1)
- Ajanta: History and Development, Volume 4 Painting, Sculpture, Architecture - Year by Year (2008) (1)
- Ajanta: History and Development, Volume 5 Cave by Cave (2006) (1)
- Cohen’s “Possible Histories” (2006) (0)
- Court Cell Intrusions (2005) (0)
- Ajanta; Four Painted Viharas: 1, 2, 16, 17 (2017) (0)
- Chapter 2: Regarding Important Time Chart Changes (2014) (0)
- Dandin, Ajanta, Bagh, and the Historicity of the Visrutacarita (2017) (0)
- Cave 10: Intrusions: Summary (2006) (0)
- 461 Planning begun at the Vakataka courts and at Ajanta itself (2009) (0)
- A Query and a Response (2005) (0)
- The decoration of the caves (2009) (0)
- Cave 10: Façade Intrusions (2006) (0)
- Handbbook of Oriental Studies: Sect. II: INDIA (2006) (0)
- Cave 10: The Aisle Paintings: Original and Intrusive (2006) (0)
- ACSAA color slide sets (1974) (0)
- The traumas of 478 (2009) (0)
- Shortening the “Short Chronology” (2017) (0)
- Chapter 1: The Usages of War (2014) (0)
- Mukhalingam Temples . By Douglas Barrett. Sirpur a Rajim Temples. By Moreshwar G. Dikshit. Bombay: N. M. Tripathi, 1960. Sponsored by Bhulabhai Memorial Institute, Bombay. Heritage of Indian Art Series, 2. 32. Illustrated. $4.00. (1961) (0)
- Intrusions in porch (2005) (0)
- 475–478 Asmaka control of the site (2009) (0)
- Ajanta’s Cells and Cell Doorways (2017) (0)
- Scholarly contributions to Maharashtra Pathik Some Conflicting Views and a Reply (2006) (0)
- The Robbins Collection of the Indian princely states : coins, medals, numismatic items, military and court paraphernalia, paper ephemera, and maps (2000) (0)
- Crises and Cave 1 (2006) (0)
- The Anomalous Painting on Cave 9’s Rear Wall (2006) (0)
- Cave 9: Triforium Paintings; Aisle Wall Paintings (2006) (0)
- A discussion of H. Bakker’s The Vakatakas (2006) (0)
- Plans and charts (2009) (0)
- 467 Work continues in normal course (2009) (0)
- Intrusions vs. programmed paintings (2005) (0)
- Terracotta temples of Vishnupur (2000) (0)
- The Development of the Vihara Shrine from Bagh to Ajanta (2017) (0)
- Patronage: Consistent vs. Collapsing (2006) (0)
- Prime Minister Varahadeva’s cave 16 (2009) (0)
- Kimbell and Asian Art Museum of San Francisco (2000) (0)
- : The Tribal Art of Middle India . Verrier Elwin. ; The Art of India Through the Ages . Stella Kramrisch. ; India: Paintings from Ajanta Caves . (1957) (0)
- The quest for Krishna : paintings and poetry of the Krishna legend (1972) (0)
- Many Golden Ages (1963) (0)
- 463/464/465 Early developments and decisions (2009) (0)
- Summary of Evidence Bearing upon the Disputed Dating of Harisena’s Reign (2014) (0)
- Classical Sinhalese Sculpture, ca. 300 B.C. to A.D. 1000 (1959) (0)
- Details of sculptures (2000) (0)
- The hiatus (472–474): the period of conflict and Asmaka takeover (2009) (0)
- curt maury, Folk Origins of Indian Art (1972) (0)
- Cave 10: Redecoration (2006) (0)
- Cave by Cave (2006) (0)
- Ghatotkacha Vihara Intrusions (2005) (0)
- Walters Art Gallery : The Alexander B. Griswold Collection (2000) (0)
- 466 A signal year for innovations at the site (2009) (0)
- Caves 9 and 10: Their Redecoration and Their Intrusions (2006) (0)
- Abstracts of Papers Presented at the Twenty-Fifth Annual Meeting of the Society of Architectural Historians (1972) (0)
- Chapter 3: Defining Features (2014) (0)
- 460 Ajanta’s Vakataka Renaissance conceived (2009) (0)
- Chapter Five. A Detailed Guide To The Ajanta Caves (2007) (0)
- The impact of Bagh (2009) (0)
- Late 480: The end of patronage (2009) (0)
- Plates 1–122 (2009) (0)
- Chapter Three. An Ajanta Miniguide (2006) (0)
- 462 Excavations begin at the site (2009) (0)
- The cave 1 Buddha and the death of Harisena (Late 477) (2008) (0)
- The Culture and Art of India . By Mukerjee Radhakamal. New York: Frederick A. Praeger, 1959. 447. Illustrations, Plates, Chart, Index. $10.00. (1959) (0)
- Later Brahmanical architecture of South India and the Deccan (2000) (0)
- Cave 26’s complicated development Compared With Upendragupta’s Caitya Cave 19 and Other Caves (2006) (0)
- Chapter 4: Illustrations and Labels (2014) (0)
- Chapter Four. A Few Relevant Comments Regarding Dating (2007) (0)
- Kushan and Gupta gold (2000) (0)
- Ajanta and the Trajectory of Vakataka History (2017) (0)
- The primacy of cave 1 (2009) (0)
- The Robbins Collection of the Indian princely states : postal and fiscal philatelic items (2000) (0)
- The period of disruption (479–480) (2009) (0)
- 469–471: King Upendragupta’s caves 17, 19, 20, 29 (2009) (0)
- Ajanta Cave 1: Its Origins and its Aftermath (2005) (0)
- Original and intrusive phases compared (2005) (0)
- Cave 9: Palimpsests and Other Transformations (2006) (0)
- The Robbins Collection of the Indian princely states : paintings, drawings, illustrations, photographs and objects (2000) (0)
- Cave 9: Intrusions on Pillars (2006) (0)
- The earliest caves (c. 100 bce to c. 150 ce) (2009) (0)
- Locating Intrusions in Time (2006) (0)
- M. S. Randhawa, Kangra Paintings on love (1963) (0)
- Evolution of cell doorway fittings from 468 through 471 (2008) (0)
- Solstitial Concerns: Ajanta’s Vakataka Caitya Halls (2017) (0)
- Stuart Cary Welch,The Art of Mughal India; Paintings and Precious Objects: 179 pp., 110 ill. (13 in color), map. New York: Harry N. Abrams, 1964. $9.75 (1965) (0)
- Cave 26 as an inaugural monument (2006) (0)
- Details of paintings (2000) (0)
- Later Nepalese and Tibetan sculpture (2000) (0)
- 468 Ajanta’s first Buddha images (2009) (0)
- Amaravati 1: Madras Museum (2000) (0)
- Aspects of patronage (2009) (0)
- 469–471 (+475–477): The Emperor Harisena’s cave 1 flourishes (2009) (0)
- Intrusions in Interior (2005) (0)
- Cave 9: Considerations About Usage (2006) (0)
- Ajanta: A Cultural Study (1977) (0)
- Later Nepalese and Tibetan paintings and manuscripts (2000) (0)
- stella kramrisch, Indian Sculpture in the Philadelphia Museum of Art (1963) (0)
- Ajanta: History and Development, Volume 7 Bagh, Dandin, Cells and Cell Doorways (2017) (0)
- Patronage of the Hinayana Caves: Considerations (2006) (0)
- The Breakdown of Patronage in the Period of Disruption (2006) (0)
- 469 (Early): The privileged Lesser caves’ shrines made (Lower 6, 7,11, 15) (2009) (0)
- Could any Intrusions Date Before Mid-478? (2006) (0)
- Ajanta: An Introduction (2017) (0)
- Chapter One. A Preface For Visitors To Ajanta (2007) (0)
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