William Nericcio
American academic
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Literature
William Nericcio's Degrees
- PhD English University of California, Irvine
- Masters English University of California, Irvine
- Bachelors English University of California, Irvine
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(Suggest an Edit or Addition)According to Wikipedia, William Anthony Nericcio, aka Memo, is a Chicano literary theorist, cultural critic, American Literature scholar, and Professor of English and Comparative Literature at San Diego State University. Currently Director of the Master of Arts in Liberal Arts and Sciences program, he is the author of the award-winning Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America, The Hurt Business: Oliver Mayer's Early Works Plus, and Homer From Salinas: John Steinbeck's Enduring Voice for the Californias. Nericcio is also a graphic designer, creating book covers, film posters, and websites, most notably for SDSU Press and Hyperbole Books, where he oversees the production of cultural studies tomes. His Text-Mex Gallery blog investigates the pathological interrogation of Mexican, Latina/o, Chicana/o, "Hispanic," Mexican-American, and Latin American stereotypes, political, and cultural issues. He is also the curator of the text-image exhibition entitled “MEXtasy,” which has been displayed at numerous institutions, including University of Michigan and South Texas College. Currently working on his follow-up book to Tex[t]-Mex, Eyegiene: Permutations of Subjectivity in the Televisual Age of Sex and Race, his most recent publication is Talking #browntv: Latinas and Latinos on the Screen, co-authored with Frederick Luis Aldama, for the Ohio State University Press.
William Nericcio's Published Works
Published Works
- To Hyphenate or Not to Hyphenate: The Italian/American Writer, an Other American (1993) (12)
- Tex[t]-Mex: Seductive Hallucinations of the "Mexican" in America (2007) (7)
- Artif[r]acture: Virulent Pictures, Graphic Narrative and the Ideology of the Visual (1995) (7)
- Autopsy of a Rat: Odd, Sundry Parables of Freddy Lopez, Speedy Gonzales, and Other Chicano/Latino Marionettes Prancing About Our First World Visual Emporiuim (1996) (5)
- The useless servants (1993) (3)
- Talking #browntv: Latinas and Latinos on the Screen (2019) (2)
- Rend(er)ing 'L.C.': Susan Daitch Meets Borges & Borges, Delacroix, Marx, Derrida, Daumier, and Other Textualized Bodies (1993) (1)
- The Last Known Residence of Mickey Acuna (1994) (1)
- The politics of solitude (1989) (0)
- Homegirls In The Public Sphere (2022) (0)
- Afterword. How This Book Reads You: Looking beyond Analyzing World Fiction: New Horizons in Narrative Theory (2011) (0)
- Latina/o Dystopias on the Verge of an Electric, Pathological Tomorrow: Alex Rivera's Sleep Dealer (2015) (0)
- Transnational Lives with William Nericcio (2015) (0)
- Chicanosmosis and the Transnational Imaginary (Imaginary): 21st Century Mextasy in and Beyond the Ivory Tower (2015) (0)
- 3. Lupe Vélez Regurgitated: Cautionary, Indigestion-Causing Ruminations on “Mexicans” in “American” Toilets Perpetrated While Covetously Screening “Veronica” (2007) (0)
- The Picasso of the Rio Grande Valley (Wait, or is That Foucault?): Pondering the Wickedly Ciphered, Frontera-Inflected Paintings of Izel Vargas, Artist/Painter & Television Kidnap Victim! (2017) (0)
- Watching Critics, Watching Journalists, Watching Cameras, Watching Sheriffs, Watching Pee-wee Herman Watch: The Extraordinary Case of the Saturday Morning Children's Show Celebrity Who Masturbated (2004) (0)
- Toward a Theory of a Brown Televisual Imaginary (2021) (0)
- Jalamanta: A Message from the Desert (1996) (0)
- Tex[t]-Mex, Seductive Hallucinations of the âMexicanâ in America, 2.0 or âNarcissus Mexicanusâ (2013) (0)
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