William Vaughan
#58,045
Most Influential Person Now
British art historian
William Vaughan 's AcademicInfluence.com Rankings
William Vaughan education Degrees
Education
#999
World Rank
#1430
Historical Rank
Pedagogy
#306
World Rank
#391
Historical Rank
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Education
William Vaughan 's Degrees
- PhD Art History University of Oxford
Why Is William Vaughan Influential?
(Suggest an Edit or Addition)According to Wikipedia, William Vaughan is a British art historian and has been Emeritus Professor of History of Art at Birkbeck College, University of London since 2003. He is also a printmaker, and regularly exhibits in London and Bristol under the name Will Vaughan. He is Chair of the Bruton Art Society.
William Vaughan 's Published Works
Number of citations in a given year to any of this author's works
Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
Published Works
- LinkedIn skills: large-scale topic extraction and inference (2014) (78)
- Computers and the History of Art (1990) (36)
- Romanticism and Art (1994) (23)
- British painting : the golden age from Hogarth to Turner (1999) (18)
- German Romantic Painting (1982) (12)
- Art in Bourgeois Society, 1790-1850 (1998) (12)
- The romantic spirit in German art (1996) (10)
- German Romanticism and English Art (1979) (6)
- History of Art in the Digital Age: Problems and Possibilities (2003) (6)
- The Artist's Model From Etty To Spencer (1999) (5)
- Poetic, eccentric, Pre-Raphaelite: the critical reception of Simeon Solomon's work at the Dudley Gallery (2009) (3)
- Artistic Brotherhoods in the Nineteenth Century (2017) (3)
- Jacques-Louis David's Marat (2000) (3)
- Caspar David Friedrich, 1774-1840 : romantic landscape painting in Dresden : [catalogue of an exhibition held at the Tate Gallery, London, 6 September-16 October, 1972] (1972) (3)
- LANDSCAPE AND THE ‘IRONY OF NATURE’ (1979) (2)
- Surveying the Terrain (1998) (1)
- ‘David’s Brickdust’ and the rise of the British school (2016) (1)
- Patent Reviews: 4,991,926; 4,997,245; 4,997,246; 4,997,249; 4,998,791; 4,998,794; 5,000,531; 5,005,927; 5,007,065; 5,007,694; 5,009,502; 5,011,250 (1992) (1)
- Encyclopedia of artists (2000) (1)
- Samuel Palmer 1805-1881: Vision and Landscape (2005) (1)
- The artist's model in British art from Etty to Spencer (1999) (1)
- ‘Consciously objective and moral’: Hogarth and the political artist in Vormärz Germany (2018) (1)
- Patent Reviews: 4,991,925; 4,991,938; 4,993,796; 4,993,818; 4,996,412; 4,997,241; 4,997,261; 5,000,527; 5,000,546; 5,002,380; 5,004,312; 5,004,319 (1992) (1)
- Patent Reviews: 5,172,257; 5,191,216; 5,193,015; 5,202,744; 5,202,792; 5,204,516; 5,204,782; 5,208,701; 5,208,877; 5,210,400; 5,210,404; 5,210,409; 5,210,628; 5,210,646; 5,212,584; 5,212,593 (1993) (0)
- Art, Artisans and Apprentices. Apprentice Painters and Sculptors in the Early Modern British Tradition. By James Ayres. 250mm. Pp xi + 523, 135 ills (60 col), facsimiles. Oxbow Books, Oxford and Philadelphia, 2014.isbn 9781782977421. £35 (hbk). (2015) (0)
- Patent Reviews: 4,910,738; 4,917,455; 4,946,239; 4,962,506; 4,953,954; 4,968,136; 4,969,157; 4,971,416 (1991) (0)
- Patent Reviews: 4,840,460; 4,919,517; 4,938,550; 4,950,050 (1991) (0)
