Ananya Chatterjea's AcademicInfluence.com Rankings Why Is Ananya Chatterjea Influential? (Suggest an Edit or Addition)
According to Wikipedia , Ananya Chatterjea is a contemporary Indian dancer and scholar. She is the founder, artistic director, and choreographer of Ananya Dance Theatre, a professional, contemporary Indian dance company composed of women artists of color. She is also a professor of dance at the University of Minnesota. Originally from Bengal, India, Chatterjea now lives in Minneapolis, Minnesota.
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Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author
1970 1980 1990 2000 2010 2020 0 5 10 15 20 25 30 35 40 45 50 55 60 Published Works Butting Out: Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha (2004) Training in Indian classical dance (1996) Kali for women (1993) (15)So much to remind us we are dancing on other people’s blood (2010) (13)In Search of a Secular in Contemporary Indian Dance: A Continuing Journey (2004) Kathakali Dance-Drama: Where Gods and Demons Come to Play (2003) Joan Myers Brown and the Audacious Hope of the Black Ballerina (2012) On the Value of Mistranslations and Contaminations: The Category of “Contemporary Choreography” in Asian Dance (2013) Contestations: Constructing a historical narrative for Odissi (2004) (7)Subversive Dancing: The Interventions in Jawole Willa Jo Zollar's Batty Moves (2003) The statistics of nearest neighbor impurity pair formation in semiconductors (1976) Heat and Alterity in Contemporary Dance (2020) Red-Stained Feet: Probing the Ground on which Women Dance in Contemporary Bengal (2009) Jawole Willa Jo Zollar's Womb Wars: Embodying Her Critical Response to Abortion Politics (2001) In search of the choreographies of daily life and struggle (2010) Of Corporeal Rewritings, Translations, and the Politics of Difference in Dancing (2017) Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification (1998) Body knowledges: Dancing/articulating complexity (2011) (2)Dancing against burning grounds: Dance, Human Rights and Social Justice (2008) (1)Smelting of iron ore fines with non-metallurgical fuels and blast additives: experimental trials for ten years in low-shaft furnace (1969) (1)Production of molten pig iron from fine grained iron ore, Fuel and Limestone (1973) (1)Why I am committed to a contemporary South Asian aesthetic: Celebrating Dance in India (2011) (1)Operational Aspects of Sponge Iron Production in a Rotary Kiln (1973) (1)How can the brown, feminist, subaltern speak? (1996) (1)Critical Transnational Feminist Praxis (2010) (1)International-Symposium on Science and Technology of Sponge Iron and Its Conversion to Steel (1974) (1)Unable to remember Roop Kanwar (1997) (0)Substitution of Alloying Elements by Grain Size Control of Alloy Steels (1958) (0)Smelting of iron ore with raw lumpy non-coking coals (1969) (0)Rulan Tangen: Entangling Memory, Relationality, and Repetition to Heat up Contemporary Indigenous Dance (2020) Pyrometallurgical Pilot Plants (1960) (0)Marion’s Terrible Time of Joy (2003) (0)Vishphot, an explosion (2004) (0)Closing Remarks of National Seminar on Baterial Leaching (1973) (0)Lemi Ponifasio, Camille Brown, Prumsodun Ok, Alice Sheppard: Constellatory Heat and Light on Alterity (2020) Germaine Acogny: Convective Heat and Ground-Shift in Contemporary African Dance (2020) The legacy of Uday Shankar: What’s going to stay?: De Bombay a Tokyo (2007) (0)Some observations on the production of iron powder by atomization (1972) (0)Rethinking the history of Odissi (2008) (0)Thoughts on an opening, an opportunity: Multifaceted Dimension (2008) (0)Ashesh