Sandro Jung

Q: What Schools Are Affiliated With Sandro Jung

Sandro Jung is affiliated with the following schools: Ghent University, University of California, Berkeley, University of Oxford, Hangzhou Normal University, Stanford University, Shanghai University of Finance and Economics

Sandro Jung's AcademicInfluence.com Rankings

Sandro Jung

Literature

#5604

World Rank

#8593

Historical Rank

Philology

#191

World Rank

#451

Historical Rank

literature Degrees

Download Badge

Literature

Sandro Jung's Degrees

Masters English Literature University of Oxford

Why Is Sandro Jung Influential?

(Suggest an Edit or Addition)

According to Wikipedia, Sandro Jung is a literary scholar and Distinguished Professor of English Literature at the Shanghai University of Finance and Economics. In addition to his position at the Shanghai University of Finance and Economics, he also serves as Jack Ma Distinguished Professor at Hangzhou Normal University. Since 2020, He has also served as the Director of the Centre for the Study of Text and Print Culture at the Shanghai University of Finance and Economics. Jung is the Founding Director of the Centre for the Study of Text and Print Culture at Ghent University. He is the editor-in-chief of ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. Jung is known for his works on English poetry. He has also published on literature and visual culture, and he is considered a leading authority in the field of illustration studies.

(See a Problem?)