- Patent Reviews: 4,922,497; 4,932,739; 4,936,660; 4,946,264; 4,948,212; 4,948,959; 4,950,042; 4,950,044; 4,958,892; 4,946,253; 4,955,694; 4,961,615; 4,960,311; 4,961,621; 4,962,987; 4,968,126 (1991) (0)
- THE REMAKING OF BRITISH LANDSCAPE PAINTING (1988) (0)
- `Mysterious wisdom won by toil': new light on Samuel Palmer's `Lonely tower' (2005) (0)
- Tracts on Docks and Commerce: Printed Between the Years 1793 & 1800, and Now First Collected (2013) (0)
- John R. Wooden, Stephen R. Covey and Servant Leadership (2014) (0)
- History of Art: A New Image? (1996) (0)
- Patent Reviews: 4,778,249; 4,782,209; 4,796,971; 4,796,976; 4,815,807; 4,815,829; 4,815,830; 4,815,849; 4,818,079; 4,818,081; 4,818,082; 4,822,124; 4,824,192; 4,824,224; 4,824,236; 4,826,283; 4,826,299; 4,826,301 (1989) (0)
- BRITISH LANDSCAPES: VIEWS AND REACTIONS (1984) (0)
- Patent Reviews: 4,958,896; 4,958,919; 4,958,898; 4,958,931; 4,960,323; 4,960,324; 4,961,622; 4,961,625; 4,961,634; 4,962,492; 4,964,722 (1991) (0)
- Samuel Palmer: The Sketchbook of 1824 (2005) (0)
- Senior Class Members Elect Sanders , Wright , Peacock in Close Finish All-Students Party Sweeps Junior Class ; Three Non-Frat Men Elected Edwin Espy (2009) (0)
- Patent Reviews: 5,278,691; 5,280,370; 5,319,188; 5,319,978; 5,326,956; 5,326,962; 5,329,397; 5,329,399 (1995) (0)
- Patents patter: a comment (1978) (0)
- Caspar David Friedrich to Ferdinand Hodler : a romantic tradition : nineteenth-century paintings and drawings from the Oskar Reinhart Foundation, Winterthur (1993) (0)
- Patent Reviews: 4,204,881; 4,338,516; 4,342,917; 4,340,271; 4,343,874; 4,342,503; 4,344,691; 4,345,815; 4,436,292; 4,346,293; 4,348,081; 4,348,082; 4,346,962; 4,348,084; 4,348,085; 4,348,090; 4,350,411; 4,350,412 (1983) (0)
- Patent Reviews: 4,294,507; 4,295,710; 4,295,741; 4,480,915; 4,481,635; 4,490,016; 4,490,039; 4,491,413; 4,500,178; 4,520,471; 4,520,472 (1985) (0)
- Patent Reviews: 4,492,435; 4,492,466; 4,515,443; 4,516,244; 4,516,853 (1985) (0)
- Patent Reviews: 4,152,767; 4,158,507; 4,215,938; 4,272,195; 4,313,647; 4,339,178; 4,342,502; 4,344,675; 4,344,676; 4,344,709; 4,345,153; 4,345,817; 4,346,295; 4,346,990; 4,347,530; 4,349,901; 4,350,149; 4,350,410 (1983) (0)
- Patent Reviews: 5,166,507; 5,187,538; 5,202,743; 5,206,502; 5,245,473; 5,262,644; 5,270,851; 5,206,526; 5,233,157; 5,256,872; 5,256,887; 5,257,126; 5,262,659; 5,264,957; 5,272,558; 5,275,168 (1994) (0)
- Afterword: British art and its histories (2018) (0)
- Patent Reviews: 3,989,890; 3,989,947; 3,994,435; 4,073,574; 4,150,320; 4,164,432; 4,165,913; 4,171,003; 4,165,917; 4,168,882; 4,175,391; 4,222,370; 4,206,494; 4,222,667; 4,225,240; 4,227,076; 4,225,236; 4,226,502; 4,227,769; 4,227,773; 4,228,437; 4,229,073 (1981) (0)
- The Paintings of Benjamin West; The Valiant Hero. Benjamin West and Grand Style History Painting (1987) (0)
- Patent Reviews: 4,974,946; 4,984,855; 4,996,441; 5,002,347; 5,008,908; 5,009,486; 5,018,861; 5,020,905; 5,031,199; 5,031,993; 5,035,478; 5,044,750; 5,048,966; 5,049,753; 5050965; 5,050,966; 5,051,577; 5,056,895; 5,058,968; 5,061,027; 5,061,046; 5,062,694; 5,067,788 (1993) (0)
- The first artistic brotherhood: fraternité in the Age of Revolution (2017) (0)
- BLAKE AND THE INTERPRETERS (1982) (0)
- Patent Reviews: 4,784,476; 4,795,223; 4,795,236; 4,798,437; 4,812,021; 4,812,022; 4,812,026; 4,812,027; 4,813,771 (1989) (0)
