Wieslaw Woszczyk

Wieslaw Woszczyk's AcademicInfluence.com Rankings

Wieslaw Woszczyk

Philosophy

#12868

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#18005

Historical Rank

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#9866

World Rank

#12582

Historical Rank

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Philosophy

Wieslaw Woszczyk's Degrees

PhD Musicology McGill University
Masters Musicology McGill University
Bachelors Music McGill University

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Why Is Wieslaw Woszczyk Influential?

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According to Wikipedia, Wieslaw Woszczyk is the James McGill Professor Research Chair of Music Technology at McGill University's School of Music. He finished his PhD at the University of Victoria. Between 1978 and 1998, he was director of the graduate program in sound recording, and between 1998 and 2001 he was chair of the Department of Theory. Additionally, Woszcyk is director of McGill Recording Studios and of the Laboratory of Virtual Acoustics Technology at the Schulich School of Music of McGill University. He is also the founding director of the Centre for Interdisciplinary Research in Music, Media and Technology. He has done significant research into international locations with leading acoustics. During the early 2000s, Woszczyk was an advocate and practitioner in the movement towards multichannel reproduction environments for the creation of sound recording. As a sound professional, he has worked with artists including Harry Belafonte and Philip Glass. In addition to his work in New York City with such artists, he is a cofounder of McGill Records.

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Wieslaw Woszczyk's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Sound-field reproduction in-room using optimal control techniques: simulations in the frequency domain. (2005) (67)
Real-Time Streaming of Multichannel Audio Data over Internet (2000) (44)
Sound Source Localization in a Five-Channel Surround Sound Reproduction System (1999) (42)
Controlling Phantom Image Focus in a Multichannel Reproduction System (1999) (36)
Interaction Between Audio-Visual Factors in a Home Theater System: Definition of Subjective Attributes (1995) (27)
Shake, rattle, and roll : Getting immersed in multisensory, interactive music via broadband networks (2005) (26)
Sound diffusers based on sonic crystals. (2013) (23)
Interaction Between Audio-Visual Factors in a Home Theater System: Experimental Results (1995) (21)
Broadband Networked Audio : Entering the Era of Multisensory Data Distribution (2004) (15)
Identification and Discrimination of Listener Envelopment Percepts Associated with Multiple Low-Frequency Signals in Multichannel Sound Reproduction (2004) (12)
A Microphone Technique Applying the Principle of Second-Order-Gradient Unidirectionality (1984) (12)
Perceived Synchrony ina Bimodal Display: Optimal Intermodal Delay for Coordinated Auditory and haptic Reproduction (2004) (11)
Physical and Perceptual Considerations for High-resolution Audio (2003) (11)
Subjective Evaluation of Multichannel Sound with Surround-Height Channels (2013) (11)
Modeling Auditory Localization of Subwoofer Signals in Multi-Channel Loudspeaker Arrays (2004) (10)
Quality Assessment of Multichannel Sound Recordings (1993) (10)
Anechoic Measurements of Particle-Velocity Probes Compared to Pressure Gradient and Pressure Microphones (2006) (9)
A Computer-Aided System for Timbral Ear Training (1994) (9)
A computer-assisted method for training and researching timbre memory and evaluation skills (2002) (9)
A Hybrid Model for Simulating Diffused First Reflections in Two-Dimensional Synthetic Acoustic Environments (2001) (8)
Visualizing Auditory Spatial Imagery of Multi-channel Audio (2004) (8)
Design and Testing of a Graphical Mapping Tool for Analyzing Spatial Audio Scenes (2003) (8)
Active Acoustics in Concert Halls – A New Approach (2011) (8)
Virtual Acoustics at the Service of Music Performance and Recording (2012) (7)
Bessel Filters as Loudspeaker Crossovers (1982) (7)
Localization of Lateral Phantom Images in a 5-channel System with and without Simulated Early Reflections (2002) (6)
Evaluation of virtual acoustic stage support for musical performance (2008) (6)
Recording Multichannel Sound within Virtual Acoustics (2009) (6)
Interaction of Source and Reverberance Spatial Imagery in Multichannel Loudspeaker Audio (2005) (5)
Creating Mixtures: The Application of Auditory Scene Analysis (ASA) to Audio Recording (2007) (4)
Space Builder: An Impulse Response-Based Tool for Immersive 22.2 Channel Ambiance Design (2010) (4)
Controlling the Perceptual Organization of Sound : Guidelines Derived from Principles of Auditory Scene Analysis ( ASA ) (2003) (4)
Subjective Graphical Representation of Microphone Arrays for Vertical Imaging and Three-Dimensional Capture of Acoustic Instruments, Part I (2016) (4)
Virtual Acoustics for Musicians: Subjective Evaluation of a Virtual Acoustic System in Performance of String Quartets (2018) (4)
Evaluation of a New Active Acoustics System in Performances of Five String Quartets (2012) (4)
Authors' reply to a comment on "Which of the two digital audio systems best matches the quality of the analog system" (2007) (4)
Environment for immersive multi-sensory communication of music using broadband networks (2005) (3)
Virtual acoustic reproduction of historical spaces for interactive music performance and recording (2004) (3)
Psychophysical calibration of whole-body vibration in the display of impact events in auditory and haptic virtual environments (2004) (3)
A New Method for Spatial Enhancement in Stereo and Surround Recording (1990) (3)
A "Tonmeister" approach to the positioning of sound sources in a multichannel audio system (2005) (3)
Enhancements of Room Simulation with Dynamic Cues Related to Source Position (2001) (3)
A Computer System for Investigating and Building Synthetic Auditory Spaces-Part I (1999) (3)
Virtual Stage Acoustics : a flexible tool for providing useful sounds for musicians (2010) (3)
[Congenital heart defects]. (1979) (2)
Wave field synthesis, adaptive wave field synthesis and ambisonics using decentralized transformed control: Potential applications to sound field reproduction and active noise control (2005) (2)
Diffraction Effects in High Quality Studio Microphones (1989) (2)
An Integrated Multidimensional Controller of Auditory Perspective in a Multichannel Sound Field (2001) (2)
Augmented stage support in ensemble performance using virtual acoustics technology (2013) (2)
Evaluation of a New Active Acoustics System in Music Performance of String Quartets (2015) (2)
Illusions of Music in Space and Spaces for Music (2007) (1)
A Review of Microphone Techniques Optimized for Spatial Control Sound in Television (1991) (1)
Investigation of Impulse Response Recording Techniques in Binaural Rendering of Virtual Acoustics (2016) (1)
