Carl Seashore | Academic Influence

Carl Seashore's AcademicInfluence.com Rankings

Carl Seashore

Psychology

#673

Historical Rank

Psychophysics

#2

Historical Rank

Experimental Psychology

#24

Historical Rank

psychology Degrees

Carl Seashore

Communications

#3016

Historical Rank

communications Degrees

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Psychology
Communications

Carl Seashore's Degrees

PhD Psychology Clark University
Bachelors Music University of Iowa
Bachelors Music University of Iowa

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Why Is Carl Seashore Influential?

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According to Wikipedia, Carl Emil Seashore, born Sjöstrand was a prominent American psychologist and educator. He was the author of numerous books and articles principally regarding the fields of speech–language pathology, music education, and the psychology of music and art. He served as Dean of the Graduate College of University of Iowa from 1908–1937. He is most commonly associated with the development of the Seashore Tests of Musical Ability.

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Carl Seashore's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Seashore measures of musical talents. (1956) (203)
The nature of creative activity (1939) (101)
Experimental psychology: A manual of laboratory practice. (85)
Psychology of Music (1939) (60)
The Psychology of Music (1937) (47)
Color Music (1938) (40)
The Natural History of the Vibrato. (1931) (36)
Psychology: An Introductory Study of the Structure and Function of Human Consciousness. (30)
Voice and Articulation Drillbook (1940) (27)
Psychology of the vibrato in voice and instrument (1936) (27)
The promise of youth (25)
The experimental study of mental fatigue. (25)
The comparative sensitiveness of blind and seeing persons. (24)
The Voice of the Child (1931) (24)
Revision of the Seashore Measures of Musical Talent (1941) (23)
Objective Analysis of Musical Performance (1937) (22)
The measurement of pitch discrimination: A preliminary report. (22)
Measurements on the Expression of Emotion in Music. (1923) (20)
In search of beauty in music (1947) (19)
THE GIFTED STUDENT AND RESEARCH. (1922) (18)
An illusion of length. (17)
Deviation from the Regular as an Art Principle. (1925) (16)
Measurement of musical talent : the Eastman experiment (1935) (15)
SCIENCE IN MUSIC (1942) (15)
Phonophotography in folk music : american Negro songs in new notation (1929) (14)
Correlation of factors in musical talent and training. (12)
Musical Intelligence (1938) (10)
Psychology in daily life (10)
THE INHERITANCE OF MUSICAL TALENT (1920) (9)
MEIER-SEASHORE ART JUDGMENT TEST. (1929) (9)
The Psychology of Music (1940) (8)
Why No Great Women Comosers? (1940) (8)
University of Iowa studies in psychology (1909) (8)
Objective Factors in Tone Quality (1942) (7)
Wave phase in the open-air localization of sound. (7)
The Psychology of Music (1937) (7)
Interval Discrimination as a Measure of Musical Aptitude (1943) (7)
THE SENSE OF RHYTHM AS A MUSICAL TALENT (1918) (7)
The Psychology of Music. XXI. Revision of the Seashore Measures of Musical Talent (1939) (6)
THE MEASURE OF A SINGER. (1912) (6)
A Base for the Approach to Quantitative Studies in the Aesthetics of Music (1927) (6)
PSYCHOLOGY IN MUSIC : THE RÔ OF EXPERIMENTAL PSYCHOLOGY IN THE SCIENCE AND ART OF MUSIC (1930) (5)
Periodicity and progressive change in continuous mental work. (1905) (5)
THE TERM "EUTHENICS". (1941) (5)
Voluntary motor control. (5)
Training the voice by the aid of the eye in singing. (5)
Measures of musical talent: a reply to Dr. C. P. Heinlein. (5)
The present status of research in the psychology of music at the University of Iowa (5)
An Open Letter to the Graduate Dean (1939) (5)
A Basic Document (1940) (5)
The measurement of pitch intonation with the tonoscope in singing and playing (4)
THE SPARK CHRONOSCOPE. (1907) (4)
The Psychology of Music (1936) (4)
General report on the teaching of the elementary course in psychology: Recommendations. (4)
Elementary psychology : an outline of a course by the project method (4)
RECOGNITION OF THE INDIVIDUAL. (1924) (4)
The Psychology of Music (1938) (4)
Psychology of the vibrato in music and speech (1936) (4)
The Psychology of Music (1936) (4)
The Psychology of Music. XV. Why No Great Women Composers (1940) (4)
Music and the Deaf (1939) (4)
PSYCHOLOGY AS A CAREER. (1922) (4)
AN OBJECTIVE METHOD OF EVALUATING MUSICAL PERFORMANCE. (1930) (4)
SCIENCE IN MUSIC. (1942) (3)
The class experiment. (3)
Scientific Procedure in the Discovery of Musical Talent in the Public Schools (1916) (3)
Some Judgments on the Size of Familiar Objects. (3)
Vocational Guidance in Music (1916) (3)
Three New Approaches to the Study of Negro Music (1928) (3)
Musical imagery and imagination. (3)
The iowa pitch range audiometer and its uses (1923) (3)
Psychology of Music (1940) (3)
The Play Impulse and Attitude in Religion (1910) (3)
Some New Instruments in the Iowa Laboratory for the Psychology of Music (1930) (3)
GEORGE TRUMBULL LADD. (1921) (3)
The Psychology of Music (1939) (2)
ON THE MEASUREMENT OF HALLUCINATIONS. (1893) (2)
Why Do We Love Music? (1938) (2)
The Psychology of Music (1937) (2)
Singing in the public schools. (2)
Education for Democracy and the Junior College (2)
Editorial: From vocational selection to vocational guidance. (2)
A NEW RHYTHM APPARATUS. (1924) (2)
Editorial: From vocational selection to vocational guidance. (2)
Beauty in Music (1947) (2)
Report on an interesting fugue. (1946) (2)
The Psychology of Music (1937) (2)
Sectioning Classes on the Basis of Ability (2)
NEW VANTAGE GROUNDS IN THE PSYCHOLOGY OF MUSIC. (1936) (2)
The Psychology of Music (1936) (1)
The Psychology of Music. XX. Musical Inheritance (1939) (1)
A SCIENTIFIC APPROACH TO MUSICAL AESTHETICS (1942) (1)
The Psychology of Music. V. Measurement of Musical Talent: The Eastman Experiment (1936) (1)
A Psychology of Artistic Creation (1942) (1)
THE HARMONIC STRUCTURE OF A MUSICAL TONE (1939) (1)
The Timbre of Orchestral Instruments (1934) (1)
THE IOWA PIANO CAMERA. (1930) (1)
An introduction to the elementary course in psychology. (1)
The Discovery and Guidance of Musical Talent (1935) (1)
RAYMOND DODGE. (1942) (1)
A Contribution to the Study of Illusions. (1)
Why we love music (1941) (1)
Big Ideas from St. Louis (1919) (1)
SEEING YOURSELF SING. (1916) (1)
Applied Psychology In 1895 (1945) (1)
Religious Music in the Public (1941) (1)
VISITING RESEARCH PROFESSORSHIPS. (1944) (1)
The Journal of Musicology (1939) (1)
Psychologist vs. consulting psychologist. (1912) (1)
Euthenics, A Design for Living (1948) (1)
Pioneering in Iowa (1941) (1)
The Psychology of Music. XXII. The Sense of Timbre (1939) (1)
A Beautiful Voice (1938) (1)
Editorials: The natural method in languages; the educational efficiency engineer. (1)
The Religion of the Educated Person (1947) (1)
Gifted Children in the Industries (1923) (1)
Elementary tests in psychology. (1)
The Sunny Side of Graduate Work for the Duration (1943) (1)
The talented child. (1)
The Psychology of Music. XXIV. Measures of Musical Achievement (1940) (1)
The Psychology of Music (1938) (1)
The Psychology of Music (1937) (1)
Imagination and Play. (1)
Sectioning on the Basis of Ability, a Survey of Status in 1924-1925 (1)
Learning and living in college (1)
The Dynamogenic Factors in Pacemaking and Competition. (1899) (1)
A sound perimeter. (1)
The Psychology of Music (1937) (1)
THE PLACE OF PHONOPHOTOGRAPHY IN THE STUDY OF PRIMITIVE MUSIC. (1934) (1)
A New Approach to the Science of Voice (1941) (0)
Discussion. Is taste a spatial sense (1909) (0)
James McKeen Cattell, man of science . Vol. I: Psychological research ; Vol. II: Addresses and formal papers . A. T. Poffenberger. (Ed.) Lancaster, Pa.: Science Press, 1947. Vol. I: Pp. 586; Vol. II: Pp. 507. $10.00. (1948) (0)
TERMINAL PROGRAMS IN THE GRADUATE SCHOOLS. (1945) (0)
Traits of Perception. (0)
The Vocal Trill (1943) (0)
A Job Analysis for Higher Education (1935) (0)
A Study of Music. (Books on Science for Laymen: Introduction to Musicology) (1943) (0)
Psychology of Music (1939) (0)
The Psychology of Music (1939) (0)
Big Ideas from St. Louis (1919) (0)
Using the Eye Instead of the Ear in the Training of a Musician, Seaweeds as a Commercial Fertilizer, and more (1916) (0)
Cutaneous, Motor, and Static Senses. (0)
The sense of intensity. (0)
Law in illusion. (0)
The Physics of Music (1944) (0)
The Rôle of Mental Measurement in the Discovery and Motivation of the Gifted Student. (1925) (0)
Report of the Committee of the American Psychological Association on the teaching of psychology : presented to the Association December 29, 1909 (0)
A new factor in Weber's law. (1897) (0)
Auditory Memory (1917) (0)
The Spark Chronoscope (1907) (0)
The visual field. (0)
University of Iowa Studies in Psychology, No. VIII. (1923) (0)
Methods of Selection: Examining Fellowship Applicants (1936) (0)
On the Measurement of Hallucinations (1893) (0)
A National Bureau of Science in Music (1943) (0)
Youth and Music (1940) (0)
The arts: Contributions of applied psychology. (1950) (0)
Communications and discussions. The mid-day nap. (0)
Homogeneous content in the measurement of continuous memory processes. (0)
An Objective Method of Evaluating Musical Performance (1930) (0)
IAGETWO tHE DAILY lOW AN , lOW A CITY , IOWA SATUSDAY (0)
Psychologist unretired, the life pattern of Lillian Martin. (1949) (0)
Advanced Degrees in Music (1945) (0)
A Humanist's Opinion: New Horizons in American Life (1932) (0)
In Memoriam: John Alexander McGeoch; Edgar W. Timm; Oliver W. Muelder; Maria M. Roberts (1942) (0)
What Can Psychology Do in Music? (1941) (0)
The sense of timbre. (0)
Through consciousness to automatism. (0)
Forty Years of “Firsts”: Pioneering in Psychology (1943) (0)
The Role of a Consulting Supervisor in Music (1919) (0)
Visual after-images. (0)
Graduate Work in Graphic and Plastic Arts (1945) (0)
The Psychology of Music (1939) (0)
George Trumbull Ladd (1921) (0)
Music in Industry (1943) (0)
The Psychology of Music (1939) (0)
Acoustics of Music (1942) (0)
An Open Letter (1942) (0)
The psychology of musical skills. (1932) (0)
The sense of pitch. (0)
A New Plan of Registration (0)
The District School (1942) (0)
An Overview: The Junior College Movement (1941) (0)
Weber's law. (0)
The Psycholoogy of Music (1936) (0)
Three-Way Organization in the Graduate School (1944) (0)
Vantage Grounds in the Progress of the Science of Music (1947) (0)
COOPERATION WITH THE FILM INDUSTRIES IN THE STUDY OF PRIMITIVE MUSIC. (1942) (0)
A Note on Psychological Terminology (1941) (0)
THE FUNCTIONS OF Science in Religion (1948) (0)
ORIGIN OF THE TERM "EUTHENICS". (1942) (0)
Review of The Measurement of Pitch Discrimination: A Preliminary Report. (0)
The psychology of the musical mind. (0)
Printer's Copy for Master's Thesis (1932) (0)
Book Review:The Psychology of a Musical Prodigy. Geza Revesz (0)
Progressive Adjustment versus Entrance Elimination in a State University (0)
The lecturer's illusion. (0)
The individual and training in the art. (0)
The scope and function of euthenics. (1949) (0)
JOHN ALEXANDER McGEOCH. (1942) (0)
The Psychology of Music (1940) (0)
The sense of time. (0)
THE ELECTOR PLAN FOR THE ADMINISTRATION OF RESEARCH FUNDS. (1922) (0)
Meier-Seashore Art Judgment Test (1929) (0)
Book Reviews: James McKeen Cattell, Man of Science. Vol. I: Psychological Research; Vol. II: Addresses and Formal Papers (1948) (0)
The Baconian Club, State University of Iowa (1901) (0)
Mentality tests: A symposium. (0)
Mind and Body. (0)
Measures of scientific merit in applied psychology. (1948) (0)
The Learning Process. (0)
Significant Papers from the M.T.N.A. (1916) (0)
A Basic Document@@@Studies in Early Graduate Work (1940) (0)
The sense of rhythm. (0)
Taste and Smell. (0)
The Dayton Swedish Settlement (1941) (0)
The sense of consonance. (0)
Semi-centenary of the American Psychological Association: toastmaster's speech. (1943) (0)
Professional and Semi-Professional Schools or Divisions at the Graduate Level (0)
The Musical Ear (1941) (0)

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