- Patent Reviews: 4,896,326; 4,907,887; 4,938,205; 4,940,304; 4,940,316; 4,941,093; 4,946,245; 4,948,225; 4,953,923; 4,955,693; 4,957,366; 4,955,701; 4,957,335; 4,960,312 (1991) (0)
- and German Art (2019) (0)
- Patent Reviews: 5,005,928; 5,005,958; 5,007,432; 5,007,689; 5,007,691; 5,007,692; 5,007,709; 5,007,711; 5,007,729; 5,009,233; 5,009,484; 5,009,494 (1992) (0)
- Subverting the Prospect, Superseding the Survey (1994) (0)
- Patent Reviews: 3,886,474; 3,936,768; 3,947,781; 3,983,507; 3,886,483; 3,983,508; 4,042,892; 4,050,035; 4,053,851; 4,058,778 (1978) (0)
- Samuel Palmer’s Houndsditch days (2017) (0)
- Patent Reviews: 5,083,219; 5,153,670; 5,162,872; 5,260,814; 5,262,879; 5,267,063; 5,270,791; 5,280,788; 5,288,996; 5,289,299; 5,291,316; 5,293,873; 5,294,806; 5,295,208; 5,296,972; 5,297,436; 5,303,021; 5,305,083; 5,305,124; 5,305,138 (1994) (0)
- Gadamer and Wittgenstein on the Unity of Language: Reality and Discourse without Metaphysics – By Patrick Rogers Horn (2007) (0)
- Patent Reviews: 4,930,887; 4,969,717; 4,890,893; 4,942,581; 4,968,107; 4,921,354; 4,972,429 (1992) (0)
- Patent Reviews: 5,257,140; 5,266,795; 5,309,276; 5,326,266; 5,337,146; 5,339,157; 5,339,193; 5,347,391; 5,347,398; 5,349,183 (1995) (0)
- Patent Reviews: 4,673,250; 4,673,257; 4,673,795; 4,679,891; 4,679,910; 4,682,029; 4,682,030; 4,684,215; 4,685,763; 4,685,772; 4,687,284 (1988) (0)
- Patent Reviews: 4,959,559; 4,960,315; 4,964,705; 4,964,706; 4,969,737; 4,966,431; 4,968,112; 4,971,411; 4,971,413; 4,969,699; 4,973,838; 4,969,720; 4,973,112; 4,973,121 (1991) (0)
- Beinger than Being is Being Itself: A Beiträge Primer (2004) (0)
- Patent Reviews: 4,889,400; 4,893,886; 4,907,850; 4,944,590; 4,944,591; 4,946,236 (1991) (0)
- Introduction: The perception and study of Palmer’s work in the later twentieth and early twenty-first centuries (2017) (0)
- Patent Reviews: 4,480,896; 4,487,478; 4,492,436; 4,492,437; 4,496,222; 4,500,164; 4,500,778; 4,504,964; 4,511,220; 4,508,422; 4,508,431; 4,508,421; 4,512,639; 4,515,444; 4,516,832; 4,516,833; 4,516,839; 4,516,855; 4,516,856; 4,521,075 (1985) (0)
- Samuel Palmer: Shadows on the Wall (2015) (0)
- Patent Reviews: 5,015,053; 5,016,950; 5,016,954; 5,018,801; 5,016,953; 5,016,977; 5,016,994; 5,018,838; 5,022,727 (1992) (0)
- he Pre-Raphaelits and contemporary German art (1998) (0)
- Platonistic and Disenchanting Theories of Ethics – By Hugh S. Chandler (2009) (0)
- Patent Reviews: 5,087,984; 5,087,987; 5,087,989; 5,095,199; 5,095,476; 5,100,223; 5,101,295; 5,110,207; 5,111,325; 5,114,238 (1993) (0)
- THE ARTIST'S MODEL (1992) (0)
- Patent Reviews: 4,676,792; 4,682,024; 4,682,025; 4,687,281; 4,688,941; 4,695,123; 4,696,551; 4,696,569; 4,697,577; 4,699,474; 4,699,476; 4,699,477; 4,702,568; 4,702,569; 4,704,008; 4,704,009; 4,704,010; 4,704,011 (1988) (0)
- Patent Reviews: 5,192,978; 5,196,957; 5,202,742; 5,233,182; 5,233,188; 5,233,415; 5,260,768 (1994) (0)
- The German manner in English art, 1815-1855 (1977) (0)
- Patent Reviews: 4,488,775; 4,497,540; 4,498,009; 4,500,163; 4,500,175; 4,501,470; 4,501,961; 4,502,756; 4,504,110; 4,504,111; 4,504,121; 4,504,124; 4,504,122; 4,509,857; 4,504,125; 4,504,123; 4,504,128; 4,505,535; 4,505,536; 4,505,550; 4,505,553; 4,507,776 (1985) (0)
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