Patricia Aufderheide | Academic Influence

Patricia Aufderheide's AcademicInfluence.com Rankings

Patricia Aufderheide

Communications

#4221

World Rank

#5905

Historical Rank

#1833

USA Rank

Linguistics

#1522

World Rank

#1917

Historical Rank

#384

USA Rank

communications Degrees

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Communications

Patricia Aufderheide's Degrees

PhD Communication University of California, Berkeley
Masters Communication University of California, Berkeley

Why Is Patricia Aufderheide Influential?

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According to Wikipedia, Patricia Ann Aufderheide is a scholar and public intellectual on media and social change, and an expert on fair use in media creation and scholarship. She is a University Professor at American University in Washington, D.C., where she has worked since 1989 and directed the Center for Social Media, later the Center for Media & Social Impact, beginning in 2000. She has received multiple awards and honors for her journalism and scholarship, including the John Simon Guggenheim Memorial Fellowship in 1994, and a Fulbright Research Fellowship in 1995, and a Distinguished Career Award in 2008 from the International Digital Media and Arts Association.

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Patricia Aufderheide's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Media Literacy: From a Report of the National Leadership Conference on Media Literacy (2018) (367)
Documentary Film: A Very Short Introduction (2007) (160)
Reclaiming Fair Use: How to Put Balance Back in Copyright (2011) (103)
Music Videos: The Look of the Sound (1986) (86)
Communications Policy and the Public Interest: The Telecommunications Act of 1996 (1999) (68)
Public media 2.0: dynamic, engaged publics (2009) (67)
Documentary Film: Towards a Research Agenda on Forms, Functions, and Impacts (2009) (56)
Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work (2009) (45)
Cable Television and the Public Interest (1992) (40)
Expanding the debate about content moderation: Scholarly research agendas for the coming policy debates (2020) (40)
The Video in the Villages Project: Vldeomaking with and by Brazilian Indians (1995) (33)
Public television and the public sphere (1991) (33)
After the Fairness Doctrine: Controversial Broadcast Programming and the Public Interest (1990) (29)
Competition and Commons: The Public Interest In and After the AOL-Time Warner Merger (2002) (28)
The Daily Planet: A Critic on the Capitalist Culture Beat (2000) (28)
Untold Stories: Creative Consequences of the Rights Clearance Culture for Documentary Filmmakers (2004) (27)
The Cost of Copyright Confusion for Media Literacy. (2007) (25)
Beyond PC : toward a politics of understanding (1992) (23)
The impact of copyright permissions culture on the US visual arts community: The consequences of fear of fair use (2015) (22)
Public Service Broadcasting in the United States (1996) (20)
Recut, reframe, recycle: quoting copyrighted material in user-generated video (2008) (19)
Your Country, My Country: How Films About The Iraq War Construct Publics (2007) (19)
"You See the World of the Other and You Look at Your Own": The Evolution of the Video in the Villages Project (2008) (18)
Public Intimacy: The Development of First-Person Documentary (1997) (17)
Interactive Documentaries: Navigation and Design (2015) (17)
Code of Best Practices in Fair Use for OnLine Video (2008) (16)
Universal Service: Telephone Policy in the Public Interest (1987) (14)
Public Intimacy (1997) (13)
Code of Best Practices in Fair Use for the Visual Arts (2015) (13)
How Documentary Filmmakers Overcame their Fear of Quoting and Learned to Employ Fair Use: a Tale of Scholarship in Action (2007) (11)
Iraq in Fragments (2007) (10)
Latin American Grassroots Video: Beyond Television (1993) (10)
How Media Literacy Educators Reclaimed Copyright and Fair Use (2009) (9)
Controversy and the Newspaper's Public: The Case of Tongues Untied (1994) (9)
Copyright, Free Speech, and the Public's Right to Know: How Journalists Think About Fair Use (2012) (8)
Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts (2020) (8)
The 1996 Telecommunications Act: Ten Years Later (2006) (7)
Copyright, permissions, and fair use among visual artists and the academic and museum visual arts communities: an issues report (2014) (6)
Calculating the consequences of narrow Australian copyright exceptions: Measurable, hidden and incalculable costs to creators (2018) (6)
Perceived Ethical Conflicts in U.S. Documentary Filmmaking: A Field Report (2011) (6)
Imagination foregone: a qualitative study of the reuse practices of Australian creators (2018) (6)
From A to Z: A Conversation on Women’s Filmmaking (2004) (5)
All-too-reality TV: challenges for television journalists after September 11 (2002) (5)
Perceived ethical conflicts in US documentary filmmaking: a field report (2012) (5)
Media Education In The ’90s (1992) (5)
Latin American cinema and the rhetoric of cultural nationalism: Controversies at Havana in 1987 and 1989 (1990) (5)
TWELVE. Made in Hong Kong: Translation and Transmutation (1998) (5)
Communication Scholars and Fair Use: The Case for Discipline-Wide Education and Institutional Reform (2015) (5)
Can't Buy Me Love? (1991) (4)
Diversity on U.S. Public and Commercial TV in Authorial and Executive-Produced Social-Issue Documentaries (2018) (4)
Copyright and Fair Use in Remix (2014) (4)
Contributors and Arguments in Australian Policy Debates on Fair Use and Copyright: The Missing Discussion of the Creative Process (2017) (4)
Vernacular video: for the growing genre of camcorder journalism, nothing is too personal (1995) (4)
Documentarians, Fair Use and Free Expression: Changes in Copyright Attitudes and Actions with Access to Best Practices (2015) (4)
Documentarians, fair use, and free expression: changes in copyright attitudes and actions with access to best practices (2016) (4)
Conversations About Impact in Documentary: Beyond Fear and Loathing (2015) (4)
The 24 Hour Woman (1999) (3)
Mainstream Documentary Film Since 1999 (2012) (3)
Copyright, permissions and fair use in the visual arts communities: an issues report (2014) (3)
PODCASTING IN TRANSITION: FORMALIZATION AND ITS DISCONTENTS (2020) (3)
Codes of Best Practices in Fair Use (2018) (3)
Upright Citizens in Criminal Records: Investigations in Cachoeira and Geremoabo, Brazil, 1780-1836 (1981) (3)
Conglomerates and the media (1997) (3)
Norms-Shifting for Digital and Online Arts Practice: Copyright and Fair Use in the Visual Arts Community (2019) (3)
Copyright, Free Speech, and The Public's Right to Know (2013) (3)
The Limits of the Limits of the Law: How Useable Are DMCA Anticircumvention Exceptions? (2018) (2)
The Copyright Permissions Culture in Software Preservation and Its Implications for the Cultural Record (2018) (2)
The Uses of Technology in College and University Instruction (1996) (2)
TwentyFourSeven, The Full Monty, and Brassed Off Examine HowThatcherism DestroyedJobs, Culture, and Hope (1998) (2)
Interview with Natalie Davis (1984) (2)
Underground Cable: A Survey of Public Access Programming (1994) (2)
: Latin Looks: Images of Latinas and Latinos in the U. S. Media . Clara E. Rodriguez. (1999) (2)
Shifting policy paradigms and the public interest in the U.S. telecommunications act of 1996 (1997) (2)
Kevin Barnhurst, Mister Pulitzer and the Spider: Modern News from Realism to the Digital (2016) (2)
Creative Action Under Two Copyright Regimes: Filmmaking and Visual Arts in Australia and the United States (2020) (2)
Untold Stories: Collaborative Research on Documentary Filmmakers' Free Speech and Fair Use (2007) (2)
Julie E. Cohen, Between Truth and Power: The Legal Constructions of Informational Capitalism (2019) (2)
Piracy and Social Change: Roundtable Discussion (2015) (2)
Memory & History In Subsaharan African Cinema : An Interview with David Achkar (1993) (2)
Romantic Remixers: Hidden Tropes of Romantic Authorship in Creators’ Attitudes about Reuse (2020) (2)
The "Times" They Are Unchanging (1992) (2)
Approaches to Teaching Freedom of Expression: Cross-Cultural Film Study: Seeing inside Out (1991) (2)
The daily planet (2000) (2)