Barsha, Unending Monsoon (2009) (0)Duurbaar, Journeys into Horizon (2006) (0)Preparation of Aluminium-Silicon Alloys by Aluminothermic Reduction (1957) (0)“Issues in Bharatnatyam,” Review of Chicago Dance Conference (2001) (0)Technological Aspects of Low ShaftFurnace Process (1959) (0)Reactivity of some low temperature carbonized cokes made from non-coking coals (1973) (0)L-D Oxygen Converter (1) (1959) (0)Low Shaft Furnace Smelting ofPig Iron in India (1959) (0)Etchings in the sand (2000) (0)Sardono Kusumo: Vibratory Heat, Juxtapositional Disruptions, and Danced Rupture (2020) Effect of aluminium and boron on the kinetics and morphology of graphite precipitation during malleablization (1974) (0)Temper-Brittleness: Part II- Alloy Steels (1958) (0)On Some Fundamental Aspects of Operational Parameters of Direct Reduction in Rotary Kiln (1973) (0)Heat balance for iron making in experimental low-shaft furnace (1969) (0)States of Contemporary Dance (2020) Tushaanal/fires of dry grass (2011) (0)Reading Difference: Jawole Willa Jo Zollar’s Batty Moves (2004) (0)Bandh, Meditation on Dream (2005) (0)Apne Kahani/Stories of our days (2011) (0)Some thoughts on ‘Unable to remember Roop Kanwar (1998) (0)Butting out, embodying multiple significations : reading the female body in the choreographies of two women of color, Chandralekha and Jawole Willa Jo Zollar (1996) (0)Pataka, a series of fireworks (2000) (0)artist biographies (2005) Bhairavi...in future (1997) (0)A Comparative Study of Non-Ferrous Coatings on Steel (1957) (0)Some thoughts on dancing and seeing dance: A Handbook of Traditional Asian Dance (1999) (0)Stress-corrosion failure of austenitic stainless steel (1960) (0)Why i am committed to a contemporary South Asian aesthetic: Arguments about the value of ‘difference’ from the perspective of practice (2011) Baazaar, the market place (2010) (0)Congress on Research in Dance Newsletter (2008) Domestic/drastic violence (2001) (0)A hungry love: Thinking again about dancing to/with Tagore (2011) (0)In search of Sringara (2002) (0)Heat: An Entropic Practice of Contemporary Dancing (2020) Notes on space (1999) (0)Re-memory: Plural spaces and times in choreography: Contemporary Dance in Asia (2005) (0)In search of Sapna (2003) (0)Dancing Sita/reinventing a body disappeared: Notes from from Sita: Lament, fury, and a plea for peace (2003) Introduction (2020) Nose to the Grindstone, Head to the Stars (2012) Thermodynamic aspects of chemical Reactions, as applied to the smelting & Refining of lead (1957) (0)Iron Smelting with Non-Coking Coals in Low Shaft Furnace (1966) Choreographies of Difference-Making (2020) Women of Lost Homes (2002) (0)Run Away my Angel (2012) (0)Afterword: A Critical Perspective: A Biohistory of American Performance (2011) (0)Riwa meets Kartee (2011) (0)Daak, Call to Action (2008) (0)Nora Chipaumire: Rewriting as Decolonizing Heat (2020) Distribution characteristics of burden in low shaft furnace (1968) (0)Production of pig iron from Andhra Pradesh raw materials (1967) (0)Nagara/reimagining cosmopolitanisms (2011) (0)Evaluation of some properties of iron ore for blast furnace smelting (1967) (0)Dancing Death by fire (2000) (0)Pipaashaa, extreme thirst (2007) (0)Who’s on top? (1994) (0)From Sita: In lamnent, fury, and a plea for peace (1998) (0)Iron production in low-shaft furnace plants with Indian raw materials (1963) (0)Some Aspect of Service Failures at Elevated Temeratures (1953) (0)More Papers This paper list is powered by the following services:
Other Resources About Ananya Chatterjea What Schools Are Affiliated With Ananya Chatterjea? Ananya Chatterjea is affiliated with the following schools:
