Sherrie Tucker | Academic Influence

Sherrie Tucker's AcademicInfluence.com Rankings

Sherrie Tucker

Communications

#6096

World Rank

#8410

Historical Rank

#2687

USA Rank

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Communications

Sherrie Tucker's Degrees

PhD American Studies University of Iowa
Masters American Studies University of Iowa
Bachelors English University of California, Berkeley

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Why Is Sherrie Tucker Influential?

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According to Wikipedia, Sherrie Jean Tucker is a musicologist, music historian, book author, professor, and journal editor. Tucker is co-editor-in-chief of American Studies, peer-reviewed academic journal. Education Tucker holds three degrees from San Francisco State University, including: a BA in Creative Writing, graduating summa cum laude in 1991, an MA in Creative Writing in 1992, and an MA in Women's Studies in 1994. Tucker earned a Ph.D. from the University of California, Santa Cruz, in History of Consciousness in 1999.

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Sherrie Tucker's Published Works

Number of citations in a given year to any of this author's works

Total number of citations to an author for the works they published in a given year. This highlights publication of the most important work(s) by the author

Published Works

Swing Shift: "All-Girl" Bands of the 1940s (2003) (94)
Telling Performances: Jazz History Remembered and Remade by the Women in the Band (1999) (18)
Studying U.S. Music in the Twenty-First Century (2011) (13)
Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies (2005) (12)
Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in Music (2010) (12)
When Did Jazz Go Straight?: a queer question for jazz studies (2008) (11)
Big Ears: Listening for Gender in Jazz Studies* (2017) (11)
Nobody's Sweethearts: Gender, Race, Jazz, and the Darlings of Rhythm (1998) (10)
Separated At “Birth”: Singing and the History Of Jazz (2010) (10)
Deconstructing the Jazz Tradition (2012) (8)
AUMI-Futurism: the Elsewhere and "Elsewhen" of (Un)Rolling the Boulder and Turning the Page (2017) (7)
Before Motown: A History of Jazz in Detroit, 1920-60 (2001) (7)
Perverse Hysterics: The Noisy Cri Of Les Diaboliques (2010) (5)
“Born Out Of Jazz … Yet Embracing All Music”: Race, Gender, and Technology in George Russell’s Lydian Chromatic Concept (2010) (4)
The Thelonious Monk Reader (2001) (4)
Gender, Jazz, and the Popular Front (2010) (3)
The Prairie View Co-Eds: Black College Women Musicians in Class and on the Road during World War II (1999) (2)
Stretched Boundaries: Improvising across Abilities (2016) (2)
“The Battle Of the Saxes”: Gender, Dance Bands, and British Nationalism in the Second World War (2010) (2)
"Where the Blues and the Truth Lay Hiding": Rememory of Jazz in Black Women's Fiction (1993) (2)
Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen (2014) (2)
Banding Encounters: Embodied Practices in Improvisation (2016) (1)
With Lovie and Lil: Rediscovering Two Chicago Pianists of the 1920s (2010) (1)
“But This Music Is Mine Already!”: “White Woman” as Jazz Collector in the Film New Orleans (1947) (2010) (1)
“It Takes Two People to Confirm the Truth”: The Jazz Fiction Of Sherley Ann Williams and Toni Cade Bambara (2010) (1)
Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2010) (1)
Wrestling Hollywood to the Map (2014) (1)
FITTING THE PART (2020) (1)
Where Is the Jazz in Jazzercise? (2015) (1)
From the Point of View of the Pavement: A Geopolitics Of Black Dance (2010) (1)
Not One to Toot Her Own Horn(?): Melba Liston’s Oral Histories and Classroom Presentations (2014) (1)
Jazz History Remix: Black Women from “Enter” to “Center” (2016) (1)