Learning with the Lights Off: Educational Films in the United States ed. by Devin Orgeron, Marsha Orgeron, Dan Streible (review) (2014) (1)
The Public Interest and the Information Superhighway: The Digital Future Coalition (1996–2002) and the Afterlife of the Digital Millennium Copyright Act (2021) (1)
Community Media in a Pandemic: Facilitating Local Communication, Collective Resilience and Transitions to Virtual Public Life in the U.S. (2021) (1)
Huckstering health. (1985) (1)
Recut, Reframe, Recycle: The Shaping of Fair Use Best Practices for Online Video (2010) (1)
Copyright Givers and Takers: Mutuality, Altruism and Instrumentalism in Open Licensing (2018) (1)
Review: Zoot Suit by Luis Valdez (1982) (1)
The banality of banality (1983) (1)
Julia Reichert and the Work of Telling Working-Class Stories (2019) (1)
Expanding the Utility of Fair Use in Copyright: The Best Practices Model (2009) (1)
Report on Orphan Works Challenges for Libraries, Archives, and Other Memory Institutions (2013) (1)
Expanding the Debate About Content Moderation (2020) (1)
Personal Documentary: War and Memory (1995) (1)
Ethical Challenges for Documentarians in a User-Centric Environment (2013) (1)
American Realities on Public Television: Analysis of Independent Television Service’s Independent Documentaries, 2007–2016 (2018) (1)
Shifting Narratives and Mutable Meanings (1994) (1)
A Field Diary (2019) (1)
In search of the civic sector: Cable television policy making in Brazil, 1989–1996 (1997) (1)
US Public Broadcasting: A Bulwark against Disinformation? (2020) (1)
Leval, Pierre N. Toward a Fair Use Standard, 103 Harv. L. Rev. 1105 (1990) (2020) (1)
The DMCA, Database Protection, and Right to Repair: The Long Tail of Public Interest Activism in the First Digital Copyright Decade (2020) (1)
Access shrugged: The decline of the copyleft and the rise of utilitarian openness (2020) (1)
Copyright and Fair Use in M-Learning (2013) (1)
Understanding the industry/state interface in creative industries studies (2021) (1)
Cracking the Copyright Dilemma in Software Preservation: Protecting Digital Culture Through Fair Use Consensus (2019) (0)
Imitations of Life (1994) (0)
1. Defining the Documentary (2008) (0)
Documentary Filmmaking and US Public TV's Independent Television Service, 1989–2017 (2019) (0)
Review: Brazilian Cinema by Randal Johnson, Robert Stam (1983) (0)
Copyright/Fair Use (2017) (0)
Review: Se Permuta by Juan Carlos Tabío (1986) (0)
The Broadcast Programming Marketplace after the Children's Television Act of 1990. (1994) (0)
Review: Memorias de Carcere by Nelson Pereira dos Santos (1985) (0)
Popular Culture's Unpopular Mothers (1992) (0)
Popular Culture's Unpopular Mothers (1992) (0)
Demme still making sense in his walk on the wild side (film review) (1986) (0)
Leveraging exceptions and limitations for digital curation and online collections: the U.S. case (2017) (0)
The New Deal: How digital platforms change negotiations between public media and independent producers (2006) (0)
Visual Arts in Digital and Online Environments: Changing Copyright and Fair Use Practice among Institutions and Individuals Abstract (2017) (0)
Copyright in the Participatory and Online Video Environment (2012) (0)
Copyright’s paradox ‐ by Neil W. Netanel (2009) (0)
Journalists, Social Media and Copyright: Demystifing Fair Use in the Emergent Digital Environment (2014) (0)
Keynote: Beyond the Copyright Wars: Fair Use, Free Speech, and Reframing the Policy Debate (2011) (0)
Chinese Documentaries at IDFA 2015 (2016) (0)
Stuart Cunningham and David Craig, Social Media Entertainment: The New Intersection of Hollywood and Silicon Valley (2019) (0)
An Interview with Elia Suleiman (1997) (0)
Keith Shiri (editor and compiler), Directory of African Film Makers and Films . Flicks Books, 29 Bradford Road, Trowbridge, Wiltshire BA 14 9AN, 1992, 208 pp., £33.00, ISBN 0 948911 60 3. (1994) (0)
Performative Media Policy: Section 230’s Evolution from Regulatory Statute to Loyalty Oath (2022) (0)
Free for not all (1990) (0)
Review: Mediating Two Worlds: Cinematic Encounters in the Americas by John King, Ana M. López, Manuel Alvarado (1994) (0)