Multimicrophone Pickup of Solitary Acoustical Instruments for Single-Channel Transmission (1979) (1)
Can We Hear The Difference? Testing the Audibility of Artifacts in High Bit Rate MP3 Audio (2016) (1)
Rendering an immersive sound field using a virtual height loudspeaker: Effect of height-related room impulse responses (2013) (1)
Microphone Arrays Optimized for Music Recording (1992) (1)
Multimodal interaction in the perception of impact events displayed via a multichannel audio and simulated structure‐borne vibration (2005) (1)
Spatial Sound Design Tool for 22.2 Channel 3-D Audio Productions, with Height (2012) (1)
An Immersive Audio Environment with Source Positioning Based on Virtual Microphone Control (2005) (1)
Comparison and Contrast of Reverberation Measurements in Grace Cathedral San Francisco (2014) (1)
A multifilter approach to acoustic echo cancellation (2004) (1)
Microphone Arrays for Three-Dimensional Capture of Acoustic Instruments (2016) (1)
Whole-Body Vibration Associated with Low-Frequency Audio Reproduction Influences Preferred Equalization (2009) (1)
Acoustic rendering of a virtual environment based on virtual microphone control and binaural room scanning (2006) (1)
Synthesis of Moving Reverberation Using Active Acoustics—Preliminary Report (2015) (1)
A Subjective Comparison of Five Analog and Digital Tape Recorders (1983) (1)
The Audibility of Spectral Precedence (1992) (1)
Modeling auditory localization in the low‐frequency range (2005) (1)
Capturing the acoustic response of historical spaces for interactive music performance and recording (2004) (1)
Subspace projection of multichannel audio data for automatic control of motion-platform-based multimedia display systems (2004) (1)
Evaluation of Late Reverberant Fields in Loudspeaker Rendered Virtual Rooms (2010) (1)
[Lymphography in children]. (1972) (1)
The Effect of Processing Two Overhead Channels on the Spatial Impression of Virtual Rooms Rendered in Eight-Channel Surround Sound (2010) (1)
The effects of acoustical treatment on lateralization of low‐frequency sources (2005) (1)
Are you there? : A Literature Review of Presence for Immersive Music Reproduction (2020) (1)
Eliciting individual language describing differences in auditory imagery associated with four multichannel microphone techniques (2007) (1)
Low‐cost coding of directivity information for the recording of musical instruments (2004) (0)
COMMENTS ON WHICH OF THE TWO DIGITAL AUDIO SYSTEMS BEST MATCHES THE QUALITY OF THE ANALOG SYSTEM (2009) (0)
ECMA-407: A New 3D audio codec implementation up to NHK 22.2 (2014) (0)
Experiencing room acoustics through a library of multichannel high-resolution room impulse responses (2019) (0)
A Novel Loudspeaker Enclosure and System (1993) (0)
Proceedings of Meetings on Acoustics (2013) (0)
Towards the state of the art in virtual acoustics technology (2013) (0)
A new active acoustics system for enhancing musician's environment on concert and recording stages (2011) (0)
THE POTENTIAL APPLICATIONS OF THE ACOUSTIC FIELD SYNTHESIS FOR AUDIO SPATIALIZATION ON LOUDSPEAKER ARRAYS (2004) (0)
A Combinative Microphone Technique Using Contact and Air Transducers (1982) (0)
AES 36 th INTERNATIONAL CONFERENCE Automotive Audio — Sound in Motion (0)
Virtual Acoustics, better than the real thing? Considering the creative side (2022) (0)
A Novel Spatial Impulse Response Capture Technique for Realistic Artificial Reverberation in the 22.2 Multichannel Audio Format (2019) (0)
A Convolution-Based System for Virtual Acoustic Support of Performing Musicians (2010) (0)
In‐room sound reproduction using active control: Simulations in the frequency domain and comparison with wave field synthesis (2004) (0)
An Evaluation of Two Microphone Techniques for Bleed Reduction Using Independent Component Analysis (2016) (0)
ACOUSTICS2008/980 Virtual acoustic environments for music performance, rehearsal, and recording (2008) (0)
[Case of aortic coarctation in a newborn infant treated surgically]. (1975) (0)
Virtual acoustics in a modern recording studio (2022) (0)
[Malignant histiocytoma of the stomach in an 8-year-old boy]. (1973) (0)
Acoustical Measurements of Warsaw’s Chamber Opera House Using Two Types of Sound Sources for Subsequent Auralization (2015) (0)
Synthesis of acoustics of coupled volumes—Perceptual approach (2021) (0)
ECMA-407: New Approaches to 3D Audio Content Data Rate Reduction with RVC-CAL (2014) (0)
Virtual Acoustics attheServiceofMusic Performance andRecording (2012) (0)
Spaced A-B placements of higher-order Ambisonics microphone arrays: Techniques for recording and balancing direct and ambient sound (2022) (0)
Searching Impulse Response Libraries Using Room Acoustic Descriptors (2012) (0)
The increase of transducer directivity using diffractive attachments (1988) (0)
Virtual acoustics in multimedia production—Beyond enhancing the acoustics of concert halls (2016) (0)
Streamlined 3D Sound Design: The Capture and Composition of a Sound Field (2018) (0)

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Other Resources About Wieslaw Woszczyk

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What Schools Are Affiliated With Wieslaw Woszczyk?

Wieslaw Woszczyk is affiliated with the following schools:

McGill University

Wieslaw Woszczyk's Academic­Influence.com Rankings