The Dyad from Without (2014) (0)
“Hours of Charm” with Phil Spitalny (2000) (0)
Turning the Page excerpt 1.mp4 (2018) (0)
Uplifts and Downbeats: What if Jazz History Included the Prairie View Co-eds? (2002) (0)
‘‘BUT THIS MUSIC IS MINE ALREADY!’’ : ‘‘WHITE WOMAN’’ AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) (2020) (0)
Operating from the Curbstone (2014) (0)
Flying Higher: The Women Airforce Service Pilots of World War II (review) (2003) (0)
Cruising the Cahuenga Pass(t) (2014) (0)
“Better a Jazz Album Than Lipstick” (Lieber Jazzplatte Als Lippenstift): The 1956 Jazz Podium Series Reveals Images Of Jazz and Gender in Postwar Germany (2010) (0)
(Un)American Patrol: Following the State on the Dance Floor of the Nation (2014) (0)
poem for far too many brilliant scholars, not enough of whom are with us today (2017) (0)
Grafting and Other Ramifications (2020) (0)
Maisie the Musician (2001) (0)
10. Stretched Boundaries: (2020) (0)
“Blow, Man, Blow!”: Representing Gender, White Primitives, And Jazz Melodrama Through A Young Man With A Horn (2008) (0)
The gendered jazz aesthetics of 'That Man of Mine': The International Sweethearts of Rhythm and independent black sound film (2008) (0)
Surveillance and Survival in the Jim Crow South (2000) (0)
The View from the Mezzanine (2014) (0)
South Eastern Reporter (2016) (0)
Black Women and Music: More Than the Blues (African American Music in Global Perspective) edited by Eileen M. Hayes and Linda F. Williams (2008) (0)
Female Big Bands, Male Mass Audiences: Gendered Performances in a Theater of War (2000) (0)
U.S. Music Studies in a Moment of Danger (2011) (0)
Internationalism and the Sweethearts of Rhythm (2000) (0)
Editor Letter to Randal Jelks (2022) (0)
Note from the Editors (2022) (0)
The Making(s) of National Memory: Hollywood Canteen (the Movie) (2014) (0)
Uplift and Downbeats (2002) (0)
Working the Swing Shift: Effects of World War II on All-Girl Bands (2000) (0)
Notes from the Editors (1984) (0)
Introduction: Writing on a Crowded Dance Floor (2014) (0)
"And, Fellas, They're American Girls!": On the Road with the Sharon Rogers All-Girl Band (1996) (0)
Men Serving Men (2014) (0)
The Darlings of Rhythm: On the Road and Ready to Run (2000) (0)
Reviews of Books:Swing, That Modern Sound Kenneth J. Bindas (2002) (0)
Editor's Note (2014) (0)
Styling Jim Crow: African American Beauty Training during Segregation. By Julia Kirk Blackwelder. (College Station: Texas A&M University Press, 2003. xii, 183 pp. $29.95, ISBN 1-58544-244-5.) (2004) (0)
39 "Sandstorm":on the Roots of West Texas Music (2002) (0)
INTRODUCTION (2020) (0)
Popular Music and Jazz, 1900–1950 (2015) (0)
Beyond the Brass Ceiling: Dolly Jones Trumpets Modernity in Oscar Micheaux's Swing! (2009) (0)
Women in jazz | Grove Music (2018) (0)
Consciousness in Interdisciplinary Perspective: Discussions from the Hall Center for the Humanities Fall Faculty Colloquium 2011 (2012) (0)
Battles of a “Sophisticated Lady”: Ada Leonard and the USO (2000) (0)
Soul on Soul: The Life and Music of Mary Lou Williams (review) (2007) (0)
8. Banding Encounters (2020) (0)
Dear AMSJ Readers (2016) (0)
Extracurricular Activities with the Prairie View Co-Eds (2000) (0)
The Courtesan's Arts: Cross-Cultural Perspectives (review) (2007) (0)
Post operative surgical patients can be successfully managed using the target oxygen saturation scheme with the BTS emergency oxygen guidance (2011) (0)
Swing: From Time to Torque (Dance Floor Democracy at the Hollywood Canteen) (2013) (0)

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Other Resources About Sherrie Tucker

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What Schools Are Affiliated With Sherrie Tucker?

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