Review: Latin Looks: Images of Latinas and Latinos in the U. S. Media by Clara E. Rodriguez (1999) (0)
Why Kids Hate Educational TV (2017) (0)
Angela Daly, Private Power, Online Information Flows and EU Law: Mind the Gap (2017) (0)
Kopple’s Work within the Changing Documentary Business Ecology (2019) (0)
Characters structuring narrative: Undressing My Mother within personal memoir film history (2010) (0)
Creative Action under Two Copyright Regimes: Filmmaking and Visual Arts in Australia and the U.S. (2020) (0)
Theorizing Documentary:Theorizing Documentary, (1995) (0)
Information for Contributors (1983) (0)
Memoirs of the Feminist Film MovementChick Flicks: Theories and Memories of the Feminist Film MovementHome Movies and Other Necessary Fictions (2001) (0)
The body in question (1987) (0)
Code ofBest Practicesin Fair Usefor theVisual Arts (2015) (0)
Inventing Vietnam the War in Film and Television . Michael Anderegg. (1992) (0)
Review: Inventing Vietnam the War in Film and Television by Michael Anderegg (1992) (0)
The Transition in Bengal, 1756-1775: A Study of Saiyid Muhammad Reza Khan. (1971) (0)
PERFORMATIVE MEDIA POLICY: SECTION 230’S EVOLUTION FROM FOOTNOTE TO LOYALTY OATH (2021) (0)
REVIEW: Working Stiffs, Union Maids, Reds, and Riffraff: An Organized Guide to Films About Labor By Tom Zaniello (1997) (0)
INFORMATION ACTIVISM IN THE FIRST DIGITAL COPYRIGHT DECADE: A CASE STUDY OF THE DIGITAL FUTURE COALITION, 1996-2002 AND THE INTERNET THAT NEARLY WAS (2020) (0)
A New Vision for Public Media (2011) (0)
Documentary Filmmaking and U.S. Public TV’s Independent Television Service, 1989-2017 (2019) (0)
Competition and Commons: The Post-Telecom Act Public Interest, in and after the AOLTW Merger (2001) (0)
Alliance for Community Media Keynote July 10, 1999, Cincinnati, Ohio (1999) (0)
Journalism, Freedom of Speech, and Copyright in the Digital Environment (2012) (0)
Norms-Shifting on Copyright and Fair Use in the Visual Arts Community (2016) (0)
Black and white comedy bought and souled (1986) (0)
Memoirs of the Feminist Film Movement (2001) (0)
Understanding the Industry/State Interface in Creative Industries Studies: Articulating Normative Values Informing Media Industries Research (2021) (0)
Art and/or Action (1989) (0)
Fair Use Statement Launched (2006) (0)
Panel Two: Social Media and Copyright Law (2013) (0)
Notes on Contributors (2013) (0)
Political Extremists, Postmodern Professors, and Other Politically Correct Bedfellows. Review of Patricia Aufderheide, Beyond PC: Towards a Politics of Understanding, and Paul Berman, Debating P. C.: The Controversy over Political Correctness on College Campuses@@@Beyond PC: Towards a Politics of Un (1993) (0)
COPYRIGHT AND REMIX ATTITUDES IN DIGITAL SPACES: HOW DO THEY DIFFER WITH AGE, EXPERIENCE AND KIND OF USE? (2015) (0)
Forum Report: Media Literacy (1992) (0)
Mainstream Documentary since 1999 (2011) (0)
Review of 'The Right to Play Oneself - Looking Back on Documentary Film' (2012) (0)
Interview with Patricio Guzmán (2020) (0)
Big Country Small Movie (1986) (0)
Cuban Documentary Retrospective at DocLisboa 2016 (2017) (0)
Police files turn into made-for-TV movies in Nicaragua (1986) (0)
Exploring sax and drugs and all that jazz / Media Beat (1986) (0)
THE CASE ACT: IMPLICATIONS FOR INTERNET STUDIES RESEARCH (2021) (0)
Diversity on U.S. Public and Commercial TV, in Authorial and Executive-Produced Social-Issue Documentaries (2017) (0)
Current and Readable: Cinema and Social Change in Latin America (book review) (1987) (0)
Toward Anti-Television (1989) (0)
Preservation of the Indian people and of tropical rain forests : human settlements and agrarian reform (1985) (0)
In praise of the fairness doctrine (1987) (0)
All the President's Media (1985) (0)
Book review: Authors, Users, and Pirates: Copyright Law and Subjectivity (2019) (0)
Drawn and Quartered (1988) (0)
A Circus of the Senses / Media Beat (1986) (0)
Underground Cable (1994) (0)
Nancy Schmidt, Sub–Saharan African Films and Filmmakers: an annotated bibliography . London: Hans Zell, 1988, 401 pp., £45.00, ISBN 0 905450 32 9. (1991) (0)

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