Sandro Jung's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Print Culture, High-Cultural Consumption, and Thomson's The Seasons, 1780–1797 (2011) (27)
Thomas Stothard's Illustrations for The Royal Engagement Pocket Atlas, 1779–1826 (2011) (22)
Illustrated Pocket Diaries and the Commodification of Culture (2013) (20)
Thomson, Macpherson, Ramsay, and the Making and Marketing of Illustrated Scottish Literary Editions in the 1790s (2015) (20)
Thomas Stothard, Milton and the Illustrative Vignette: The Houghton Library Designs for The Royal Engagement Pocket Atlas (2022) (19)
Visual Interpretations, Print, and Illustrations of Thomson’s The Seasons, 1730–1797 (2010) (18)
Painterly ‘readings’ of The Seasons, 1766–1829 (2009) (11)
William Collins and "the poetical character": Originality, original genius, and the poems of William Collins (2000) (10)
David Mallet, Anglo-Scot: Poetry, Patronage, and Politics in the Age of Union (2008) (9)
The Fragmentary Poetic: Eighteenth-Century Uses of an Experimental Mode (2009) (9)
Women's Writing and the Circulation of Ideas: Manuscript Publication in England, 1550-1800 (2003) (8)
Reading Eighteenth-Century Poetry (2010) (8)
Thomson's The Seasons and the Tragic-Sentimental Verse Tale (2011) (6)
Epic, Ode, or Something New: The Blending of Genres in Thomson’s Spring (2007) (6)
Sensibility, the Servant and Comedy in Radcliffe's the Mysteries of Udolpho (2010) (6)
Johnson's 'Dictionary' and the language of William Collins's 'Odes on several descriptive and allegoric subjects' (2006) (6)
Steve Newman, Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism. Philadelphia: Pennsylvania, 2007 (2010) (6)
Mentorship and "Patronage" in Mid-Eighteenth-Century England : William Shenstone Reconsidered (2002) (6)
Poetic meaning in the eighteenth-century poems of Mark Akenside and William Shenstone (2003) (5)
William Shenstone's Poetry, The Leasowes and the Intermediality of Reading and Architectural Design (2014) (5)
William Collins, grace and the “cest of amplest power” (2007) (5)
Image Making in James Thomson’s The Seasons (2013) (4)
Thomson's winter, the Ur-text, and the revision of the seasons (2009) (4)
Susanna Pearson and the “Elegiac” Lyric1 (2006) (4)
The Illustrated Pocket Diary: Generic Continuity and Innovation, 1820–40 (2012) (4)
Joseph Mitchell (c. 1684-1738), Anglo-Scottish poet (2008) (4)
Shenstone, woodhouse, and mid-eighteenth-century poetics: genre and the Elegiac-Pastoral landscape (2009) (4)
'Sweetness' in the poetry of William Collins (2003) (4)
William Collins and the Goddess Natura (2007) (4)
“In Quest of Mistaken Beauties”: Samuel Johnson’s “Life of Collins” Reconsidered (2004) (4)
Some notes on William Mason and his use of the ‘hymnal’ ode (2004) (4)
David Mallet and Edward Jerningham: A New Letter (2004) (4)
Experiments in genre in eighteenth-century literature (2011) (3)
The works of Aaron Hill (2005) (3)
William Collins and the 'new' lyric (2003) (3)
William Collins's "Ode to Simplicity" and the Tail-Rhyme Stanza (2007) (3)
The eighteenth century: the novel (2011) (3)
Unnoticed Echoes of Collins's "Ode to Evening" in Mary Whateley's "Elegy on the Uses of Poetry" (2005) (3)
Print Culture, Marketing, and Thomas Stothard’s Illustrations for The Royal Engagement Pocket Atlas, 1779–1826 (2012) (2)
"To Gaze" in Collins's Ode on the Poetical Character (2007) (2)
William Newton: Anna Seward's “Peak Ministrel” (2009) (2)
Some Notes on the Hellenism of Mary Robinson’s Odes (2003) (2)
William Collins’s Ode to Evening and R.L. Edgeworth (2002) (2)
‘Forming Thought and Feasting Sense’: The Compositions of John Dyer (2000) (2)
Elizabeth Gaskell: Victorian culture, and the art of fiction: essays for the bicentenary (2010) (2)
Wordsworth and Collins (2009) (2)
Post-Augustan Nature in William Collins's Ode to Evening (1746) (2005) (2)
'A Scotch poetical library': James Thomson, the Morisons of Perth and the Construction of an enlightenment Scottish poetic canon (2014) (2)
A poet with a “bad Ear”? Some notes on the harmony of William Collins's Ode to Evening (2007) (2)
An Unnoticed "Review" of Mallet's The Excursion (2007) (2)
Cavendish's Body of Knowledge (2011) (2)
William Beckford's EPISODES OF VATHEK and the Architecture of Identity (2012) (2)
The Architectural Design of Beckford’s Vathek (2011) (2)
The body of guilt in Coleridge's 'Rime of the Ancient Mariner' (1798) (Samuel Taylor Coleridge) (2007) (2)
A Possible Source for Thomson’s ‘Damon and Musidora’ (2012) (2)
Print Culture and Visual Interpretation in Eighteenth-Century German Editions of Thomson's The Seasons (2012) (2)
Love and Honour in James Thomson's Tancred and Sigismunda (1745)1 (2002) (2)
‘Night’ in the Long‐Poems of Mallet, Savage and Thomson (2005) (2)
Packaging, design and colour: from fine-printed to small-format editions of Thomson's the seasons, 1793–1802 (2013) (2)
William Collins’s Odes : description and the "Silent Eye” (2007) (2)
New Light on David Mallet (2004) (2)
Charlotte Brontë’s Jane Eyre, the Female Detective and the ‘Crime’ of Female Selfhood (2007) (2)
SARAH PEARSON'S GOTHIC VERSE TALES (2009) (1)
William Collins and the "Zone" (2006) (1)
James Robertson's Poems of Allan Ramsay (1802) and the Adaptation of Other Scottish Booksellers' Book Illustrations of the Works of Ramsay (2018) (1)
David Mallet and George Lyttleton: New Letters (2004) (1)
Some Additions to the Shenstone Canon (2003) (1)
Collins's ODE TO EVENING (2005) (1)
Early eighteenth-century Scottish funeral elegies, memorialization, and the ephemeral (2011) (1)
The Descriptiveness of James Thomson’s Winter (1726) and the Early Eighteenth-Century ›Winter‹ Poem (2002) (1)
Spirituality in the Gothic Novel: Ann Radcliffe’s The Italian (1797) (2008) (1)
Salomon Gessner and Collins’s Oriental Eclogues (2009) (1)
Dominant Visual Narrative, the Competitive Marketing and Metacritical Functions of Illustrations, and Robert Morison’s 1793 Edition of James Thomson’s The Seasons (2021) (1)
Mallet’s Version of St. Kilda in Amyntor and Theodora (1747) (2005) (1)
Joseph Warton's “Ode to Fancy”and the Descriptive-Allegoric Ode (2008) (1)
Literary Ephemera (2020) (1)
William Collins: New Perspectives (2003) (1)
William Shenstone and "Flattery" (2004) (1)
British literature and print culture (2013) (1)
The visual 'life' of James Thomson's 'the seasons', 1730-c.1800 (2011) (1)
WILLIAM SHENSTONE AND JAMES THOMSON: A NEW POEM (2001) (1)
James Thomson's The Seasons, print culture, and visual interpretation, 1730-1842 (2015) (1)
Love, Honour, and Duty in James Thomson's "Tancred and Sigismunda" (1745) (2004) (1)
Anglo-German Dramatic and Poetic Encounters: Perspectives on Exchange in the Sattelzeit (2019) (1)
Form Versus Manner: The Pindaric Ode and the ›Hymnal‹ Tradition in the Mid-Eighteenth Century (2006) (1)
Mid-eighteenth-century literary coterie culture: William Collins and others (2003) (1)
James Morison, Book Illustration and The Poems of Robert Burns (1812) (2014) (1)
Overcoming Tyranny: Love, Truth and Meaning in Shelley's Prometheus Unbound (2006) (1)
The Language(s) of Hierarchy in Daniel Defoe's Robinson Crusoe (2003) (1)
Design, Media, and the Reading of Thomson’s The Seasons (2013) (1)
William Shenstone and Mrs Jane Bennet again (2002) (1)
The truth of taste and beauty and the production and judgment of art: John Gilbert Cooper's letters concerning taste (1754) (2007) (1)
Ephemeral Spenser (2020) (1)
Curiosity, Surveillance and Detection in Charlotte Brontë's Villette (2010) (1)
Robert Morison’s Collections of Extracts, The General Magazine, and the Reprinting of Illustrations (2017) (1)
The poetic fragment in the eighteenth century (2002) (1)
Isaiah Thomas’s Illustrated Imprints in the 1790s: The Provenance, Uses, and Production of their Illustrations (2021) (1)
Hermogenes as a Possible Source for William Collins's "Sweetness" (2006) (1)
John Gilbert Cooper's Revisions of "The Tomb of Shakespear: A Vision" (2005) (1)
The Visuality of Personification in Richard Savage’s The Wanderer: A Vision (1729) (2001) (1)
Currer Bell, Charlotte Brontë and the Construction of Authorial Identity (2014) (1)
Thomas Gray: elegy written in a country church-yard (2002) (1)
Some Notes on the “Single Sentiment” and Romanticism of Charlotte Smith (1999) (0)
“Poem Jenny”: Janet Reid (1777–1854) of Carnock & Bridge of Allan, Scotland. On Discovering the “Unpolished” Poems of a Forgotten “Poetess,” by David A. Flint (2017) (0)
John Ragsdale and William Collins Once Again (2011) (0)
Mark Akenside: A Re-Assessment (2002) (0)
Liminal femininity in Gaskell's Mary Barton and wives and daughters (2010) (0)
Margaret Cavendish's Mythopoetics: By Way of Introduction (2011) (0)
The Works of Aaron Hill, Critically Introduced by Sandro Jung (2004) (0)
James Thomson: Oxford bibliography online (2014) (0)
William Collins, the 'poor neglected bard' (2000) (0)
Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–1799 (2021) (0)
Shillingsburg, Peter. Textuality and Knowledge: Essays. University Park, PA: The Pennsylvania State University Press, 2017. Penn State Series in the History of the Book. xii, 222 pp. $150.00. Illus. (ISBN: 978-0-2710-7850-2). (2019) (0)
The Architectural Design of (2012) (0)
An American Parody of Thomson’s “Celadon and Amelia” Tale (2019) (0)
Knowledge Economies in Agnes Grey (2011) (0)
Margaret Connor, ‘The Three Dr Clarksons: A Brontë Link’, Studies in Hogg and His World, 17 (2006), pp. 131–38 (2010) (0)
Melancholy, mythopoeia and the hymnal impulse (2009) (0)
Sarah Pearson (1768-1833): a sheffied poet (2011) (0)
The Beggar in Augustan and Romantic Poetry : King, Moss, and Wordsworth (2001) (0)
Illustrations of Burns's poems (2013) (0)
Hymnal Elements in Wordsworth’s “Tintern Abbey” (2006) (0)
Transcending Shakespeare from text to screen Looking at Gender Politics in The Tempest (2013) (0)
Scottish canon formation through annotation, or, from Ramsay to burns : making sense of the paratextual apparatuses of the Morisons' patriotic editions of literary classics (2017) (0)
Introduction (2007) (0)
William Shenstone: the school-mistress (2002) (0)
“O think in what sweet lays, how sweetly strong / Our Fairfax warbles Tasso’s forcefull Song”: William Collins and Edward Fairfax (2005) (0)
Milton's L'Allegro and Collins's Ode on the Poetical Character (2009) (0)
Fielding’s Poet-Patriot and the Miscellanies Poems (2008) (0)
Literary Ephemera: Understanding the Media of Literacy and Culture Formation (2020) (0)
Selected Poems by William Shenstone, edited with a critical introduction by Sandro Jung (2005) (0)
Innovation and Tradition in the Eighteenth Century (2001) (0)
Introduction (2014) (0)
Visual Literary Criticism and Eighteenth-Century Literary Illustration. Introduction (2022) (0)
The Works of David Mallet, with a Critical Introduction by Sandro Jung (2002) (0)
›Silence‹ in Early Eighteenth-Century Poetry: Finch, Akenside, Collins (2003) (0)
William Blake, the Chapbook, and the Meaning and Associations of Format (2015) (0)
Reading the Romantic Vignette: Stothard Illustrates Bloomfield, Byron, and Crabbe forThe Royal Engagement Pocket Atlas (2019) (0)
Iconological Criticism: Repositioning Illustrations within Literary Studies (2021) (0)
A Political Biography of John Gay (2016) (0)
The Genres of Thomson's 'The Seasons' (2018) (0)
Sarah Pearson (1767–1833): A Laboring-Class Sheffield Poet’s Career and Work (2019) (0)
Literature and book history (2015) (0)
Towards a Rhetoric of the visual, or 'ut pictura poesis' in Gay and Collins (2001) (0)
David Mallet and Barton Booth: A New Letter (2008) (0)
Mark Akenside: a letter reconsidered (2002) (0)
Proot, Goran, David McKitterick, Angela Nuovo, and Paul F. Gehl (eds). Lux Librorum: Essays on Books and History for Chris Coppens. Mechelen: Flanders Book Historical Society, 2018. xliv, 244 pp. €40.00. Softcover (ISBN: 978-9-0829-2760-3). (2020) (0)
“Staging” an Anglo-Scottish Identity: The Early Career of David Mallet, Poet and Playwright, in London, 1723–39 (2009) (0)
New verse by Joseph Warton (2009) (0)
David Mallet and Lord Bolingbroke (2005) (0)
Thomas Muir of Huntershill: Essays for the Twenty-First Century (2017) (0)
A Possible Source for Horace Walpole's "Otranto" (2006) (0)
Rewriting Heroic Tragedy: Samuel Derrick’s “Remarks on Venice Preserv’d” (2007) (0)
Eighteenth-century literary ephemera (2016) (0)
Thomas Love Peacock's ‘Mr Asterias’ Reconsidered (2004) (0)
Idleness Censured and Morality Vindicated: Johnson's “Lives” of Shenstone and Gray (2007) (0)
Richard Savage's Hag (2009) (0)
The “New” Woman in the Late Eighteenth-Century Novel: Miss Fluart and Coquetry in Robert Bage’s Hermsprong (1796) (2008) (0)
Synthesising Difference: Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection (2009) (0)
Special Issue on Eighteenth-century Poetry (2007) (0)
Mallet's version of St Kilda on "Amyntor and Theodora" or "The Hermit": 1681 (2005) (0)
Nineteenth-Century Textuality: Essays in Honour of Paul Bellaby (2008) (0)
William Shenstone, Visual Culture and Relational Media Practices (2021) (0)
The Role of Visual Culture in the Patriotic Editions of the Morisons of Perth: From “The Scotish Poets” to The Poems of Ossian (2020) (0)
Editor’s Preface (2020) (0)
Synthesizing Difference : Charlotte Brooke's Reliques of Irish Poetry, the Construction of Identity and the Politics of the Literary Collection (2008) (0)
Acting and Performativity in Wilkie Collins’s Armadale (2009) (0)
Print culture and British literature (2013) (0)
Lady Randolph, the "Monument of Woe": Love and Loss in John Home's Douglas (2005) (0)
William Hymers and the Editing of William Collins's Poems, 1765–97 (2011) (0)
Charles Kingsley, romanticism and 'the sands of dee' (2001) (0)
Conflicting values in Charlotte Smith’s the old manor house (2002) (0)
Special Issue on Thomas Otway (2007) (0)
Eighteenth-century poetry (2012) (0)
Eighteenth-Century British Book Illlustration (2015) (0)
Function and Transformation in the Design and Interpretive Inscription of Frontispieces to Thomson’s The Seasons, 1767–1825 (2023) (0)
Wordsworth's "Tintern abbey" and the tradition of the "hymnal" ode (2007) (0)
Editorial (2010) (0)
Book Review (2007) (0)
The Politics of Improvement in Thomas Holcroft’s Anna St Ives (2011) (0)
The Other Pamela: Readership and the Illustrated Chapbook Abridgement (2016) (0)
William Collins and Haplotes (2010) (0)
Ballad Collection, Lyric, and the Canon: The Call of the Popular from the Restoration to the New Criticism by Steve Newman (review) (2017) (0)
Poetical Siblings: Thomson's Vignette of Celadon and Amelia Transformed (2023) (0)
Does Nature-based Travel Promote Traveler’s Happiness in COVID-19?:A focus on Risk Perception, Attention Restoration Theory and Subjective Well-being (2021) (0)
Some Notes on Le Sage's Gil Blas and James Thomson's Tancred and Sigismunda (2007) (0)
William Collins's 'On Hercules' reconsidered (2002) (0)
William Collins: Oxford Bibliography Online (2014) (0)
Generic Hybridity and Structural Technique in James Thomson's Spring (1728) (2007) (0)
'Villette' in context (2010) (0)
Pat Rogers, Pope and the Destiny of the Stuarts: History, Politics, and Mythology in the Age of Queen Anne (2007) (0)
David Mallet and Barton Booth (2008) (0)
G. L. Crusius, Leipzig Artist and Engraver, and His Literary Illustrations in the 1750s (2020) (0)
Sir Arthur Conan Doyle's "Sir Nigel" and the cervantine notion of "honour" (2007) (0)
Literary Forgery and the Fragment in the Eighteenth Century: West and Macpherson (2002) (0)
Preissler’s Plates for Zachariae’s Die Tageszeiten (1756): Strategies of Iconotextual Meaning-Making and Visual Criticism (2022) (0)
Inscribing Memory: Elegies to the Rev. Joseph Foord (2012) (0)
John Dyer: Grongar Hill (2002) (0)
Text technologies, illustrated editions as multi-technological hybrids, and William Falconer's The Shipwreck, 1762–1808 (2022) (0)
Liberty in Jane Austen’s “Persuasion,” by Kathryn E. Davis (2017) (0)
David Fairer, Organising Poetry: The Coleridge Circle, 1790-1798 (OUP, 2009) (2010) (0)
William Mason and Count Francesco Algarotti: Two New Letters (2005) (0)
Humphry Repton’s The Bee and Boydell’s Shakespeare Gallery (2014) (0)
Funeral invitations, elegies, and the ephemeral cultures of mourning (2017) (0)
Inventing the long poem (2011) (0)
New Light on David Mallet (Literary career and involvement with the Government party) (2004) (0)
John Gilbert Cooper's "The Tomb of Shakespear": An Editio (2005) (0)
Illustrated Glasgow Editions of Robert Burns’s Poems, 1800–1802 (2015) (0)
Margaret Cavendish's mythopoetics (2011) (0)
A Study of Authorial Illustration: The Magic Wonder (2020) (0)
The appropriation of Prometheus in the writings of thepatriot opposition to Walpole (2010) (0)
Two New Poems by Anna Seward (2003) (0)
Updating Summer, or, Revising and Recomposing The Seasons (2007) (0)
The Romantic Discourse(s) of Identity : Englishness, Irishness and Jewishness in Maria Edgeworth 's Castle Rackrent (1800) (2002) (0)
William Hymers and the editing of William Collins’s poems, 1765–1797 (2011) (0)
David Mallet and Thomas Percy (2006) (0)
David Mallet and David Garrick (2006) (0)
Ephemeral Spenser: Stothard’s Vignette Series of the Faerie Queene for the Royal Engagement Pocket Atlas (2020) (0)
“The Sands of Dee”: Its Popular Appeal and Textual Life (2015) (0)
Winding the Horn: Collins’s Beetle and Rogers’s Bee (2020) (0)
Klopstock’s Reception and Reworking of Ossian in Hermanns Schlacht (2004) (0)
The Visual Anatomy of Falconer's The Shipwreck, 1762–1818 (2023) (0)
The Color-Printed Plates for Edward Jeffery’s Edition of Walpole’s Castle of Otranto (1796) (2019) (0)
James Thomson's the seasons, textuality, and print culture (2013) (0)
William Shenstone and ‘Flattery’ (2004) (0)
Thomson’s The Seasons, Textual Mobility, and Bibliographical Inter-Iconicity (2016) (0)
Editor's Note (2013) (0)

This paper list is powered by the following services:

Other Resources About Sandro Jung

en.wikipedia.org

What Schools Are Affiliated With Sandro Jung?

Sandro Jung is affiliated with the following schools:

Sandro Jung's Academic­Influence.com Rankings